Paper

Student Artwork Guide

Childbirth

Name Class Date

André Masson, Childbirth (1955), Tate Modern. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
André Masson artsdot.com/en/artists/andre-masson/
Artist’s dates
1896 – 1987
Painted
1955
Medium
Lithograph Drawn in grease on stone and printed on the principle that grease and water refuse to mix.
Original size
53 x 44 cm
Movement
Surrealism Dream logic painted with waking precision: impossible things shown as if they were ordinary.
Held at
Tate Modern artsdot.com/en/museums/tate-modern-london/
Artistic style
Abstract Expressionism
Influences
Cubism
Notable elements or techniques
Automatic drawing
Subject or theme
Birth

In context

Childbirth — André Masson

How big is it?

The original measures 53 × 44 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Shaded: the lifetime of André Masson (1896–1987) ▲ this work, 1955

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/andre-masson-childbirth-D3J2LN-en/

Colours

Measured from the image

    Main colour

    Putty #ece5d2

    Catalogued palette

    • #ECE5D2
    • #786254
    • #C2B69E
    • #9B8D7A
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Childbirth — André Masson

    André Masson: Exploring the Primordial Landscape of Surrealism

    André Masson’s “Childbirth,” created in 1955, stands as a testament to the enduring fascination with primal imagery and the transformative power of automatic drawing within the Surrealist movement. This lithograph on paper captures a moment of profound vulnerability and symbolic resonance—a woman lying horizontally, bathed in muted grey tones, embodying both gestation and the inherent anxieties surrounding childbirth. Masson’s masterful use of undulating lines and swirling forms transcends mere representation; it seeks to evoke the subconscious forces shaping human experience.

    A Pioneer of Automatism

    Masson was undeniably a vanguard of Surrealist experimentation, championed by Antonin Artaud and Jean Dubuffet among others. His technique—automatic drawing—involved relinquishing conscious control over the creative process, allowing the unconscious mind to dictate the hand’s movements. This method aimed to bypass rational thought and tap into deeper reservoirs of emotion and instinct, mirroring the Surrealists' desire to liberate art from conventional constraints. The resulting artwork is imbued with a palpable energy, reflecting the artist’s engagement with primal forces and anxieties—themes central to Surrealist philosophy.

    Symbolism Rooted in Myth and Ritual

    The composition itself speaks volumes about Masson’s symbolic preoccupations. The woman's posture represents not only pregnancy but also the vulnerability inherent in creation – a mirroring of myths surrounding fertility and rebirth. Scattered stars, prominently positioned on her body and encircling the scene, symbolize hope amidst darkness and represent celestial influence over human destiny. Furthermore, the descending star-shaped object above her head embodies an unsettling suggestion of impending doom, juxtaposed with the promise of regeneration—a motif frequently explored by Surrealists to confront existential anxieties.

    Lithography: Precision Meets Expression

    Masson’s choice of lithograph as a medium underscores his commitment to meticulous craftsmanship alongside expressive abstraction. Lithography utilizes stone etching and chemical manipulation to transfer images onto paper, resulting in tonal variations and subtle textures that enhance the artwork's visual impact. The artist skillfully blends precise lines with organic curves, creating an image that is both intellectually stimulating and emotionally evocative. This technique allows for nuanced rendering of form and color—essential elements in conveying Masson’s vision of the human psyche grappling with fundamental questions about life and death.

    Legacy Beyond Surrealism

    Childbirth” exemplifies Masson's broader contribution to 20th-century art, influencing subsequent generations of artists interested in exploring themes of trauma, metamorphosis, and the confrontation between consciousness and instinct. Its enduring appeal lies in its ability to provoke contemplation about human vulnerability and the transformative potential of confronting subconscious anxieties—a legacy that continues to resonate within contemporary artistic discourse. The artwork’s placement in Tate Modern underscores its significance as a cornerstone of Surrealist art history and invites viewers to engage with Masson's profound exploration of the human condition.

    Artist and museum

    Artist

    André Masson

    Born in Balagny-sur-Thérain, France

    André Masson: A Life in Art

    Born: Balagny-sur-Thérain, France (January 4, 1896)

    Died: 1987

    Early Life and Artistic Training

    Masson began his artistic journey at the age of eleven, studying at the Académie Royale des Beaux-Arts in Brussels under Constant Montald. This early training provided a foundation for his later experimentation with various styles.

    His initial work showed an interest in Cubism, demonstrating an early engagement with modern art movements.

    The Surrealist Period and Automatic Drawing

    Masson became a key figure within the Surrealist movement, enthusiastically embracing automatic drawing as a technique. This involved creating artwork without conscious control, allowing the subconscious to guide the hand.

    He collaborated with other prominent figures of the era like Antonin Artaud, Michel Leiris, Joan Miró, Georges Bataille, Jean Dubuffet, and Georges Malkine, fostering a vibrant artistic community.

    Notable Techniques:

    Automatic Drawings: Numerous pen-and-ink works showcasing his innovative approach to art.

    Sand and Glue on Canvas: Experimentation with throwing sand and glue onto canvas, creating unique oil paintings based on the resulting shapes.

    His work during this period often explored violent or erotic themes, reflecting a departure from traditional artistic conventions.

    Evolution and Later Works

    By the late 1920s, Masson moved away from Surrealism, developing a more structured style influenced by artists like André Derain. This is evident in his landscape paintings.

    During World War II, his work was condemned as "degenerate" by the Nazis. He escaped to the United States with assistance from Varian Fry, significantly impacting American Abstract Expressionists like Jackson Pollock.

    After returning to France, Masson settled in Aix-en-Provence and focused on landscape painting, demonstrating a shift towards more naturalistic subjects.

    Legacy and Influence

    André Masson's pioneering work in Surrealism and automatic drawing left an enduring legacy on the art world.

    His influence can be seen across various artistic movements, from Cubism to Abstract Expressionism, solidifying his position as a pivotal figure in modern art history.

    Masson’s exploration of subconscious imagery and innovative techniques continue to inspire artists today.

    Museum

    Tate Modern

    On show in London, United Kingdom

    Tate Modern: A Chronicle of Urban Innovation

    Nestled within the skeletal remains of a colossal Bankside power station, Tate Modern stands as more than just a gallery; it’s a testament to London's relentless reinvention and a vibrant hub for contemporary art. Completed in 2000 after a painstaking fifteen-year transformation, the building itself is an immediate draw – a dramatic juxtaposition of brutalist concrete and shimmering glass that dominates the Southwark skyline. Designed by Herzog & de Meuron, it’s a structure that doesn't simply house art; it becomes part of the artwork, reflecting the city’s dynamic energy and its ongoing dialogue with the past. The power station’s original industrial heart – the Turbine Hall, now a cavernous space capable of hosting monumental installations – remains a powerful reminder of London’s manufacturing heritage, while the surrounding exhibits celebrate the evolution of artistic expression in the 20th and 21st centuries.

    Key Architectural Features:

    The iconic sawtooth roof, a deliberate nod to the power station's original design, is perhaps Tate Modern’s most recognizable element. Its vast expanse provides ample space for large-scale exhibitions and offers breathtaking views of the city.

    The Turbine Hall:

    This immense space serves as a dynamic stage for immersive installations, often pushing the boundaries of artistic convention and challenging viewers' perceptions.

    The Boiler House:

    Originally housing the power station’s boilers, this area now hosts more intimate exhibitions and offers a fascinating glimpse into the building’s transformation.

    A Collection Rooted in Modernism

    Tate Modern’s collection is deliberately focused on international modern and contemporary art created from 1900 onwards, offering a panoramic view of artistic movements and styles that have shaped our world. It's not simply a chronological survey; instead, the gallery prioritizes works that embody innovation, experimentation, and social commentary. You’ll find iconic pieces by Picasso, Matisse, Warhol, Rothko, and countless others – artists whose work continues to resonate with audiences today. The collection isn’t limited to painting and sculpture; it encompasses photography, film, performance art, and digital media, reflecting the evolving nature of artistic practice.

    Picasso's "Les Demoiselles d'Avignon":

    A pivotal work in the development of Cubism, this painting exemplifies Picasso’s radical experimentation with form and perspective.

    Warhol’s “Campbell’s Soup Cans”:

    This seminal Pop Art piece challenged traditional notions of art and elevated everyday objects to the status of high culture.

    Rothko's Color Field Paintings:

    These large-scale canvases evoke a sense of contemplation and spirituality through their immersive use of color.

    Exhibitions That Spark Dialogue

    Tate Modern’s strength lies not just in its permanent collection but also in its consistently thought-provoking temporary exhibitions. The gallery regularly hosts major retrospectives, thematic group shows, and site-specific installations that engage with current social and political issues. These exhibitions often invite dialogue and debate, prompting visitors to consider their own perspectives on the world around them. Recent highlights have included explorations of identity, climate change, and the role of art in society. The gallery’s commitment to showcasing diverse voices and perspectives ensures that there's always something new and exciting to discover.

    Notable Past Exhibitions:**

    Marina Abramović: Artist as Activist

    Ai Weiwei: Made in China

    Jeff Koons: Balloon Dog

    A Space for the Future of Art

    Tate Modern isn’t merely a repository of art; it's an active participant in shaping its future. The gallery invests heavily in research, education, and community engagement, fostering a vibrant ecosystem of artistic creativity. Its ongoing expansion projects – including the planned completion of the Southern Extension – demonstrate a commitment to providing ever-evolving spaces for artists and audiences alike. More than just a museum, Tate Modern is a dynamic cultural landmark that embodies London’s spirit of innovation, resilience, and its unwavering belief in the power of art to transform our understanding of ourselves and the world.

    Where to read more

    Find this online

    QR code linking to the download page for Childbirth

    artsdot.com/en/art/download/andre-masson-childbirth-D3J2LN-en/

    Cite this artwork

    MLA
    Masson, André. Childbirth. 1955, Tate Modern. https://artsdot.com/en/art/andre-masson-childbirth-D3J2LN-en/
    APA
    Masson, André (1955). Childbirth [Painting]. Tate Modern. https://artsdot.com/en/art/andre-masson-childbirth-D3J2LN-en/
    Chicago
    André Masson. Childbirth. 1955. Tate Modern. https://artsdot.com/en/art/andre-masson-childbirth-D3J2LN-en/
    Harvard
    Masson, André (1955) Childbirth. Tate Modern. Available at: https://artsdot.com/en/art/andre-masson-childbirth-D3J2LN-en/

    Look closely

    Childbirth — André Masson

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: birth, woman, stars. Do you agree? What would you add, or take away?
    4. Look back at Beyond (1957), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Surrealism: Dream logic painted with waking precision: impossible things shown as if they were ordinary. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Childbirth — André Masson

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. In what year was André Masson's lithograph 'Childbirth' created?

      • A 1920
      • B 1955
      • C 1987
    2. 2. What artistic technique did André Masson heavily utilize, which involved allowing the unconscious mind to guide his hand?

      • A Impressionism
      • B Cubism
      • C Automatic drawing
    3. 3. The Surrealist movement, which influenced 'Childbirth,' sought to liberate art from what?

      • A Mythological themes
      • B Conventional constraints
      • C Muted grey tones
    4. 4. What do the scattered stars in the artwork primarily symbolize, according to the description?

      • A Impending doom
      • B Hope amidst darkness and celestial influence
      • C Physical distress
    5. 5. The subject matter of 'Childbirth' primarily evokes themes related to:

      • A Urban industrialization
      • B Fertility, vulnerability, and rebirth
      • C Portraiture in formal settings

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3A · 4A · 5A