Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af William Small i vores katalog
Kort sagt
William Smalls mest kendte værk er The Last Match (1887). Vi har 1 værker af William Small i vores katalog; denne guide udvælger de 1 mest kendte, inklusiv årstal, museum og historien bag hvert værk.
De daterede værker af William Small på denne side er alle fra 1887. Her er de, sorteret efter berømmelse.
Vælg et årstal for at se værkerne fra det år.
Øverst på listen står The Last Match (1887).
44 år gammel. William Small blev født i 1843, og The Last Match er fra 1887.
Vi har 1 værker af William Small i vores katalog.
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Born in Edinburgh, United Kingdom, in 1843, William Small occupied a significant space in the visual landscape of the Victorian era. He was a man of many mediums, moving with ease between the precision of a draftsperson and the fluid grace of a watercolorist. His career was defined by a prolific output that reached far beyond the walls of private studios, finding its way into the hands of the public through the pages of noted periodicals such as The Graphic, Good Words, and Once a week. He possessed a particular ability to translate complex narratives into striking illustrations, a skill that earned him a reputation as one of the most successful illustrators of his time.
His technical range was vast. Whether working in oil on canvas or through the delicate application of lithography, Small demonstrated a mastery over his tools. His work often leaned toward the Idyllic school, a style that favored a certain sense of peace and pastoral beauty. This inclination is visible in his ability to capture the quietude of nature and the subtle tensions of human interaction.
Small’s professional life was marked by a steady accumulation of accolades and institutional recognition. His contributions to the arts were not confined to a single genre, but rather spanned the essential disciplines of the nineteenth-century illustrator and painter. His reach extended from the bustling centers of London to the galleries of Manchester, Liverpool, and Leicester.
His professional identity was shaped by several key roles and honors:
As the decades progressed, Small’s influence remained steady, even as the artistic sensibilities of the era began to shift. He remained a fixture of the British art scene until his death in Worcester, England, in 1929. His legacy is preserved not merely in individual canvases, but in the historical record of the periodicals that relied on his hand to bring stories to life. From the quietude of The woodlands to the more spirited scenes of The Last Match, his work remains a window into the visual language of a bygone age.
