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Din guide til de 1 mest berømte Timoléon-malerier
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Timoléon i vores katalog
Kort sagt
Timoléon's mest kendte værk er At the Tobacco Shop of the Great Victor (1804). Du kan finde det på Carnavalet Museum i Paris. Vi har 1 værker af Timoléon i vores katalog; denne guide udvælger de 1 mest kendte, inklusiv årstal, museum og historien bag hvert værk.
Flest værker: Carnavalet Museum
De 10 vigtigste Timoléon malerier, du skal kende
Hvor du kan se Timoléon's malerier
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Timoléon | Malerier fra denne liste |
|---|---|---|---|
 Carnavalet Museum |
Paris | 1 | At the Tobacco Shop of the Great Victor |
År for år: de mest kendte værker af Timoléon
De daterede værker af Timoléon på denne side er alle fra 1804. Her er de, sorteret efter berømmelse.
Værker per år
Vælg et årstal for at se værkerne fra det år.
Timoléon: hurtige svar om malerierne
Hvad er Timoléons mest kendte maleri?Se svaret
Øverst på listen står At the Tobacco Shop of the Great Victor (1804).
Hvor mange værker af Timoléon er i din katalog?Se svaret
Vi har 1 værker af Timoléon i vores katalog.
I hvilke museer kan man se Timoléons berømte værker?Se svaret
Du finder de fleste af dem i Carnavalet Museum (Paris). Listen over museer ovenfor giver en fuldstændig oversigt.
Timoléons historie
The Chronicler of Childhood
In the quietude of Cornod, France, the foundations of a specific kind of visual storytelling are laid. Born in 1831, Timoléon Marie Lobrichon enters a France caught between the gears of industrial progress and a deep longing for the simplicity of the past. He moves from the Jura department to the rigorous halls of the Académie des Beaux Arts in Paris. Under the guidance of François-Édouard Picot, he masters the classical techniques that would later provide the structure for his most sentimental subjects. He does not merely paint figures; he constructs narratives of innocence.
His brush finds its true purpose in the fleeting expressions of youth. There is a specific tension in his work between the formal training of the Academy and the soft, emotional warmth he applies to his subjects. He captures the quiet drama of a child lost in a book or the wide-eyed wonder of siblings peering through a shop window. These are not static portraits. They are moments of unadulterated emotion frozen in oil.
A Career of Recognition
The Parisian art world responds to this ability to weave character into composition. From 1859 until his death, Timoléon is a constant presence at the Salon de Paris. His work travels far beyond the borders of France, finding audiences in Germany, Australia, and the United States. His versatility allows him to move between the high art of the Salon and the satirical edges of magazines like Le Gaulois and Le Hanneton.
His professional trajectory is marked by specific honors and diverse subject matter:
- First Prize medals at the Salon des Artistes Français in 1868 and 1882.
- Induction into the Légion d'Honneur in 1883.
- Illustrations for Jean Aicard's 1884 work, La Chanson de l'Enfant.
- Portraits of notable figures, including Alexander Graham Bell.
His repertoire extends beyond the sentimental scenes of children. He produces landscapes, historical scenes, and humorous picture stories such as Histoire de Mr. Tuberculus (1856) and Histoire de Mr. Grenouillet (1856). This range demonstrates a technical flexibility that supports both the satirical caricaturist and the serious painter.
The Legacy of Sentiment
By the time he reaches the end of his life in 1914, Timoléon has established himself as a master of genre painting. His works, such as La Vitrine du Magasin de Jouets, become widely known through engravings by Goupil & Cie, allowing his imagery to enter the homes of the masses. He leaves behind a body of work that prioritizes the emotional truth of a moment over the mere anatomical precision of a subject. His vision remains fixed on the small, significant dramas of daily life.