Portræt af Ernst Barlach

Din guide til de 12 mest berømte Ernst Barlach-malerier

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 12 værker af Ernst Barlach i vores katalog

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Ernst Barlach's mest kendte værk er Frenzy (Der Berserker) (1910). Du kan finde det på Nelson-Atkins Museum of Art i Kansas City. Næste på listen er Man in Ecstasy (1912) og The Flutist (1936). Vi har 12 værker af Ernst Barlach i vores katalog; denne guide udvælger de 12 mest kendte, inklusiv årstal, museum og historien bag hvert værk.

1870 – 1938 Expressionism Flest værker: Nelson-Atkins Museum of Art

De 10 vigtigste Ernst Barlach malerier, du skal kende

1
Frenzy (Der Berserker) (1910) af Ernst Barlach

Frenzy (Der Berserker)

1910 · Bronze · Nelson-Atkins Museum of Art, Kansas City

In the heavy, bronze contours of Ernst Barlach’s Frenzy (Der Berserker), one does not merely observe a sculpture; one encounters a visceral eruption of human emotion. Created in 1910, this masterpiece stands as a profound testament to the power of German Expressionism, capturing a moment where physical form and psychological turmoil become indistinguishable. The figure, cast in enduring bronze, presents a powerful, solid silhouette that seems to vibrate with an…

4
Panic Terror (1912) af Ernst Barlach

Panic Terror

1912 · Wood · Staatliche Kunsthalle Karlsruhe, Karlsruhe

In 1912, the sculptor Ernst Barlach carved a moment of raw friction into Baltic birch. The work, titled Panic Terror, captures a sudden, violent collision between two human forms. It is a physical knot of resistance and weight. The wood bears the marks of a struggle that feels both immediate and ancient.

5
The Singing Man (1928) af Ernst Barlach

The Singing Man

1928

Ernst Barlach ist einer der bedeutendsten Bildhauer des deutschen Expressionismus. Geprägt durch die erschütternden Erfahrungen des Ersten Weltkriegs und später in radikaler Opposition zur rassistisch definierten nationalsozialistischen Propaganda einer Volksgemeinschaft befasste er sich mit dem Individuum, häufig in dessen existenzieller Einsamkeit und Not, aber auch in Momenten des unmittelbaren und als glücklich erlebten Daseins. Der singende Mann wirkt in seiner zurückgelehnten Haltung gelöst und lauscht mit Freude und ein wenig…

7
Shepherd in a Storm (1908) af Ernst Barlach

Shepherd in a Storm

1908 · Wood · Kunsthalle Bremen, Bremen

In the evocative sculpture Shepherd in a Storm, created in 1908 by the German Expressionist master Ernst Barlach, we encounter a profound meditation on human resilience. The piece captures a moment of intense struggle, where a shepherd, with his head bowed and hat pulled low against the elements, battles an unseen, relentless wind. This atmospheric tension serves as a powerful metaphor for the adversities and tempests that define the human…

Nummer 11 til 12: flere Ernst Barlach malerier

Hvad Ernst Barlach har malet mest af

De fire motiver, der optræder hyppigst i disse værker, hver med sit mest kendte eksempel.

Hvor du kan se Ernst Barlach's malerier

De 5 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Ernst Barlach Malerier fra denne liste
Nelson-Atkins Museum of Art, Kansas CityNelson-Atkins Museum of Art Kansas City 1 Frenzy (Der Berserker)
Aichi Prefectural Museum of Art, NagoyaAichi Prefectural Museum of Art Nagoya 1 Man in Ecstasy
Lehmbruck Museum, DüsseldorfLehmbruck Museum Düsseldorf 1 The Flutist
Staatliche Kunsthalle Karlsruhe, KarlsruheStaatliche Kunsthalle Karlsruhe Karlsruhe 1 Panic Terror
Kunsthalle Bremen, BremenKunsthalle Bremen Bremen 1 Shepherd in a Storm

Årti for årti: det mest kendte værk af hver Ernst Barlach

Værker per årti

Vælg et årti for at se dets mest fremtrædende værk.

Ernst Barlach: hurtige svar om malerierne

Hvad er Ernst Barlachs mest kendte maleri?Se svaret

Øverst på listen er Frenzy (Der Berserker) (1910), Nelson-Atkins Museum of Art, Kansas City. Lige efter kommer: Man in Ecstasy (1912) og The Flutist (1936).

Hvor gammel var Ernst Barlach, da Frenzy (Der Berserker) blev skabt?Se svaret

40 år gammel. Ernst Barlach blev født i 1870, og Frenzy (Der Berserker) er fra 1910.

Hvad er Ernst Barlachs top 10 malerier?Se svaret

Frenzy (Der Berserker), Man in Ecstasy, The Flutist, Panic Terror, The Singing Man, Untitled (727), Shepherd in a Storm, Untitled (305), Untitled (207) og Untitled (902). Du finder årstallet og museet for hver af dem i listen ovenfor.

Hvor mange værker af Ernst Barlach er i din katalog?Se svaret

Vi har 12 værker af Ernst Barlach i vores katalog, dateret fra 1908 til 1936.

I hvilke museer kan man se Ernst Barlachs berømte værker?Se svaret

Du finder de fleste af dem i Nelson-Atkins Museum of Art (Kansas City), Aichi Prefectural Museum of Art (Nagoya) og Lehmbruck Museum (Düsseldorf). Listen over museer ovenfor giver en fuldstændig oversigt.

Hvornår skabte Ernst Barlach sine mest berømte værker?Se svaret

I 1910s, mere end på andre tidspunkter: 3 af de 12 værker på denne side stammer fra dengang, herunder Frenzy (Der Berserker).

Hvad er Ernst Barlachs første og sidste berømte værker?Se svaret

Det tidligste værk her er Shepherd in a Storm (1908); det nyeste er The Flutist (1936).

Hvilket medie optræder hyppigst i Ernst Barlach's malerier?Se svaret

Wood, anvendt i 2 af de 12 værker på denne side.

Hvilken stil eller retning er Ernst Barlach kendt for?Se svaret

Expressionism, som du kan se i værkerne på denne side.

Hvor kan jeg bestille en Ernst Barlach reproduktion?Se svaret

Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.

Ernst Barlachs historie

Ernst Barlach: Life and Legacy

Early Life and Education

  • Born in Wedel, Holstein (Germany) on January 2nd, 1870, Ernst Heinrich Barlach was the eldest of four sons.
  • His father, Dr. Georg Barlach, was a physician who died when Ernst was fourteen, leading to a move with his family.
  • He received his early education in Ratzeburg and Schönberg, growing up in a devout Lutheran household.
  • Barlach began his artistic training at the Gewerbeschule Hamburg (Hamburg School of Applied Arts) from 1888 to 1891.
  • He continued his studies at the Königliche Akademie der bildenden Künste zu Dresden (Royal Academy of Fine Arts in Dresden) between 1891 and 1895, creating his first major sculpture, Die Krautpflückerin (The Herb Plucker).
  • He briefly studied at the Académie Julian in Paris from 1895 to 1897 but remained critical of simply copying French styles.

Artistic Development and Influences

  • Initially, Barlach worked in an Art Nouveau style, creating illustrations for the magazine Jugend and ceramic sculptures.
  • A pivotal trip to Russia in 1906 profoundly influenced his artistic direction, exposing him to new perspectives and a more expressive aesthetic.
  • Financial support from art dealer Paul Cassirer allowed Barlach to develop his unique style, focusing on the emotional intensity of human figures.
  • He drew inspiration from early Gothic art, particularly its dramatic drapery and spiritual yearning.
  • Barlach’s work also reflects influences from Russian folk art and a growing interest in portraying the lives of ordinary people.

Key Themes and Artistic Style

  • Barlach's sculptures, prints, and writings often explored themes of human suffering, spiritual longing, and social injustice.
  • His figures are characterized by their elongated forms, expressive gestures, and a sense of inner turmoil.
  • He frequently used wood carving and bronze as his primary mediums, emphasizing the tactile qualities of these materials.
  • The Singing Man, Frenzy (Der Berserker), and Shepherd in a Storm are examples of his emotionally charged and symbolic works.

World War I and its Aftermath

  • Initially, Barlach was a patriotic supporter of World War I, anticipating artistic renewal through conflict.
  • His experience as an infantry soldier from 1915 to 1916 profoundly changed his views, transforming him into a staunch pacifist.
  • The horrors of war became a central theme in his subsequent work, leading to powerful anti-war sculptures like Der Rächer (The Avenger).

Recognition and Controversy

  • Barlach gained significant recognition after the war, becoming a member of prestigious art academies in Prussia and Munich.
  • However, his anti-war stance and expressive style drew criticism during the rise of Nazism.
  • His works were labeled as “degenerate art” by the Nazi regime and confiscated from museums.
  • The Magdeburg Cenotaph, a WWI memorial depicting the pain and futility of war, sparked intense controversy and was temporarily removed.

Legacy and Historical Significance

  • Ernst Barlach died in Güstrow, Mecklenburg, on October 24th, 1938, but his artistic legacy endures.
  • He is considered one of the most important German Expressionist sculptors of the 20th century.
  • His work continues to resonate with audiences today, offering a powerful commentary on the human condition and the devastating consequences of war.
  • Barlach’s commitment to artistic integrity in the face of political oppression makes him an important figure in art history.

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