Paper

Student Artwork Guide

Self Portrait

Barkley Leonnard Hendricks, 2013

Name Class Date
Barkley Leonnard Hendricks, Self Portrait (2013), Chrysler Museum of Art. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Barkley Leonnard Hendricks artsdot.com/en/artists/barkley-leonnard-hendricks/
Artist’s dates
1945 – 2017
Painted
2013
Medium
Acrylic On Canvas
Original size
97 x 97 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Held at
Chrysler Museum of Art artsdot.com/en/museums/chrysler-museum-of-art-norfolk/
Artistic style
Realistic portraiture
Influences
European art
Notable elements
Life-size depiction
Subject or theme
Self-representation

Copyright This work is still under copyright. Barkley Leonnard Hendricks died in 2017; copyright lasts 70 years after the artist’s death, so it remains in force until 2087. The image is shown here for classroom reference; rights remain with the rights holder.

Source: ArtsDot.com — accessed Sept. 24, 2026

Self Portrait — Barkley Leonnard Hendricks Part 1 · The artwork

In context

Self Portrait — Barkley Leonnard Hendricks

How big is it?

The original measures 97 × 97 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 72 at death.

Painted when the artist was 68. The artist lived to 72. 7 of the 8 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Barkley Leonnard Hendricks (1945–2017) ▲ this work, 2013 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/barkley-leonnard-hendricks-self-portrait-D435EX-en/

Colours

Measured from the image

    Main colour

    Espresso #4a4b4c

    Catalogued palette

    • #4A4B4C
    • #D1D2CF
    • #8F908D
    • #1B1B1A

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Barkley Leonnard Hendricks over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%
    2. 2 United States of America 50.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 6 most looked-at works by Barkley Leonnard Hendricks

    1. 1 Self Portrait, 2013 this painting 33.3%
    2. 2 Take All the Time You Need (Adrienne Hawkins), 1975 22.2%
    3. 3 Sir Charles, Alias Willie Harris, 1972 11.1%
    4. 4 North Carolina Sisters, 1978 11.1%
    5. 5 George Jules Taylor, 1972 11.1%
    6. 6 Slick 11.1%

    Together these works take 99.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 9 works by this artist, of which 6 were looked at at least once. This painting ranks 1 of them, with 33.3% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Source: ArtsDot.com — accessed Sept. 24, 2026

    Self Portrait — Barkley Leonnard Hendricks Part 2 · In context

    About this artwork

    Self Portrait — Barkley Leonnard Hendricks

    The Genesis of a Vision: Barkley Leonard Hendricks' "Self Portrait"

    Barkley Leonard Hendricks’ 2013 photograph, “Self Portrait,” isn’t merely a depiction of an artist; it’s a carefully constructed dialogue between the man and his art, a vibrant snapshot of identity forged within the crucible of Philadelphia’s urban landscape. Created during a pivotal period in Hendricks' career – following years dedicated to addressing the conspicuous absence of Black figures in Western art history – this image embodies a profound shift towards celebrating the everyday realities of African American life. The photograph captures Hendricks not as a distant icon, but as a tangible presence, a teacher, and a proud inhabitant of his community, radiating an undeniable sense of self-assuredness.

    Hendricks’ decision to present himself in such a direct and unadorned manner is deliberate. He stands before two of his most celebrated portraits, “Slick” (1977) and “Brilliantly Endowed (Self-Portrait)” (1977), both monumental works that redefined the possibilities of Black portraiture. The inclusion of these paintings – vibrant testaments to his artistic vision – immediately establishes a context of creative accomplishment and intellectual rigor. The photograph’s black and white palette amplifies the impact, stripping away superficial distractions and focusing attention squarely on Hendricks' face and posture; it is a deliberate choice that echoes the stark realism characteristic of his earlier work.

    A Study in Composition: Lines, Light, and the Urban Grid

    The composition of “Self Portrait” is remarkably balanced, despite its slightly cluttered appearance. The photographer masterfully utilizes leading lines – created by the placement of the two finished portraits – to draw the viewer’s eye towards Hendricks' central figure. These lines converge on his face, establishing a direct connection between the artist and the observer. The strong contrast between light and shadow, generated by natural light streaming through a window, sculpts Hendricks’ form with dramatic precision, highlighting the contours of his face and emphasizing the weight of his gaze.

    Geometric Lines: The photograph is defined by geometric lines – the sharp angles of the studio equipment, the rectangular frames of the paintings, and the structured arrangement of Hendricks' clothing.

    Organic Shapes: Despite the dominant geometric elements, organic shapes are subtly present in Hendricks’ body, his posture, and the textures of his shirt.

    Texture: The wood floor, the fabric of his t-shirt, and the surfaces of the paintings all contribute to a rich tapestry of texture, adding depth and tactile quality to the image.

    Symbolism and Context: A Reflection on Representation

    Beyond its formal qualities, “Self Portrait” carries significant symbolic weight. Hendricks’ wearing a t-shirt referencing Simon Gratz High School – where he taught for many years – subtly anchors him within his community and underscores his commitment to education. This detail speaks volumes about his role as both an artist and a mentor, bridging the gap between the art world and the everyday experiences of Philadelphia's youth.

    The photograph’s deliberate lack of embellishment is itself a powerful statement. Hendricks doesn’t pose theatrically or attempt to project an idealized image; instead, he presents himself as he truly is – a thoughtful, engaged individual deeply connected to his roots. This approach directly challenges the traditional conventions of portraiture, which often prioritize beauty and social status over authenticity and lived experience. It's a bold assertion that Black identity can be powerfully represented through realism and directness.

    A Legacy in Monochrome: The Enduring Power of Hendricks’ Vision

    “Self Portrait” is more than just a photograph; it’s a testament to Barkley Leonard Hendricks’ artistic vision and his unwavering commitment to representing the complexities of Black life. The image's stark beauty, combined with its subtle layers of symbolism, invites viewers to contemplate themes of identity, representation, and the enduring power of art to shape our understanding of the world. Reproductions of this compelling work offer a window into Hendricks’ creative process and his profound contribution to contemporary American art.

    Source: ArtsDot.com — accessed Sept. 24, 2026

    Self Portrait — Barkley Leonnard Hendricks Part 3 · About this artwork

    Artist and museum

    Artist

    Barkley Leonnard Hendricks

    Born in Philadelphia, United States of America

    Early Life and Education

    Born: April 16, 1945, in Philadelphia, Pennsylvania

    Family Background: Grew up in a family that valued art and education. His parents migrated from Halifax County, Virginia to Philadelphia.

    Education: Attended Simon Gratz High School, Pennsylvania Academy of the Fine Arts (PAFA), and Yale University where he earned both a Bachelor's and Master’s degree. Studied with notable artists like Bernard Chaet, Lester Johnson, Gabor Peterdi, Robert Reed, and Walker Evans.

    Artistic Development and Influences

    European Influence: Early career was significantly influenced by travels to Europe, particularly the portrait styles of artists such as van Dyck and Velázquez.

    Addressing Representation: Troubled by the absence of Black people in Western art history, he dedicated his work to correcting this imbalance.

    Style Characteristics: Paintings are characterized by life-sized, realistic depictions of Black Americans against monochromatic backdrops. A unique blend of American realism and postmodernism.

    Key Influences: The Black Power movement influenced his desire to portray Black Americans with pride and dignity.

    Notable Works and Exhibitions

    Significant Paintings: Notable works include Lawdy Mama (portrait of his second cousin) and What’s Going On (inspired by Marvin Gaye's single).

    Exhibition Highlights: His work has been exhibited at prestigious venues including the Frick Collection in Manhattan (first African American artist to have a solo exhibit), the Nasher Museum of Art at Duke University, and the Chrysler Museum of Art.

    Self-Portraits: Created notable self-portraits like Brilliantly Endowed (Self portrait) and Slick in response to critical reviews.

    Legacy and Historical Significance

    Contribution to Black Portraiture: Made significant contributions to Black portraiture and conceptualism, challenging traditional Western art representations.

    Black Arts Movement Figure: A key figure in the Black Arts Movement, advocating for greater representation of Black artists and culture.

    Recognition and Awards: His work has been widely recognized for its unique style and powerful message.

    Availability: Paintings are available for viewing and purchase on AllPaintingsStore.com.

    Further Information

    Wikipedia: https://en.wikipedia.org/wiki/Barkley_L._Hendricks

    AllPaintingsStore Profile: /en/artists/barkley-leonnard-hendricks/

    Museum

    Chrysler Museum of Art

    On show in Norfolk, United States of America

    A Sanctuary of Light and Vision

    Nestled in the heart of Norfolk, Virginia, the Chrysler Museum of Art stands as a profound testament to the transformative power of vision and generosity. What began in 1933 as the modest Norfolk Museum of Arts and Sciences blossomed into a premier cultural destination, largely due to the pivotal donation by Walter P. Chrysler Jr. in 1971. Today, it serves as a luminous sanctuary where five millennia of human creativity converge, offering a chronological odyssey that invites visitors to traverse the vast landscape of artistic evolution. From the ancient whispers of early civilizations to the bold, visceral energy of contemporary masterpieces, the museum provides an immersive experience that transcends time and geography.

    The soul of the Chrysler lies in its breathtakingly diverse holdings, where the monumental meets the delicate. One cannot wander through its halls without being captivated by the world-renowned glass collection, a shimmering panorama that traces the medium’s journey from fragile antiquity to modern innovation. Here, the iridescent brilliance of

    Louis Comfort Tiffany’s

    lampshades creates miniature universes of light, standing in dialogue with massive, breathtaking stained glass windows. This mastery of light is mirrored in the museum's European galleries, where the dramatic

    chiaroscuro

    of Caravaggio and the meticulous, quiet interiors of Vermeer offer windows into the very essence of the human condition. The collection further expands into the grandeur of the Baroque era with works by Bernini and Rubens, and moves through the refined American portraiture of John Singleton Copley to the raw, emotive abstraction of Jackson Pollock and Mark Rothko.

    Architectural Elegance and Living Artistry

    Architecturally, the museum is a masterpiece of modernist design, specifically engineered to act as a vessel for light. The 2014 expansion transformed the institution into a soaring landscape of expansive galleries and high ceilings, designed to maximize natural illumination and foster deep contemplation. This architectural elegance is punctuated by whimsical moments, such as the presence of Florentijn Hofman’s

    Rubber Duck

    sculpture, which pays a playful tribute to Norfolk’s maritime heritage. For those seeking to witness the spark of creation, the museum houses the Perry Glass Studio, an interactive space where the rhythmic dance of molten glass and craftsmanship can be observed firsthand, bridging the gap between the finished masterpiece and the artist's hand.

    Beyond its role as a repository for treasures, the Chrysler Museum is defined by its unwavering commitment to inclusivity and community engagement. By offering free admission, the institution ensures that art remains an accessible luxury, breaking down socioeconomic barriers to welcome all seekers of beauty. For interior designers and collectors, the museum serves as an inexhaustible source of inspiration, providing a rich palette of textures, historical motifs, and color harmonies. It is more than a museum; it is a vibrant hub for cultural exchange, a place where the past and present breathe together, reminding every visitor that beauty and innovation are essential elements of a life well-lived.

    Where to read more

    Find this online

    QR code linking to the download page for Self Portrait

    artsdot.com/en/art/download/barkley-leonnard-hendricks-self-portrait-D435EX-en/

    Cite this artwork

    MLA
    Hendricks, Barkley Leonnard. Self Portrait. 2013, Chrysler Museum of Art. https://artsdot.com/en/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/
    APA
    Hendricks, Barkley Leonnard (2013). Self Portrait [Painting]. Chrysler Museum of Art. https://artsdot.com/en/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/
    Chicago
    Barkley Leonnard Hendricks. Self Portrait. 2013. Chrysler Museum of Art. https://artsdot.com/en/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/
    Harvard
    Hendricks, Barkley Leonnard (2013) Self Portrait. Chrysler Museum of Art. Available at: https://artsdot.com/en/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/

    Source: ArtsDot.com — accessed Sept. 24, 2026

    Self Portrait — Barkley Leonnard Hendricks Part 4 · Artist and museum

    Look closely

    Self Portrait — Barkley Leonnard Hendricks

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: self-portrait, artist studio, black and white. Do you agree? What would you add, or take away?
    5. Look back at Take All the Time You Need (Adrienne Hawkins) (1975), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Source: ArtsDot.com — accessed Sept. 24, 2026

    Self Portrait — Barkley Leonnard Hendricks Part 5 · Look closely

    Art quiz

    Self Portrait — Barkley Leonnard Hendricks

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject of Barkley Leonard Hendricks’ ‘Self Portrait’?

      • A A depiction of a historical event.
      • B A realistic portrayal of an African American man in his studio.
      • C An abstract representation of the artist's emotions.

    2. 2. According to the description, what is notable about the lighting in the photograph?

      • A It’s uniformly bright and even.
      • B It creates strong shadows and highlights.
      • C It's primarily diffused natural light.

    3. 3. What school did Barkley Leonard Hendricks teach at before retiring?

      • A Pennsylvania Academy of the Fine Arts (PAFA)
      • B Yale University
      • C Simon Gratz High School

    4. 4. The photograph includes a reference to which of Barkley Leonard Hendricks’ secondary schools?

      • A Harvard University
      • B Yale University
      • C Simon Gratz High School

    5. 5. What is a key characteristic of Barkley Leonard Hendricks' paintings, as mentioned in the description?

      • A They are exclusively landscapes.
      • B They feature monochromatic backdrops and life-sized depictions of Black Americans.
      • C They primarily depict portraits of European royalty.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3C · 4C · 5B

    Check any answer against the catalogue record for this painting

    Source: ArtsDot.com — accessed Sept. 24, 2026

    Self Portrait — Barkley Leonnard Hendricks Part 6 · Art quiz

    Questions & Answers

    What color leads the composition of "Self Portrait" by Barkley Leonnard Hendricks?

    espresso (#4a4b4c) is the leading color of "Self Portrait" by Barkley Leonnard Hendricks.

    What placement suits the format of "Self Portrait" by Barkley Leonnard Hendricks?

    The square format of "Self Portrait" by Barkley Leonnard Hendricks is recommended for a living room. Format and space together guide the placement of a reproduction.

    Toward which tone does "Self Portrait" lean?

    A green to violet spectrum hue runs through "Self Portrait" by Barkley Leonnard Hendricks.