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Self-Portrait II

A surreal Afro-futuristic exploration of identity by Joseph Obaní-ìbí, this 2019 self-portrait blends reality and fantasy through a unique visual bricolage that invites you to explore his captivating new world.

Nigerian-American multimedia artist Joseph Obaní-ìbí explores Afro-futurism through captivating visuals & art education. Exhibiting in France & USA, his work blends design & culture.

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Βασικά στοιχεία

  • Title: Self-Portrait II
  • Notable elements: Camera on head, clock and scissors design
  • Dimensions: 85 x 85 cm
  • Artist: Joseph Obaní-ìbí
  • Subject or theme: Identity, fantasy, and globalization

A Visionary Lens: The Afro-Futurist Dream of Joseph Obaní-ìbí

In the vibrant, pulsating heart of Lagos, a new visual language is being forged, one that bridges the gap between the tangible present and a speculative future. Self-Portrait II, a profound work by the Nigerian-based multimedia artist Joseph Obaní-ìbí, serves as a breathtaking gateway into this realm. Created in 2019, this piece is far more than a mere depiction of a face; it is an intricate visual bricolage, a carefully reconstructed tapestry of identity and perception. Through his unique lens, Obaní-ìbí invites the viewer to step away from the mundane and into a world where reality and delusion dance in a seamless, surreal embrace.

The composition captures a moment of intense creative introspection. At the center of this narrative is a figure adorned with a camera positioned atop their head, an evocative symbol of the artist’s role as both observer and participant in the construction of reality. This placement suggests a perspective that transcends human sight, implying a way of seeing that is omnidirectional and deeply integrated with technology. The subject's blue shirt, detailed with unexpected motifs such as a clock and scissors, hints at the themes of time, fragmentation, and the deliberate "cutting" and reassembling of cultural narratives that define Obaní-ìbí’s practice.

Symbolism and the Afro-Futurist Aesthetic

To encounter Self-Portrait II is to experience the essence of Afro-futurism. The artist utilizes elements of graphic design and advertising—disciplines that form his professional foundation—to layer meaning onto everyday objects. The presence of other figures and an umbrella in the periphery creates a sense of a lived, communal space, yet the central focus remains on the transformative power of the gaze. The clock serves as a poignant reminder of the temporal shifts inherent in globalization, while the scissors represent the artist's ability to deconstruct original contexts to breathe new life into subjects.

This work functions as a psychological landscape. It explores how identity is not a fixed entity but a fluid construction shaped by memory, technology, and the surrounding environment. For the collector or the interior designer, this piece offers a profound intellectual depth. It does not merely decorate a wall; it challenges the viewer to reconsider their own perception of the world around them. The interplay between the blue hues and the complex textures creates an atmosphere that is simultaneously tranquil and intellectually stimulating, making it a centerpiece capable of anchoring a sophisticated contemporary space.

An Essential Addition for the Discerning Collector

For those seeking to curate a collection that speaks to the pulse of modern global art, Obaní-ìbí’s work represents a significant movement. His ability to blend the aesthetics of digital design with the soulful depth of fine art makes Self-Portrait II a timeless acquisition. The piece resonates with the energy of Lagos and the forward-looking spirit of the African diaspora, offering an emotional impact that is both haunting and hopeful.

Whether placed in a minimalist gallery setting or integrated into a richly textured residential interior, this reproduction brings with it a sense of discovery. It is an invitation to look closer, to question the familiar, and to find beauty in the unusual places that lie around us. Owning a piece of this narrative is an opportunity to possess a fragment of a burgeoning artistic legacy—a testament to the power of reimagining our place within the globalized future.


Βιογραφικό Καλλιτέχνη

A Lagosian Visionary: The Afro-Futurist Worlds of Joseph Obaní-ìbí

Joseph Obaní-ìbí, born in the vibrant metropolis of Lagos, Nigeria in 1994, is a multimedia artist whose work pulsates with the energy of his origins and the boundless possibilities of the future. Currently based in Illinois, USA, Obaní-ìbí’s artistic journey is one of constant exploration—a dynamic interplay between visual design, art direction, and education that coalesces into a uniquely compelling vision. He doesn't simply create images; he constructs worlds, layered with personal narrative, cultural resonance, and technological innovation. His practice isn’t confined to a single medium but rather embraces a fluidity that allows him to navigate the complexities of identity, memory, and place with remarkable dexterity.

Early Influences & Artistic Development

Obaní-ìbí's foundation lies in a diverse background encompassing graphic design, advertising, and art education. This multifaceted training instilled within him not only technical proficiency but also a keen understanding of visual communication and its power to shape perception. His early work already hinted at the themes that would come to define his mature style: an interrogation of authorship in image-making, a fascination with the cyclical nature of time, and a deep engagement with the Black diaspora experience. The bustling streets of Lagos, steeped in history and brimming with contemporary life, served as an initial source of inspiration—a constant reminder of the interplay between tradition and modernity. He began experimenting with digital tools, recognizing their potential to transcend conventional boundaries and create spaces that existed beyond the constraints of reality. This exploration led him towards a distinctive aesthetic characterized by surreal compositions, vibrant color palettes, and a deliberate blurring of lines between the real and the imagined.

Afro-Futurism & The Exploration of Identity

The core of Obaní-ìbí’s artistic identity resides in his embrace of Afro-futurism—a cultural aesthetic that combines elements of science fiction, fantasy, history, and African mythology to explore themes of liberation, empowerment, and technological advancement. His work isn't merely a stylistic nod to the genre; it is a profound investigation into what it means to be Black in a rapidly changing world. He delves into the concept of “identity in transition,” recognizing that identity is not fixed but rather fluid—shaped by mobility, memory, and the politics of translation. Through his digital collages and installations, he constructs narratives that challenge conventional notions of belonging and celebrate the resilience and creativity of the African diaspora. His self-portraits, for example, are not straightforward representations but rather complex bricolages—digital reconstructions that incorporate elements of fantasy and technology to explore the multifaceted nature of selfhood.

Major Achievements & Recognition

Obaní-ìbí’s talent has garnered significant recognition within the art world. He has exhibited his work internationally, including a notable showing in Issy-les-Moulineaux, France, and Kinshasa, demonstrating his growing presence on the global stage. A particularly noteworthy achievement is his receipt of the CAP Prize in 2021—an award that acknowledges emerging artists pushing boundaries and challenging conventions. This recognition solidified his position as a leading voice within contemporary art and provided him with valuable opportunities to further develop his practice. Beyond exhibitions, Obaní-ìbí actively engages in art education, sharing his knowledge and inspiring the next generation of artists. He is also featured on platforms like ArtsDot.com and See-Zeen, broadening his reach and connecting with a wider audience.

Historical Significance & Future Trajectory

Joseph Obaní-ìbí’s work occupies a significant space within contemporary art—a bridge between cultures, disciplines, and generations. His exploration of Afro-futurism is not simply an aesthetic choice but rather a powerful statement about the importance of representation, agency, and cultural preservation. He challenges viewers to confront their own preconceptions about identity, history, and technology, prompting dialogue and fostering a deeper understanding of the complexities of the Black experience. As he continues to evolve as an artist, Obaní-ìbí’s trajectory promises even greater innovation and impact—a testament to his unwavering commitment to visual storytelling and his profound belief in the power of art to transform the world. His work is a reminder that the future isn't something to be passively awaited but rather actively constructed through creativity, imagination, and a deep engagement with the past.
joseph obaní-ìbí

joseph obaní-ìbí

1994 - , Nigeria

Συνοπτικά στοιχεία

  • Artistic Movement Or Style: Afro-futurism
  • Artists Who Influenced This Artist:
    • Jacolby Satterwhite
    • Ruud van Empel
    • Olafur Eliasson
  • Date Of Birth: 1994
  • Full Name: Joseph Obaní-ìbí
  • Nationality: Nigerian-American
  • Notable Artworks:
    • Self-Portrait
    • Self-Portrait II
    • Racing Cup and cover
  • Place Of Birth: Lagos, Nigeria