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Leitfaden für studentische Kunstwerke

Self-portrait

Name Klasse Datum

Lucas van Leyden, Self-portrait (1509). Gemeinfreiheit.

Eckdaten

Künstler
Lucas van Leyden artsdot.com/de/artists/lucas-van-leyden_de/
Lebensdaten des Künstlers
1494 – 1533
Gemalt
1509
Originalgröße
29 x 22 cm

Im Kontext

Self-portrait — Lucas van Leyden

Wie groß ist es?

Das Original hat die Maße 29 × 22 cm (Höhe × Breite), hier dargestellt neben einer erwachsenen Person von durchschnittlicher Größe.

Entstehungsjahr

  1. 1490
  2. 1500
  3. 1510
  4. 1520
  5. 1530

Schattiert: das Lebenswerk von Lucas van Leyden (1494–1533) ▲ dieses Werk, 1509

Ähnliche Kunstwerke

Wählen Sie eines der oben genannten Werke aus: Nennen Sie zwei Gemeinsamkeiten mit diesem Werk und einen Unterschied.

Weitere Werke, die sich ideal als Ergänzung zu diesem Werk eignen: artsdot.com/de/art/similar/lucas-van-leyden-self-portrait-8XZPGL-en/

Farbpalette

Anhand des Bildes gemessen

    Hauptfarbe

    Rosy Brown #cbab87

    Gespeicherte Palette

    • #CBAB87
    • #1C1F1C
    • #C0704C
    • #644836
    Palette
    Earthy Die dominierende Farbgruppe im Bild.
    Hauptfarbe
    Rosy Brown
    Intensität
    Balanced Wie gesättigt und vielfältig die Farben sind – von einem einzelnen, dezenten Farbton bis hin zu einer Vielzahl leuchtender Töne.
    Kontrast
    Statement Wie stark sich die Farben in Helligkeit und Sättigung über das Bild hinweg unterscheiden.
    Harmonie
    Unified Palette Wie gut die Farben zusammenwirken, von kontrastreich bis hin zu vollkommen harmonisch.
    Helligkeit
    Shadow Wie hell oder dunkel das Bild insgesamt wirkt, von tiefen Schatten bis hin zu strahlenden Glanzpunkten.
    Sättigung
    Balanced Soft Wie rein und kräftig die Farben sind, von fast Grau bis hin zu voll lebendig.

    Über dieses Kunstwerk

    Self-portrait — Lucas van Leyden

    The Self-portrait by Lucas Van Leyden is a captivating oil painting that showcases the artist's exceptional skill and attention to detail. Created in 1509, this masterpiece measures 29 x 22 cm and is currently housed at the Herzog Anton Ulrich-Museum in Braunschweig, Germany.

    Artistic Style and Technique

    The painting exemplifies the Northern Renaissance style, characterized by its emphasis on realism and attention to detail. Lucas Van Leyden's use of light and shadow is particularly noteworthy, as it adds depth and dimension to the portrait. The artist's ability to capture the subtleties of facial expressions and textures is a testament to his mastery of the medium.

    Some notable works by Lucas Van Leyden include St. Bartholomew and Saint Paul, which can be found on /art/list/?Filter=8CABVU-Lucas-Van-Leyden-St-Bartholomew and /art/list/?Filter=8CABVM-Lucas-Van-Leyden-Saint-Paul.

    Importance of Light in Painting

    The role of light in painting is a crucial aspect of artistic composition, as discussed on https://en.wikipedia.org/wiki/Light_in_painting. It not only affects the visual representation of the subject but also contributes to the overall mood and atmosphere of the piece. In the case of the Self-portrait, the use of light and shadow creates a sense of depth and volume, drawing the viewer's attention to the subject's face.

    Key aspects of the painting include:

    The artist's masterful use of chiaroscuro to create a sense of depth and dimension

    The attention to detail in the rendering of facial features and textures

    The significance of light in creating a captivating and realistic portrait

    The Self-portrait by Lucas Van Leyden is a remarkable example of Northern Renaissance art, showcasing the artist's exceptional skill and attention to detail. As seen on https://AllPaintingsStore.com/@/Lucas-Van-Leyden, Lucas Van Leyden was a renowned Dutch engraver and painter, and this painting is a testament to his artistic genius.

    Künstler und Museen

    Künstler/in

    Lucas van Leyden

    Geboren in Leiden, Niederlande

    early life and training

    Lucas van Leyden (real name Lucas Hugensz or Jacobsz.), Netherlandish engraver and painter, born and mainly active in Leiden, who was among the first Dutch exponents of genre painting and is generally regarded as one of the finest engravers in the history of art. He was the pupil of his father, Huygh Jacobszoon; later, he entered the workshop of Cornelis Engelbrechtsz(oon), a painter of Leiden. His paintings, as well as his prints, reveal his unique approach to subject matter and style, though Lucas is more highly regarded today as a printmaker than as a painter. He was extraordinarily precocious. Even such early prints as Muhammed and the Murdered Monk (1508) are compositionally clear and direct and show great technical skill. Such engravings as Susanna and the Elders (1508), St. George Liberating the Princess (c. 1508–09), and his famous series The Circular Passion (1510) are notable for their accurate rendering of space and subtly composed landscapes. In 1514 he became a member of the Leiden painters' guild. He seems to have travelled a certain amount, and on a visit to Antwerp in 1521 he met Dürer, who drew his portrait (Mus.\n\nB.-A., Lille). An unbroken series of dated engravings makes it possible to follow his career as a printmaker and to date many of his paintings, but no clear pattern of stylistic development emerges. Dürer was the single greatest influence on him, but Lucas was less intellectual in his approach, tending to concentrate on the anecdotal features of the subject and to take delight in caricatures and genre motifs. Van Mander characterizes him as a pleasure-loving dilettante, who sometimes worked in bed, but he left a large œuvre, in spite of his fairly short life, and must have been a prodigious worker. Lucas had a great reputation in his day (Vasari even rated him above Dürer in certain respects) and he is universally regarded as one of the greatest figures in the history of graphic art (he made etchings and woodcuts as well as engravings and was a superb draughtsman). His status as a painter is less elevated, but he was nevertheless one of the outstanding Netherlandish painters of his period. He was a pioneer of the Netherlandish genre tradition, as witness his Chess Players (c.1508, Gemäldegalerie, Berlin)—which actually represents a variant game called ‘courier’—and his Card Players (c.1517, Wilton House, Wiltshire), while his celebrated Last Judgement triptych (1526–7, Lakenhal Mus., Leiden) shows the heights to which he could rise as a religious painter. It eloquently displays his vivid imaginative powers, his superb skill as a colourist, and his deft and fluid brushwork. Lucas left no pupils or direct followers, but his work was a stimulus to an even greater Leiden-born artist, Rembrandt.

    artistic development

    Lucas van Leyden was among the first Dutch exponents of genre painting and a highly accomplished engraver. His early work, characterized by half-length figures (c. 1506-1512), showcases his precocious originality. As he matured, his landscapes developed, and he became skilled in engraving at a remarkably young age. The earliest known print by him, Mohammed and the Murdered Monk (1508), demonstrates his mastery of the medium. It reveals no trace of immaturity in inspiration or technique. Dürer was the single greatest influence on him, but Lucas was less intellectual in his approach, tending to concentrate on the anecdotal features of the subject and to take delight in caricatures and genre motifs.

    notable works and style

    Seventeen paintings surely attributed to lucas van leyden survive, including:

    The Healing of the Blind Man of Jericho, a masterpiece showcasing multiple figures against wooded landscapes.

    Saint Paul, attr. leyden, exemplifying his engraving prowess.

    The Milkmaid (engraving, 1510), highlighting his early skill in the medium.

    His style is characterized by fresh colors and a sense of aérienne perspective, already appreciated by Albrecht Dürer.

    museum collections and online presence

    Lucas van Leyden's works can be found in various museums, including the Van Gogh Museum (Netherlands), which houses an extensive collection of his engravings and paintings. Online platforms like AllPaintingsStore.com offer a comprehensive selection of his works, allowing art enthusiasts to explore his oeuvre in detail.

    Weitere Lesetipps

    Online verfügbar

    QR-Code mit Link zur Download-Seite für Self-portrait

    artsdot.com/de/art/download/lucas-van-leyden-self-portrait-8XZPGL-en/

    Zitierweise für dieses Kunstwerk

    MLA
    Leyden, Lucas van. Self-portrait. 1509, https://artsdot.com/de/art/lucas-van-leyden-self-portrait-8XZPGL-en/
    APA
    Leyden, Lucas van (1509). Self-portrait [Painting]. https://artsdot.com/de/art/lucas-van-leyden-self-portrait-8XZPGL-en/
    Chicago
    Lucas van Leyden. Self-portrait. 1509. https://artsdot.com/de/art/lucas-van-leyden-self-portrait-8XZPGL-en/
    Harvard
    Leyden, Lucas van (1509) Self-portrait. Available at: https://artsdot.com/de/art/lucas-van-leyden-self-portrait-8XZPGL-en/

    Genau hinsehen

    Self-portrait — Lucas van Leyden

    Genau hinsehen

    Antworten Sie in Ihren eigenen Worten. Es gibt hier keine falschen Antworten – nur Antworten, die Sie erklären können.

    1. Was fällt Ihnen als Erstes ins Auge und warum?
    2. Welche Farben oder Formen erzeugen die Stimmung – und wie sieht diese Stimmung aus?
    3. Unser Katalog ordnet dieses Werk unter folgenden Schlagworten ein: portraits. Stimmen Sie dem zu? Was würden Sie hinzufügen oder weglassen?
    4. Werfen Sie einen Blick zurück auf The Temptation of St Anthony (1530), weiter oben in diesem Leitfaden. Nennen Sie zwei Gemeinsamkeiten mit diesem Werk und eine Besonderheit.
    5. Lucas van Leyden war etwa 15 Jahre alt, als dieses Werk entstand. Welche Details lassen auf die Handschrift eines Künstlers in dieser Lebensphase schließen?

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