Paper

Student Artwork Guide

Albert Kollmann

Name Class Date

Edvard Munch, Albert Kollmann (1902). Public domain.

The facts

Artist
Edvard Munch artsdot.com/en/artists/edvard-munch/
Artist’s dates
1863 – 1944
Painted
1902
Medium
Oil On Canvas
Original size
81 x 65 cm
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Period
Modern
Artistic style
Emotional intensity
Influences
Symbolism
Notable elements or techniques
Bold brushstrokes; Vivid colors
Subject or theme
Portraiture

In context

Albert Kollmann — Edvard Munch

How big is it?

The original measures 81 × 65 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Shaded: the lifetime of Edvard Munch (1863–1944) ▲ this work, 1902

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/edvard-munch-albert-kollmann-8XXU46-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #cdab89

    Catalogued palette

    • #CDAB89
    • #4D4E4A
    • #6B7666
    • #282A32
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Albert Kollmann — Edvard Munch

    Edvard Munch’s Albert Kollmann: A Portrait of Anxiety and Expressionist Mastery

    Edvard Munch, a Norwegian artist whose legacy continues to resonate profoundly within the artistic landscape, stands as one of the foremost figures of Expressionism. Among his celebrated works is Albert Kollmann, a painting that encapsulates Munch’s distinctive artistic vision and masterful technique—a piece that transcends mere representation to convey the raw emotion of its subject.

    The Painting's Details

    Created in 1902, Albert Kollmann measures 81 x 65 cm and was executed in oil on canvas. The artwork depicts a man with a beard, dressed impeccably in formal attire—a suit and tie—reflecting the societal norms of the era. However, it is his countenance that commands immediate attention; Munch captures a palpable sense of unease and apprehension through a stern expression that pierces through the viewer’s gaze.

    Alongside the central figure stands another individual in the background, seemingly absorbed in contemplation—a subtle juxtaposition that contributes to the painting's overall atmosphere. The inclusion of this secondary character adds depth to the narrative, hinting at unspoken anxieties and mirroring the complexities of human experience.

    Artistic Style

    Munch’s stylistic approach is undeniably rooted in Expressionism. Bold brushstrokes dominate the canvas, creating a dynamic interplay of color and texture that vibrates with emotional intensity. This technique—characteristic of Munch's oeuvre—sets him apart from his contemporaries who favored more restrained aesthetic sensibilities.

    The vibrant hues employed – predominantly yellows and blues – are not merely decorative; they serve as conduits for conveying psychological states. Munch skillfully utilizes color to amplify the painting’s emotional impact, mirroring the turbulent inner landscape of its subject.

    Museum Collection

    Von Der Heydt Museum in Wuppertal, Germany, houses a significant collection of modern and contemporary art, including Albert Kollmann. Established in 1902, the museum’s curators meticulously preserve and showcase artworks that embody pivotal moments in artistic history.

    Other Works by Edvard Munch

    Munch's artistic exploration extended beyond Albert Kollmann. Notable pieces include:

    Albert Kollmann

    Fertility II

    Fertility

    The Fisherman

    Relevance in Art History

    Albert Kollmann stands as a cornerstone of Expressionism—a movement that sought to depict subjective experience rather than objective reality. Munch’s ability to distill profound psychological anxieties into visual form solidified his position as an innovator and profoundly influenced subsequent generations of artists.

    The painting serves as a powerful reminder of the enduring capacity of art to communicate emotions and ideas beyond words, capturing the essence of human vulnerability and confronting viewers with uncomfortable truths about the human condition.

    For those eager to delve deeper into Munch’s artistic legacy or discover similar masterpieces—works that similarly grapple with themes of emotion and psychological exploration—visit AllPaintingsStore for a comprehensive collection of handmade oil painting reproductions.

    Artist and museum

    Artist

    Edvard Munch

    Born in Adelsbruk, Sweden

    A Life Shrouded in Shadow: The World of Edvard Munch

    Edvard Munch, born in 1863 amidst the stark landscapes of Norway, was an artist whose work became synonymous with the anxieties and emotional turmoil of the modern age. His life, deeply marked by loss and a pervasive sense of melancholy, served as the wellspring for his profoundly expressive art. From a childhood shadowed by the early deaths of his mother and sister – both claimed by tuberculosis – Munch developed a haunting preoccupation with mortality, sickness, and the fragility of human existence. These experiences weren’t merely biographical details; they became the very core of his artistic vision, fueling a relentless exploration of the inner landscape of fear, grief, and longing. His father's strict religious beliefs and own struggles with mental illness further contributed to a sense of dread that permeated Munch’s world, shaping not only his personal life but also the symbolic language of his paintings. He wasn’t simply depicting scenes; he was externalizing an internal state, translating psychological distress into visual form.

    The Genesis of Expression: Influences and Artistic Development

    Munch's artistic journey began with formal training at the Royal School of Art and Design in Kristiania (Oslo), but it was his encounter with the bohemian circles and the nihilist philosophy of Hans Jæger that truly ignited his creative fire. Jæger encouraged Munch to abandon conventional academic styles and instead delve into the depths of his own subjective experience, a concept he termed “soul painting.” This pivotal shift marked the beginning of Munch’s distinctive style – one characterized by raw emotion, distorted forms, and a rejection of naturalistic representation. His travels to Paris in the 1890s exposed him to the burgeoning Post-Impressionist movement, where he absorbed influences from artists like Paul Gauguin, Vincent van Gogh, and Henri de Toulouse-Lautrec. The bold use of color, expressive brushstrokes, and psychological intensity of these masters resonated deeply with Munch’s own artistic inclinations. He wasn't merely imitating their techniques; he was synthesizing them into something uniquely his own – a visual language capable of conveying the most profound and unsettling human emotions. His time in Berlin also proved crucial, bringing him into contact with playwright August Strindberg, whose exploration of psychological themes further fueled Munch’s artistic investigations.

    Iconic Visions: Major Works and Their Symbolic Weight

    Munch's oeuvre is populated by images that have become deeply ingrained in the collective consciousness. The Scream, perhaps his most iconic work, transcends its status as a painting to become a universal symbol of existential angst. The swirling, fiery landscape and the figure’s contorted face embody a primal scream against the indifference of the universe. Madonna, a controversial and deeply personal piece, explores themes of sexuality, motherhood, and mortality with unsettling frankness. Recurring motifs like The Sick Child – inspired by the loss of his sister Sophie – serve as poignant reminders of Munch’s childhood trauma and the ever-present specter of death. Melancholy I & II, powerful depictions of profound sadness and isolation, reveal a vulnerability that is both deeply personal and universally relatable. These works aren't simply representations of external reality; they are windows into the artist’s soul, offering viewers an unflinching glimpse into the darkest corners of the human psyche. Munch didn’t aim to create beautiful images; he sought to convey truth – even if that truth was painful and unsettling.

    A Lasting Legacy: Historical Significance and Enduring Influence

    Edvard Munch's contribution to modern art is immeasurable. He stands as a pivotal figure in the development of Expressionism, paving the way for artists who prioritized subjective emotion over objective representation. His unflinching exploration of universal human experiences – love, loss, anxiety, and death – continues to resonate with audiences today, solidifying his place as one of the most influential and enduring figures in art history. His work profoundly impacted subsequent generations of artists, influencing movements like German Expressionism and beyond. He dared to confront the darker aspects of the human condition, challenging conventional notions of beauty and artistic representation. Even after achieving fame and recognition – culminating in the establishment of the Munch Museum in Oslo – his personal life remained turbulent, marked by periods of mental instability and isolation. Yet, through it all, he continued to create, leaving behind a body of work that continues to provoke, challenge, and inspire. Munch’s legacy isn't just about the paintings themselves; it’s about the courage to confront the complexities of human existence and to translate those experiences into art that speaks to the deepest parts of our being.

    Where to read more

    Find this online

    QR code linking to the download page for Albert Kollmann

    artsdot.com/en/art/download/edvard-munch-albert-kollmann-8XXU46-en/

    Cite this artwork

    MLA
    Munch, Edvard. Albert Kollmann. 1902, https://artsdot.com/en/art/edvard-munch-albert-kollmann-8XXU46-en/
    APA
    Munch, Edvard (1902). Albert Kollmann [Painting]. https://artsdot.com/en/art/edvard-munch-albert-kollmann-8XXU46-en/
    Chicago
    Edvard Munch. Albert Kollmann. 1902. https://artsdot.com/en/art/edvard-munch-albert-kollmann-8XXU46-en/
    Harvard
    Munch, Edvard (1902) Albert Kollmann. Available at: https://artsdot.com/en/art/edvard-munch-albert-kollmann-8XXU46-en/

    Look closely

    Albert Kollmann — Edvard Munch

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portrait, expressionism, formalwear. Do you agree? What would you add, or take away?
    4. Look back at The Scream (1893), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Albert Kollmann — Edvard Munch

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Edvard Munch primarily associated with?

      • A Impressionism
      • B Cubism
      • C Expressionism
    2. 2. In what year was Albert Kollmann painted?

      • A 1889
      • B 1902
      • C 1914
    3. 3. What is the approximate size of Albert Kollmann?

      • A 30 x 40 cm
      • B 65 x 81 cm
      • C 90 x 70 cm
    4. 4. What medium was used to create Albert Kollmann?

      • A Watercolor
      • B Acrylic
      • C Oil on canvas
    5. 5. Where is Albert Kollmann currently housed?

      • A Louvre Museum
      • B Van Der Heydt Museum
      • C Metropolitan Museum of Art

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2B · 3B · 4C · 5B