Paper

Student Artwork Guide

Slick

Name Class Date

Barkley Leonnard Hendricks, Slick, Chrysler Museum of Art. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Barkley Leonnard Hendricks artsdot.com/en/artists/barkley-leonnard-hendricks/
Artist’s dates
1945 – 2017
Original size
170 x 123 cm
Held at
Chrysler Museum of Art artsdot.com/en/museums/chrysler-museum-of-art-norfolk/

In context

Slick — Barkley Leonnard Hendricks

How big is it?

The original measures 170 × 123 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 72 at death.

Shaded: the lifetime of Barkley Leonnard Hendricks (1945–2017) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/barkley-leonnard-hendricks-slick-D4342D-en/

Colours

Measured from the image

    Main colour

    White #ebebef

    Catalogued palette

    • #EBEBEF
    • #CFCEC9
    • #5A4125
    • #E1E0DF

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Barkley Leonnard Hendricks over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%
    2. 2 United States of America 50.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 6 most looked-at works by Barkley Leonnard Hendricks

    1. 1 Self Portrait, 2013 37.5%
    2. 2 Take All the Time You Need (Adrienne Hawkins), 1975 12.5%
    3. 3 Sir Charles, Alias Willie Harris, 1972 12.5%
    4. 4 North Carolina Sisters, 1978 12.5%
    5. 5 George Jules Taylor, 1972 12.5%
    6. 6 Slick this painting 12.5%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 9 works by this artist, of which 6 were looked at at least once. This painting ranks 6 of them, with 12.5% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Slick — Barkley Leonnard Hendricks

    “You think you’re slick. Just wait. One day a woman is going to straighten you out!” This wry comment by Hendricks’ sister inspired the title of this self-portrait. The essence of cool, the artist is stylishly dressed in a white linen suit and stands against a neutral backdrop. The white-on-white environment becomes a witty metaphor for the racial politics of the era. Drawing attention to his face and colorful African cap, Hendricks invites us to contemplate his identity—a vision that is literally reflected in his glasses as they catch the light from his studio’s arched windows.78.62

    Artist and museum

    Artist

    Barkley Leonnard Hendricks

    Born in Philadelphia, United States of America

    Early Life and Education

    Born: April 16, 1945, in Philadelphia, Pennsylvania

    Family Background: Grew up in a family that valued art and education. His parents migrated from Halifax County, Virginia to Philadelphia.

    Education: Attended Simon Gratz High School, Pennsylvania Academy of the Fine Arts (PAFA), and Yale University where he earned both a Bachelor's and Master’s degree. Studied with notable artists like Bernard Chaet, Lester Johnson, Gabor Peterdi, Robert Reed, and Walker Evans.

    Artistic Development and Influences

    European Influence: Early career was significantly influenced by travels to Europe, particularly the portrait styles of artists such as van Dyck and Velázquez.

    Addressing Representation: Troubled by the absence of Black people in Western art history, he dedicated his work to correcting this imbalance.

    Style Characteristics: Paintings are characterized by life-sized, realistic depictions of Black Americans against monochromatic backdrops. A unique blend of American realism and postmodernism.

    Key Influences: The Black Power movement influenced his desire to portray Black Americans with pride and dignity.

    Notable Works and Exhibitions

    Significant Paintings: Notable works include Lawdy Mama (portrait of his second cousin) and What’s Going On (inspired by Marvin Gaye's single).

    Exhibition Highlights: His work has been exhibited at prestigious venues including the Frick Collection in Manhattan (first African American artist to have a solo exhibit), the Nasher Museum of Art at Duke University, and the Chrysler Museum of Art.

    Self-Portraits: Created notable self-portraits like Brilliantly Endowed (Self portrait) and Slick in response to critical reviews.

    Legacy and Historical Significance

    Contribution to Black Portraiture: Made significant contributions to Black portraiture and conceptualism, challenging traditional Western art representations.

    Black Arts Movement Figure: A key figure in the Black Arts Movement, advocating for greater representation of Black artists and culture.

    Recognition and Awards: His work has been widely recognized for its unique style and powerful message.

    Availability: Paintings are available for viewing and purchase on AllPaintingsStore.com.

    Further Information

    Wikipedia: https://en.wikipedia.org/wiki/Barkley_L._Hendricks

    AllPaintingsStore Profile: /en/artists/barkley-leonnard-hendricks/

    Museum

    Chrysler Museum of Art

    On show in Norfolk, United States of America

    A Sanctuary of Light and Vision

    Nestled in the heart of Norfolk, Virginia, the Chrysler Museum of Art stands as a profound testament to the transformative power of vision and generosity. What began in 1933 as the modest Norfolk Museum of Arts and Sciences blossomed into a premier cultural destination, largely due to the pivotal donation by Walter P. Chrysler Jr. in 1971. Today, it serves as a luminous sanctuary where five millennia of human creativity converge, offering a chronological odyssey that invites visitors to traverse the vast landscape of artistic evolution. From the ancient whispers of early civilizations to the bold, visceral energy of contemporary masterpieces, the museum provides an immersive experience that transcends time and geography.

    The soul of the Chrysler lies in its breathtakingly diverse holdings, where the monumental meets the delicate. One cannot wander through its halls without being captivated by the world-renowned glass collection, a shimmering panorama that traces the medium’s journey from fragile antiquity to modern innovation. Here, the iridescent brilliance of

    Louis Comfort Tiffany’s

    lampshades creates miniature universes of light, standing in dialogue with massive, breathtaking stained glass windows. This mastery of light is mirrored in the museum's European galleries, where the dramatic

    chiaroscuro

    of Caravaggio and the meticulous, quiet interiors of Vermeer offer windows into the very essence of the human condition. The collection further expands into the grandeur of the Baroque era with works by Bernini and Rubens, and moves through the refined American portraiture of John Singleton Copley to the raw, emotive abstraction of Jackson Pollock and Mark Rothko.

    Architectural Elegance and Living Artistry

    Architecturally, the museum is a masterpiece of modernist design, specifically engineered to act as a vessel for light. The 2014 expansion transformed the institution into a soaring landscape of expansive galleries and high ceilings, designed to maximize natural illumination and foster deep contemplation. This architectural elegance is punctuated by whimsical moments, such as the presence of Florentijn Hofman’s

    Rubber Duck

    sculpture, which pays a playful tribute to Norfolk’s maritime heritage. For those seeking to witness the spark of creation, the museum houses the Perry Glass Studio, an interactive space where the rhythmic dance of molten glass and craftsmanship can be observed firsthand, bridging the gap between the finished masterpiece and the artist's hand.

    Beyond its role as a repository for treasures, the Chrysler Museum is defined by its unwavering commitment to inclusivity and community engagement. By offering free admission, the institution ensures that art remains an accessible luxury, breaking down socioeconomic barriers to welcome all seekers of beauty. For interior designers and collectors, the museum serves as an inexhaustible source of inspiration, providing a rich palette of textures, historical motifs, and color harmonies. It is more than a museum; it is a vibrant hub for cultural exchange, a place where the past and present breathe together, reminding every visitor that beauty and innovation are essential elements of a life well-lived.

    Where to read more

    Find this online

    QR code linking to the download page for Slick

    artsdot.com/en/art/download/barkley-leonnard-hendricks-slick-D4342D-en/

    Cite this artwork

    MLA
    Hendricks, Barkley Leonnard. Slick. n.d., Chrysler Museum of Art. https://artsdot.com/en/art/barkley-leonnard-hendricks-slick-D4342D-en/
    APA
    Hendricks, Barkley Leonnard (n.d.). Slick [Painting]. Chrysler Museum of Art. https://artsdot.com/en/art/barkley-leonnard-hendricks-slick-D4342D-en/
    Chicago
    Barkley Leonnard Hendricks. Slick. n.d. Chrysler Museum of Art. https://artsdot.com/en/art/barkley-leonnard-hendricks-slick-D4342D-en/
    Harvard
    Hendricks, Barkley Leonnard (n.d.) Slick. Chrysler Museum of Art. Available at: https://artsdot.com/en/art/barkley-leonnard-hendricks-slick-D4342D-en/

    Look closely

    Slick — Barkley Leonnard Hendricks

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Self Portrait (2013), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What explains the copyright situation of "Slick" by Barkley Leonnard Hendricks?

    The copyright status of "Slick" - still protected by copyright - follows from the artist's death in 2017.

    How much light do the colors of "Slick" appear to reflect?

    The colors of "Slick" show a luminous luminance.

    How is "Slick" by Barkley Leonnard Hendricks proportioned, and how big is it?

    The format of "Slick" is portrait, and the original measures 170 x 123 cm. Both are useful when planning a reproduction.