Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 216 værker af Philip de László i vores katalog
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Philip de Lászlós mest kendte værk er Andrew W. Mellon (1932). Næste på listen er Lady Rachel Cavendish, later Viscountess Stuart of Findhorn og Professor Johann Nepomuk Oser (1904). Vi har 216 værker af Philip de László i vores katalog; denne guide udvælger de 100 mest kendte, inklusiv årstal, museum og historien bag hvert værk.
In this 1932 bust-length depiction, Philip de László captures the presence of Andrew W. Mellon. The subject is presented in profile, his gaze directed slightly off to the right. A quiet dignity settles over the figure, suggesting a man of significant status and intellect. The composition focuses on the head and shoulders, isolating the sitter against a muted, tan background that offers no distraction from the man himself.
Philip de László rendered this portrait of Lady Rachel Cavendish, later Viscountess Stuart of Findhorn. The sitter, who would eventually become the Viscountess, is presented here in a likeness captured by the Hungarian-born artist during a significant period of transition in her life. The work was executed just before her marriage to James Gray Stuart on 4th August 1923.
In this portrait, Philip de László presents us with Professor Johann Nepomuk Oser, an intellectual figure captured with a quiet, commanding presence. Created about 1904, the work offers a glimpse into the dignified character of a man defined by his scholarly pursuits. The subject is dressed in formal attire, a choice that reflects his status and the professional gravity of his position. There is a certain stillness in his posture…
A heavy silence settles over the canvas. The Archbishop sits in a three-quarter pose, his body angled slightly away while his gaze drifts toward the left of the frame. He is a man of shadows and stark light. The darkness of the background presses inward, forcing the viewer to focus on the pale, steady presence of his face and the pale grip of his hands. It is a study in…
The oil on board painting titled Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh was executed by the artist Philip de László in 1916. This work depicts two Sikh cavalry officers serving within the British Indian Army. The subjects are identified as Jagat Singh of the 12th Cavalry and Man Singh of the 21st Cavalry. The portrait captures the two men in a single sitting that lasted approximately two to…
Three men sit anchored around a wooden table, their silhouettes etched against the dim light of a tavern. The air in the room feels heavy, thick with the scent of spilled spirits and unspoken words. Bottles rest on the scarred surface, catching the pale light like glass eyes watching the quiet drama unfold. A single chair sits empty nearby, a silent witness to a presence that has already departed. The…
In this 1911 oil on canvas, the artist Philip de László turns the gaze inward. Titled Self-Portrait, the work presents a direct encounter with the painter himself, Philip Alexius de László. It is a quiet moment of introspection captured during a period of established professional standing. The subject and the creator are one and the same, offering a rare glimpse into the man behind the formal portraits of the European…
Philip de László captured the likeness of Count Albert Mensdorff-Pouilly-Dietrichstein in this oil on cardboard portrait. The sitter, an Austro-Hungarian diplomat who lived from 1861 to 1945, is presented with the quiet dignity characteristic of the era's high society. Created before 1907, the work reflects the artist's early period of establishing his reputation among the European elite.
Philip de László’s Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky presents an oval-shaped bust-length study of the subject. The composition centers on the face and upper shoulders of Princess Olga Dolgouruky, establishing an intimate connection through a direct, eye-level view. She is rendered in regal attire, distinguished by a delicate jeweled tiara that catches the light. The arrangement focuses the viewer's attention on her calm expression and…
The portrait presents an elderly gentleman, captured in a bust-length composition that emphasizes psychological depth. Positioned slightly off-center, the subject gazes toward the viewer's left, creating an intimate, quiet connection. The lighting is dramatic, utilizing a chiaroscuro effect where a strong light source from the upper left defines the facial structure, the texture of the white beard, and the deep wrinkles of age. This illumination contrasts sharply against the dark,…
Frank Billings Kellogg1925 · National Portrait Gallery
12
Portrait of Madame Vanier1929 · National Gallery of Canada
13
Julian Byng, 1st Viscount Byng of Vimy1933 · National Portrait Gallery
14
Marguerite Alexandrine, duchesse du Gramont, née de Rothschild1902
15
H.S.H. Prince Louis of Battenberg1910
16
Arthur James Balfour, 1st Earl of Balfour1908 · National Portrait Gallery
17
'Top o' the Morning: Stephen, the Artist's Second Son1912
18
Portrait of Pope Pius XI (1857–1939)1924 · Bodleianbiblioteket
19
John Loader Maffey, 1st Baron Rugby1923 · National Portrait Gallery
20
William Richard Morris, Viscount Nuffield1937 · Ashmolean Museum
21
Sir Thomas Gardner Horridge1914 · Manchester Art Gallery
22
Victoria Eugenie of Battenberg with mantilla1927 · Museo del Prado
23
Alfonso XIII in Hussar Uniform1927 · Museo del Prado
24
Edward Drummond Libbey1922 · Toledo Kunstmuseum
25
Edwin Charles Clark, Professor of Civil Law1913 · St John’s College
26
A Young Girl1899
27
Portrait of John H. McFadden1916 · Philadelphia Museum of Art
28
Alfonso XIII1927 · Museo del Prado
29
Clara Cook Kellogg1929 · National Portrait Gallery
30
Richard Burdon Haldane, Viscount Haldane1928 · National Portrait Gallery
31
Henry Charles Keith Petty-Fitzmaurice, 5th Marquess of Lansdowne1920 · National Portrait Gallery
32
Mrs. Archie Graham, née Dorothy Shuttleworth1917
33
Lucy de László, the Artist's Wife1918
34
Luke Fildes1914 · National Portrait Gallery
35
Sir William Pulteney Pulteney1917 · National Portrait Gallery
36
Portrait of a Lady and her Daughter (Portrait of Anya and Lanya)1911 · Hermitage Museum
37
Iphigenia Wise Ochs1930 · National Portrait Gallery
38
Viscount Lee of Fareham1921 · Courtauld Gallery
39
Portrait of Marshal Lyautey1929 · Musée d'Orsay
40
Adolph Ochs1926 · National Portrait Gallery
41
The Storyteller1891 · Ungarns Nationalgalleri
42
At Vesper Bell1895 · Ungarns Nationalgalleri
43
Lady with a pearl earring1898 · Nationalmuseet i Warszawa
44
Portrait of Ignaz Wechselmann1894 · Hungarian National Museum
45
After Work1896
46
Felicián Zách1896
47
H.R.H. Prince Ferdinand of Bulgaria1894
48
The Little Girl and the Gardener (also known as Taking a Rest)1893
49
A Lady in Black1897
50
Sir (William Matthew) Flinders Petrie1934 · National Portrait Gallery
51
Field-Marshal Sir George White, V.C. (1835-1912)1900 · Royal Collection
52
Portrait of a Lady and her Daughter1902 · Hermitage Museum
53
Portrait of Leo XIII1900 · Vatikanmuseerne
54
Portrait of my wife1905
55
Portrait of Catherine, Baroness Emile Beaumont d'Erlanger1899
56
Portrait of János Fadrusz1901 · Ungarns Nationalgalleri
57
Portrait of Artúr Görgey1901 · Ungarns Nationalgalleri
58
Mrs. Henry Guiness, neé Emelina Brown1901
59
Vita Sackville-West1910 · Sissinghurst Castle
60
Portrait of Lajos Ernst1907 · Ungarns Nationalgalleri
61
Lady Wantage1911
62
Portrait of Theodorus Helenus Franciscus van Riemsdijk (1848-1923)1909
63
Mrs. Adriana Jacqueline Marie Loudon (1856-1919), second wife of Mr. T.H.F. van Riemsdijk1908
64
Princess Victoria of Wales1907 · National Portrait Gallery
65
Francis Wemyss-Charteris-Douglas, 10th Earl of Wemyss, 1818 - 1914. Politician1908
66
Madame Max Jaunez1911 · Kelvingrove Kunstgalleri og Museum
67
Arthur Hamilton Lee1907
68
Sir Walter Townley, Diplomat1911 · Government Art Collection
69
Portrait of Maria Christina of Austria, Queen of Spain1910 · Det Kongelige Palads i Madrid
70
Lord Lee of Fareham1908
71
James William Lowther, MP, Speaker of the House of Commons1908
72
Portrait of Mrs. Herbert Asquith1909 · Palace of Westminster
73
Self-portrait of Philip Alexius László de Lombos1911 · Vasari Corridor
74
Portrait of Louis Antoine van Loon (1862-1953)1910 · Museum van Loon
75
Sketch for Dame Emily Penrose (1858–1942)1907
76
Dame Emily Penrose (1858–1942)1907
77
Portrait of a lady in a large hat1907 · Nationalmuseet i Warszawa
78
Robin Vane-Tempest-Stewart, Lord Stewart, later 8th Marquess of Londonderry1911
79
Miss Elizabeth Guiness1910
80
President Theodore Roosevelt1908
81
The Fourth Earl of Minto (1845-1914)1912 · Victoria Memorial Hall
82
Elinor Glyn1914 · Museo del Prado
83
The Right Hon. Sir Arthur Nicolson, 11th Bt of Nova Scotia,1st Baron Carnock (1849–1928)1915 · Sissinghurst Castle
84
Violet Rawson, Lady Leconfield (1892-1956)1915 · Petworth House
85
Sir Charles Stewart Henry Vane-Tempest-Stewart, Viscount Castlereagh and 7th Marquess of Londonderry (1878-1949)1914 · Mount Stewart
86
Sir Charles Walston1913 · Fitzwilliam Museum
87
Portrait of Grace Elvina Hinds, Marchioness Curzon of Kedleston (1877-1958)1916 · Kedleston Hall
88
Countess Anna de Noailles1913 · Musée d'Orsay
89
Sketch for Portrait of the Viscountess Lee of Fareham1912 · Courtauld Gallery
90
Oliver Vickers1917
91
Auguste Victoria, Queen of Portugal, in exile, study1915
92
The Honourable Cecil Richard Molyneux1915 · Walker Art Gallery
93
Mr Oswald Sanderson1917
94
Mrs Beatrice Sanderson1917 · Ferens Art Gallery
95
Sir Donald Francis Tovey1913
96
Arthur James Balfour, 1st Earl of Balfour, KG, OM, PC, Prime Minister and Philosopher1914
97
Richard Crewe-Milnes, Earl of Madeley1914
98
General Sir Robert Whigham, KCB, DSO, Deputy Chief of the Imperial General Staff1916
99
Lady Marie Louise Hamilton, Daughter of William, 10th Duke of Hamilton1912
100
Portrait of Lady Byng, née Marie Evelyn Moreton1917
#2 Lady Rachel Cavendish, later Viscountess Stuart of Findhorn
#4 Cosmo Gordon Lang (1864–1945), Baron Lang of Lambeth, Scholar (1882), Honorary Fellow (1928), Archbishop of York (1908–1928), Archbishop of Canterbury (1928–1942)
#5 Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh
#7 Self-Portrait
#9 Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky
De fire motiver, der optræder hyppigst i disse værker, hver med sit mest kendte eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Philip de László | Malerier fra denne liste |
|---|---|---|---|
 National Portrait Gallery |
London | 11 | Count Albert Mensdorff-Pouilly-Dietrichstein, Sir George Henschel (Isidor Georg Henschel), Julian Byng, 1st Viscount Byng of Vimy |
 Ungarns Nationalgalleri |
Budapest | 9 | Self-Portrait, The Storyteller, At Vesper Bell |
 National Portrait Gallery |
Washington, D.C. | 7 | Frank Billings Kellogg, Clara Cook Kellogg, Iphigenia Wise Ochs |
 Museo del Prado |
Madrid | 4 | Victoria Eugenie of Battenberg with mantilla, Alfonso XIII in Hussar Uniform, Alfonso XIII |
 Courtauld Gallery |
London | 4 | Viscount Lee of Fareham, Sketch for Portrait of the Viscountess Lee of Fareham |
 Hermitage Museum |
Sankt Petersborg | 2 | Portrait of a Lady and her Daughter (Portrait of Anya and Lanya), Portrait of a Lady and her Daughter |
 Musée d'Orsay |
Paris | 2 | Portrait of Marshal Lyautey, Countess Anna de Noailles |
 Nationalmuseet i Warszawa |
Warszawa | 2 | Lady with a pearl earring, Portrait of a lady in a large hat |
Vælg et årti for at se dets mest fremtrædende værk.
Three men sit anchored around a wooden table, their silhouettes etched against the dim light of a tavern. The air in the room feels heavy, thick with the scent of spilled spirits and unspoken words. Bottles rest on the scarred surface, catching the pale light like glass eyes watching the quiet drama unfold. A single chair sits empty nearby, a silent witness to a presence that has already departed. The…
In this portrait, Philip de László presents us with Professor Johann Nepomuk Oser, an intellectual figure captured with a quiet, commanding presence. Created about 1904, the work offers a glimpse into the dignified character of a man defined by his scholarly pursuits. The subject is dressed in formal attire, a choice that reflects his status and the professional gravity of his position. There is a certain stillness in his posture…
The oil on board painting titled Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh was executed by the artist Philip de László in 1916. This work depicts two Sikh cavalry officers serving within the British Indian Army. The subjects are identified as Jagat Singh of the 12th Cavalry and Man Singh of the 21st Cavalry. The portrait captures the two men in a single sitting that lasted approximately two to…
Philip de László painted this portrait of Frank Billings Kellogg in 1925. The subject was a prominent American politician and statesman. His career reached a significant milestone in 1929 when he was awarded the Nobel Peace Prize.
In this 1932 bust-length depiction, Philip de László captures the presence of Andrew W. Mellon. The subject is presented in profile, his gaze directed slightly off to the right. A quiet dignity settles over the figure, suggesting a man of significant status and intellect. The composition focuses on the head and shoulders, isolating the sitter against a muted, tan background that offers no distraction from the man himself.
Øverst på listen er Andrew W. Mellon (1932). Lige efter følger Lady Rachel Cavendish, later Viscountess Stuart of Findhorn og Professor Johann Nepomuk Oser (1904).
63 år gammel. Philip de László blev født i 1869, og Andrew W. Mellon er fra 1932.
Andrew W. Mellon, Lady Rachel Cavendish, later Viscountess Stuart of Findhorn, Professor Johann Nepomuk Oser, Cosmo Gordon Lang (1864–1945), Baron Lang of Lambeth, Scholar (1882), Honorary Fellow (1928), Archbishop of York (1908–1928), Archbishop of Canterbury (1928–1942), Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh, Regret (also known as Love Spurned), Self-Portrait, Count Albert Mensdorff-Pouilly-Dietrichstein, Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky og Sir George Henschel (Isidor Georg Henschel). Du finder årstallet og museet for hver af dem i listen ovenfor.
Vi har 216 værker af Philip de László i vores katalog, dateret fra 1891 til 1937.
Du finder de fleste af dem i National Portrait Gallery (London), Ungarns Nationalgalleri (Budapest) og National Portrait Gallery (Washington, D.C.). Listen over museer ovenfor giver en fuldstændig oversigt.
I 1910s, mere end på andre tidspunkter: 42 af de 100 værker på denne side stammer fra dengang, herunder Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh.
Det tidligste værk her er The Storyteller (1891); det nyeste er William Richard Morris, Viscount Nuffield (1937).
Man (25), Portrait (15) og Woman (9) ud af i alt 100 værker på denne side.
Oil On Canvas, anvendt i 25 af de 100 værker på denne side.
Academic realism og Realism, som du kan se i værkerne på denne side.
Du kan se 11 af værkerne på denne side på National Portrait Gallery, London, herunder Count Albert Mensdorff-Pouilly-Dietrichstein, Sir George Henschel (Isidor Georg Henschel) og Julian Byng, 1st Viscount Byng of Vimy.
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Philip Alexius de László, født Fülöp Laub den 30. april 1869 i Budapest, Ungarn, steg fra ydmyge kår til at blive en berømt portrætmaler for det europæiske kongehus og aristokratiet. Hans forældre, Adolf og Johanna Laub, var henholdsvis skrædder og syerske af jødisk oprindelse. Han begyndte sin karriere som lærling hos en fotograf, mens han sideløbende forfulgte sine kunstneriske studier. Han blev optaget på den nationale kunstakademi i Budapest, hvor han studerede under Bertalan Székely og Károly Lotz. Senere studier i München og Paris udvidede hans kunstneriske horisonter betydeligt.
De Lászlós tidlige værker udviste et skarpt øje for detaljen og en spirende mestring af realismen. Hans inspirationskilder omfattede de akademiske traditioner, han lærte på akademiet, samt de herskende tendenser inden for portrætkunst i slutningen af det 19. og begyndelsen af det 20. århundrede. Han udmærkede sig hurtigt ved sin evne til ikke blot at indfange det fysiske lighedstræk, men også personligheden og den sociale status hos sine modeller. Et vendepunkt indtraf i 1900, da hans portræt af Pave Leo XIII sikrede ham en Grand Gold Medal ved Verdensudstillingen i Paris, hvilket cementerede hans internationale ry.
Efter sin succes i Paris flyttede de László til Wien i 1903 og slog sig derefter ned i London i 1907, hvor han blev boende resten af sit liv. Han blev en yderst eftertragtet portrætmaler blandt den europæiske elite. Hans klientel omfattede monarker, adelige, industriherrer, videnskabsfolk og fremtrædende skikkelser fra mange forskellige felter.
I 1900 blev de László gift med Lucy Madeleine Guinness, et medlem af den prominente bankfamilie. De fik seks børn og sytten børnebørn. Han konverterede til anglikanismen i forbindelse med sit ægteskab efter en tidligere interesse for katolicismen. På trods af sit britiske statsborgerskab og sit etablerede liv i England, oplevede han internering under Første Verdenskrig (1917-1918) på grund af mistanke omkring sine østrigske forbindelser – en periode præget af betydelig modgang.
De Lászlós stil er kendetegnet ved sin realisme, minutiøse detaljerigdom og en levende farvepalette. Han var dygtig til at indfange teksturerne i stoffer, smykker og hudtoner. Hans portrætter formidler ofte en følelse af elegance, sofistikering og social status. Selvom han primært er kendt for sin portrætkunst, skabte han også landskaber og genrebilleder.
Philip de Lászlós værker giver værdifuld indsigt i det europæiske overklasselivs liv og udseende i slutningen af det 19. og begyndelsen af det 20. århundrede. Hans portrætter fungerer som historiske dokumenter, der indfanger en specifik æra og dens sociale dynamik. Selvom han tidvis er blevet kritiseret for primært at være en portrætmaler af det fine selskab, er hans tekniske kunnen og evne til at indfange karakter ubestridelig. Hans samlede værk består af næsten 4.000 værker, herunder tegninger, og et katalog raisonné er i øjeblikket under udarbejdelse. Han døde den 22. november 1937 i London og efterlod sig en varig arv som en af sin tids fremmeste portrætmalere.
