Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 55 værker af Giovanni Lanfranco i vores katalog
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Giovanni Lanfranco's mest kendte værk er The Council of Gods (1624). Du kan finde det på Galleria Borghese i Rom. Næste på listen er Roman Naumachia (1635) og Madonna and Child with the Infant Saint John the Baptist (1630). Vi har 55 værker af Giovanni Lanfranco i vores katalog; denne guide udvælger de 55 mest kendte, inklusiv årstal, museum og historien bag hvert værk.
Giovanni Lanfranco’s fresco “The Council of Gods,” adorning the Galleria Borghese in Rome, stands as a testament to the artistic fervor of the Baroque period. Painted in 1624 during the reign of Pope Urbano VIII, this monumental artwork transcends mere decoration; it embodies the theological debates and intellectual currents shaping Renaissance Europe.
A panoramic naval engagement unfolds across a wide horizontal plane, capturing the violent energy of a Roman Naumachia. The composition is crowded, pulling the viewer into a frantic struggle between wooden vessels. Figures are locked in combat, their muscular forms straining against the weight of spears and the pull of the sea. The scene is defined by a sense of immense scale and continuous, churning movement.
In the heart of Rome, a quiet intimacy unfolds within Madonna and Child with the Infant Saint John the Baptist. The Italian artist Giovanni Lanfranco breathes life into this scene, capturing a tender moment that feels as though it is happening in the present. Created about 1630–1632, the work emerges from a period of intense creative energy in the city. The figures exist in a space of soft light and…
In this large-scale oil on canvas, we find ourselves witnessing a moment of profound upheaval. The scene, titled Funeral Rites of a Roman Emperor, captures the chaotic energy of a historical transition. A diagonal composition directs the eye through a crowded, swirling mass of figures, leading upward toward the central, deceased emperor. There is a palpable sense of movement here, driven by the muscular, twisting bodies of combatants in the…
Giovanni Lanfranco’s “The Annunciation”: A Symphony of Baroque Drama Giovanni Lanfranco (1582-1647), born in Parma, Italy, stands as a pivotal figure within the flourishing Baroque artistic movement. His oeuvre is characterized by an unparalleled ability to convey emotion and grandeur through meticulously crafted compositions—a skill particularly evident in “The Annunciation,” painted circa 1610. This monumental fresco resides within San Carlo ai Catinari church in Rome, marking Lanfranco’s contribution to the…
Gladiators Fighting by Giovanni Lanfranco captures a violent struggle within a grand, classical arena. The scene centers on muscular male figures engaged in intense combat, their bodies defined by forceful, diagonal lines and twisting poses. In the foreground, fallen combatants lie prone upon the dusty ground, rendered with anatomical detail. This central conflict is framed by an imposing classical structure, where tall columns and a colonnade rise into the background.…
The Allocution of a Roman Emperor is a significant oil on canvas by Giovanni Lanfranco. This work, also attributed to the artist as Giovanni di Stefano Lanfranco, captures a moment of intense oratorical address within a Roman setting. The painting depicts a leader delivering a formal speech to an assembly of troops and onlookers, a subject that allows for a profound exploration of human emotion and physical presence.
In the evocative engraving Christ Served by Angels, created in 1616, the Italian master Giovanni Lanfranco invites viewers into a profound moment where the earthly and the divine intersect. This work is far more than a mere religious illustration; it is a masterful display of Baroque dynamism, capturing a scene that vibrates with both tension and spiritual grace. Through his expert use of line and shadow, Lanfranco orchestrates a narrative…
We are looking at Gladiators at a Banquet, a significant work by the Italian painter Giovanni Lanfranco. This oil on canvas was executed about 1638, a period when the artist was establishing his presence within the Baroque movement. The scale of the piece is substantial, measuring 232.0 x 355.0cm, which lends a certain physical weight to the scene it depicts.
In the sweeping, dramatic tradition of the Italian Baroque, Giovanni Lanfranco’s "Norandino and Lucina Discovered by the Ogre" serves as a breathtaking window into a world where myth and peril collide. Painted in 1624, this masterpiece captures a pivotal moment of high drama: the sudden, terrifying intrusion of a monstrous force into a pastoral sanctuary. The composition is masterfully orchestrated to guide the viewer’s eye through a landscape of both…
Penitent Mary Magdalene1614 · Bavarian State Painting Collections
12
Roger Arriving in Bretagne Dismounts Angélique from the Hippogriff1616 · Galleria Nazionale delle Marche
13
Young Naked Man on a Bed with Cat1621
14
The Glorification of Christ surrounded by Saints1614 · Statens Museum for Kunst
15
Miracle of Saint Veranus1610
16
Assumption of Mary1631 · Bavarian State Painting Collections
17
Alexander and the Physician Filippo1630
18
Alexander Refuses the Water1630
19
The Last Supper1624 · National Gallery of Ireland
20
Three Capuchin Saints and a Bishop Worshipping Christ and the Cross1630 · Städel Museum
21
Elijah and the Raven1625
22
Saint Andrew Kneeling Before the Cross1637 · Gemäldegalerie
23
Coronation of the Virgin with St Augustine and St William of Aquitaine1616 · Louvre
24
Mary Magdalen Raised by Angels1616 · Museo di Capodimonte
25
Miracle of the Bread and Fish1620 · National Gallery of Ireland
26
Ecstasy of St Margaret of Cortona1622
27
The Prophet Elijah Awakened in the Desert by an Angel, Giovanni Lanfranco, 1624 - 16251625 · Rijksmuseum
28
Madonna and Child with Sts Anthony Abbot and James the Greater1622 · Kunsthistorisches Museum
29
LE COURONNEMENT DE LA VIERGE AVEC SAINT AUGUSTIN ET SAINT GUILLAUME D'AQUITAINELouvre
30
St Ursula and the Virgins1622 · Galleria Nazionale d'Arte Antica
31
Saint SebastianStatens Museum for Kunst
32
SAINT CONRADMusée des Beaux-Arts de Lyon
33
AGAR DANS LE DESERT
34
Angélica e MedoroMuseu Nacional de Belas Artes
35
Liberation of Saint PeterBirmingham Museum of Art
36
Senecas dödNationalmuseum
37
Angelica and MedoroFondantico di Tiziana Sassòli
38
Right nave of Fidenza cathedralMuseo del Duomo e Cattedrale di Fidenza
39
Left nave of Fidenza cathedralMuseo del Duomo e Cattedrale di Fidenza
40
Saint OctaviusPinacoteca Stuard
41
Fidenza cathedral insideMuseo del Duomo e Cattedrale di Fidenza
42
Christ and the Woman of Samaria1620 · The Ashmolean Museum of Art and Archaeology
43
Hagar in the WildernessLouvre
44
Saint LukeMusei Civici di Palazzo Farnese
45
Ecstasy of Saint Margaret of Cortona1622 · Palazzo Pitti
46
St Peter Healing St Agatha1614 · Galleria Nazionale
47
Moses and the Messengers from Canaan1621 · J. Paul Getty Museum
48
A Priest sacrificing for a Roman Emperor1635 · Museo del Prado
49
Elijah Receiving Bread from the Widow of Zarephath1621 · J. Paul Getty Museum
50
Nativity1600
51
Annunciation1620 · San Carlo ai Catinari
52
Christ Served by Angels1616 · Museo di Capodimonte
53
Venus Playing the Harp (Allegory of Music)1630 · Galleria Nazionale d'Arte Antica
54
La séparation de saint Paul et de saint Pierre allant au martyreChâteau de Versailles
55
St Andrea Avellino1624 · Sant'Andrea della Valle
De fire motiver, der optræder hyppigst i disse værker, hver med sit mest kendte eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Giovanni Lanfranco | Malerier fra denne liste |
|---|---|---|---|
 Museo del Prado |
Madrid | 6 | Roman Naumachia, Funeral Rites of a Roman Emperor, Gladiators Fighting |
 J. Paul Getty Museum |
Los Angeles | 3 | Madonna and Child with the Infant Saint John the Baptist, Moses and the Messengers from Canaan, Elijah Receiving Bread from the Widow of Zarephath |
 Museo di Capodimonte |
Napoli | 3 | Christ Served by Angels, Mary Magdalen Raised by Angels, Christ Served by Angels |
 Louvre |
Paris | 3 | Coronation of the Virgin with St Augustine and St William of Aquitaine, LE COURONNEMENT DE LA VIERGE AVEC SAINT AUGUSTIN ET SAINT GUILLAUME D'AQUITAINE, Hagar in the Wilderness |
 Museo del Duomo e Cattedrale di Fidenza |
Fidenza | 3 | Right nave of Fidenza cathedral, Left nave of Fidenza cathedral, Fidenza cathedral inside |
 Galleria Borghese |
Rom | 2 | The Council of Gods, Norandino and Lucina Discovered by the Ogre |
 Bavarian State Painting Collections |
München | 2 | Penitent Mary Magdalene, Assumption of Mary |
 Statens Museum for Kunst |
København | 2 | The Glorification of Christ surrounded by Saints, Saint Sebastian |
Vælg et årti for at se dets mest fremtrædende værk.
Gladiators Fighting by Giovanni Lanfranco captures a violent struggle within a grand, classical arena. The scene centers on muscular male figures engaged in intense combat, their bodies defined by forceful, diagonal lines and twisting poses. In the foreground, fallen combatants lie prone upon the dusty ground, rendered with anatomical detail. This central conflict is framed by an imposing classical structure, where tall columns and a colonnade rise into the background.…
Giovanni Lanfranco’s “The Annunciation”: A Symphony of Baroque Drama Giovanni Lanfranco (1582-1647), born in Parma, Italy, stands as a pivotal figure within the flourishing Baroque artistic movement. His oeuvre is characterized by an unparalleled ability to convey emotion and grandeur through meticulously crafted compositions—a skill particularly evident in “The Annunciation,” painted circa 1610. This monumental fresco resides within San Carlo ai Catinari church in Rome, marking Lanfranco’s contribution to the…
Giovanni Lanfranco’s fresco “The Council of Gods,” adorning the Galleria Borghese in Rome, stands as a testament to the artistic fervor of the Baroque period. Painted in 1624 during the reign of Pope Urbano VIII, this monumental artwork transcends mere decoration; it embodies the theological debates and intellectual currents shaping Renaissance Europe.
A panoramic naval engagement unfolds across a wide horizontal plane, capturing the violent energy of a Roman Naumachia. The composition is crowded, pulling the viewer into a frantic struggle between wooden vessels. Figures are locked in combat, their muscular forms straining against the weight of spears and the pull of the sea. The scene is defined by a sense of immense scale and continuous, churning movement.
Øverst på listen er The Council of Gods (1624), Galleria Borghese, Rom. Lige efter kommer: Roman Naumachia (1635) og Madonna and Child with the Infant Saint John the Baptist (1630).
42 år gammel. Giovanni Lanfranco blev født i 1582, og The Council of Gods er fra 1624.
The Council of Gods, Roman Naumachia, Madonna and Child with the Infant Saint John the Baptist, Funeral Rites of a Roman Emperor, The Annunciation, Gladiators Fighting, The Allocution of a Roman Emperor, Christ Served by Angels, Gladiators at a Banquet og Norandino and Lucina Discovered by the Ogre. Du finder årstallet og museet for hver af dem i listen ovenfor.
Vi har 55 værker af Giovanni Lanfranco i vores katalog, dateret fra 1600 til 1638.
Du finder de fleste af dem i Museo del Prado (Madrid), J. Paul Getty Museum (Los Angeles) og Museo di Capodimonte (Napoli). Listen over museer ovenfor giver en fuldstændig oversigt.
I 1620s, mere end på andre tidspunkter: 16 af de 55 værker på denne side stammer fra dengang, herunder The Council of Gods.
Det tidligste værk her er Nativity (1600); det nyeste er The Allocution of a Roman Emperor (1638).
People (9), Figures (7) og Man (7) ud af i alt 55 værker på denne side.
Oil On Canvas, anvendt i 19 af de 55 værker på denne side.
Baroque, som du kan se i værkerne på denne side.
Du kan se 6 af værkerne på denne side på Museo del Prado, Madrid, herunder Roman Naumachia, Funeral Rites of a Roman Emperor og Gladiators Fighting.
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Giovanni Gaspare Lanfranco blev født i Parma i 1582 som den tredje søn af Stefano og Cornelia Lanfranchi. Hans kunstneriske talent blev bemærket tidligt i livet, hvilket førte til et læreforhold hos Agostino Carracci, broren til den fremtrædende bolognesiske kunstner Annibale Carracci. Han arbejdede også side om side med Sisto Badalocchio i Farnese-paladserne i Parma. Lanfrancos uddannelse fortsatte i Annibale Carraccis store værksted i Rom, hvor han bidrog til projekter som Galleria Farnese, herunder arbejdet på panelet med Polyfemos og Galatæa. Denne periode eksponerede ham for et levende kunstnerisk miljø og lagde fundamentet for hans fremtidige karriere.
Efter Annibale Carraccis død i 1609 vendte Lanfranco kortvarigt tilbage til Parma, før han i 1612 genetablerede sig i Rom. Her udviklede han en distinkt stil karakteriseret ved dynamiske kompositioner, teatralsk lyssætning og en visionær tilgang, der var særligt velegnet til loftfresker. Selvom han var påvirket af de sene værker af Ludovico Carracci og muligvis Caravaggio, udviste han også en stærk affinitet for Correggios dekorative stil. Hans tidlige værker viser en eklektisk spændvidde, der inkorporerer elementer fra forskellige mestre, mens han gradvist banede sin egen vej. Et nøgleaspekt af hans udvikling var hans evne til at skabe illusionistiske effekter i freskomaleriet, hvilket bidrog væsentligt til barokkens æstetik.
Lanfrancos karriere blomstrede under pave Paul V, som bestilte talrige værker af ham. Nogle af hans mest betydningsfulde bedrifter inkluderer:
Giovanni Lanfranco spillede en afgørende rolle i at forme det kunstneriske landskab i 1600-tallets Rom. Han var en rival til Domenichino om de store bestillingsopgaver, hvilket bidrog til en periode med intens konkurrence blandt tidens førende kunstnere. Hans innovative tilgang til freskomaleri, især hans beherskelse af illusionistiske teknikker og dramatiske kompositioner, påvirkede efterfølgende generationer af kunstnere. Lanfrancos arbejde afspejler de bredere tendenser i barokken – et fokus på dynamik, følelse og storhed – og sikrede ham en plads som en af sin tids vigtigste malere. Hans indflydelse kan ses i senere værker af Francesco Solimena og andre italienske kunstnere.
