Paper

Student Artwork Guide

Bahsir

Name Class Date

barkley leonnard hendricks, Bahsir (1975), Nasher Museum of Art at Duke University. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
barkley leonnard hendricks artsdot.com/en/artists/barkley-leonnard-hendricks/
Artist’s dates
1945 – 2017
Painted
1975
Original size
212 x 167 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Held at
Nasher Museum of Art at Duke University artsdot.com/en/museums/nasher-museum-of-art-at-duke-university-durham/

In context

Bahsir — barkley leonnard hendricks

How big is it?

The original measures 212 × 167 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Shaded: the lifetime of barkley leonnard hendricks (1945–2017) ▲ this work, 1975

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/barkley-leonnard-hendricks-bahsir-D9PHXK-en/

Colours

Measured from the image

    Main colour

    Gray #506373

    Catalogued palette

    • #506373
    • #E9E6B7
    • #B58A6A
    • #353337
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Bahsir — barkley leonnard hendricks

    Barkley Hendricks was best known for his full-figure, life-sized portraits of people of color that he began painting in the late 1960s.

    Artist and museum

    Artist

    barkley leonnard hendricks

    Born in Philadelphia, United States of America

    Early Life and Education

    Born: April 16, 1945, in Philadelphia, Pennsylvania

    Family Background: Grew up in a family that valued art and education. His parents migrated from Halifax County, Virginia to Philadelphia.

    Education: Attended Simon Gratz High School, Pennsylvania Academy of the Fine Arts (PAFA), and Yale University where he earned both a Bachelor's and Master’s degree. Studied with notable artists like Bernard Chaet, Lester Johnson, Gabor Peterdi, Robert Reed, and Walker Evans.

    Artistic Development and Influences

    European Influence: Early career was significantly influenced by travels to Europe, particularly the portrait styles of artists such as van Dyck and Velázquez.

    Addressing Representation: Troubled by the absence of Black people in Western art history, he dedicated his work to correcting this imbalance.

    Style Characteristics: Paintings are characterized by life-sized, realistic depictions of Black Americans against monochromatic backdrops. A unique blend of American realism and postmodernism.

    Key Influences: The Black Power movement influenced his desire to portray Black Americans with pride and dignity.

    Notable Works and Exhibitions

    Significant Paintings: Notable works include Lawdy Mama (portrait of his second cousin) and What’s Going On (inspired by Marvin Gaye's single).

    Exhibition Highlights: His work has been exhibited at prestigious venues including the Frick Collection in Manhattan (first African American artist to have a solo exhibit), the Nasher Museum of Art at Duke University, and the Chrysler Museum of Art.

    Self-Portraits: Created notable self-portraits like Brilliantly Endowed (Self portrait) and Slick in response to critical reviews.

    Legacy and Historical Significance

    Contribution to Black Portraiture: Made significant contributions to Black portraiture and conceptualism, challenging traditional Western art representations.

    Black Arts Movement Figure: A key figure in the Black Arts Movement, advocating for greater representation of Black artists and culture.

    Recognition and Awards: His work has been widely recognized for its unique style and powerful message.

    Availability: Paintings are available for viewing and purchase on AllPaintingsStore.com.

    Further Information

    Wikipedia: https://en.wikipedia.org/wiki/Barkley_L._Hendricks

    AllPaintingsStore Profile: /en/artists/barkley-leonnard-hendricks/

    Museum

    Nasher Museum of Art at Duke University

    On show in Durham, United States of America

    A Dialogue Across Time: The Soul of the Nasher Museum

    To step into the Nasher Museum of Art at Duke University is to enter a space where the boundaries of history and modernity dissolve, replaced by a profound, ongoing conversation between eras. Located in the heart of Durham, North Carolina, this institution does not merely display objects; it orchestrates an encounter between the viewer and the vast spectrum of human creativity. The museum serves as a bridge, connecting the ancient whispers of Pre-Columbian civilizations with the vibrant, often provocative pulses of contemporary global art. For the discerning collector or the lover of fine aesthetics, the Nasher offers more than a gallery visit—it provides an intellectual sanctuary where every artifact and canvas acts as a vessel for storytelling, culture, and transformative thought.

    The museum’s collection is a breathtaking tapestry of human achievement, characterized by its remarkable breadth. One might find themselves mesmerized by the delicate precision of Mayan ceramics, where intricate glyphs offer a window into a complex, ancient cosmology, or lost in the rhythmic patterns of Peruvian textiles that embody centuries of ancestral wisdom and masterful craftsmanship. Yet, as one moves through the galleries, this ancient reverence seamlessly transitions into the electric energy of the present day. The contemporary holdings are nothing short of powerful, featuring the works of visionaries such as

    Ai Weiwei

    ,

    Kerry James Marshall

    , and

    Nina Chanel Abney

    . These pieces do not shy away from the complexities of our era; instead, they confront social and political landscapes with a raw, unflinching beauty that challenges the observer to look deeper.

    Architectural Elegance and the Art of Light

    The physical vessel for this extraordinary collection is as much a work of art as the treasures it houses. Designed by the renowned architect

    Rafael Viñoly

    and completed in 2005, the museum’s structure is a masterclass in modern architectural vision. The building is defined by its intentional use of expansive windows and an abundance of natural light, which serves to dissolve the walls between the interior galleries and the world outside. This luminosity does more than illuminate; it breathes life into the textures of the art, creating a dynamic environment where shadows and highlights shift with the passing hours. For interior designers and architects, the museum stands as a premier example of how space can be engineered to enhance the emotional resonance of an object, fostering an atmosphere of openness and discovery.

    This architectural brilliance is rooted in a legacy of generosity and transformation. While the institution’s origins trace back to 1969 as the Duke University Museum of Art—initially centered around the exquisite medieval treasures of the Ernest Brummer Collection—it was the transformative gift from alumnus

    Raymond Nasher

    that propelled the museum into its current state of glory. This pivotal moment allowed for the creation of a modern landmark that honors the past while aggressively pursuing the future. The museum’s evolution reflects a commitment to excellence, evolving from a specialized repository into a global cultural beacon that celebrates the intersection of diverse artistic traditions.

    A Living Institution of Discovery

    What truly distinguishes the Nasher Museum is its refusal to remain static. It is an institution in constant motion, characterized by exhibitions that delve into unexpected thematic depths. From exploring the rhythmic influence of vinyl culture in

    "The Record"

    to celebrating the sophisticated cool of

    Barkley L. Hendricks

    , the museum’s programming is designed to provoke and inspire. Recent investigations into the power dynamics within American Indian pop art and mid-century abstraction demonstrate a curated effort to highlight voices that are often overlooked, ensuring that the museum remains at the forefront of the contemporary cultural dialogue.

    For those who seek inspiration in the synthesis of old and new, the Nasher Museum offers an unparalleled experience. It is a place where the ancient and the avant-garde exist in a state of perfect equilibrium, inviting every visitor to contemplate art beyond the constraints of geography or chronology. Whether you are drawn by the technical mastery of a centuries-old weave or the political urgency of a modern installation, the Nasher promises an encounter that is as intellectually stimulating as it is visually enchanting.

    Where to read more

    Find this online

    QR code linking to the download page for Bahsir

    artsdot.com/en/art/download/barkley-leonnard-hendricks-bahsir-D9PHXK-en/

    Cite this artwork

    MLA
    hendricks, barkley leonnard. Bahsir. 1975, Nasher Museum of Art at Duke University. https://artsdot.com/en/art/barkley-leonnard-hendricks-bahsir-D9PHXK-en/
    APA
    hendricks, barkley leonnard (1975). Bahsir [Painting]. Nasher Museum of Art at Duke University. https://artsdot.com/en/art/barkley-leonnard-hendricks-bahsir-D9PHXK-en/
    Chicago
    barkley leonnard hendricks. Bahsir. 1975. Nasher Museum of Art at Duke University. https://artsdot.com/en/art/barkley-leonnard-hendricks-bahsir-D9PHXK-en/
    Harvard
    hendricks, barkley leonnard (1975) Bahsir. Nasher Museum of Art at Duke University. Available at: https://artsdot.com/en/art/barkley-leonnard-hendricks-bahsir-D9PHXK-en/

    Look closely

    Bahsir — barkley leonnard hendricks

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 3 — do you agree?)
    4. Our catalogue files this work under: black portraits, formal attire, urban figures. Do you agree? What would you add, or take away?
    5. Look back at Self Portrait (2013), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.