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Mød de 3 mest berømte malerier af Thomas E. Barratt
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 3 værker af Thomas E. Barratt i vores katalog
Kort sagt
Hvis du kender ét maleri af Thomas E. Barratt, er det sandsynligvis Portrait of a Gentleman (1840), som hænger på Metropolitan Museum of Art i New York. Henry Smith (1854) og Mr. Drury (1850) fuldender de tre værker, som folk genkender med det samme. Vores katalog indeholder 3 værker af Thomas E. Barratt. Nedenfor er de 3 mest kendte værker, hver med årstal, hvor de kan findes, og hvad der gør dem specielle.
1814 – 1854
Flest værker: Smithsonian American Art Museum
Start her: de 10 bedste Thomas E. Barratt malerier
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Hvor du kan se Thomas E. Barratt's malerier
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Thomas E. Barratt | Malerier fra denne liste |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Henry Smith, Mr. Drury |
 Metropolitan Museum of Art |
New York | 1 | Portrait of a Gentleman |
Thomas E. Barratt år for år: de mest fremragende værker
Fra 1840 til 1854 strækker Thomas E. Barratt's daterede værker sig over 15 år. Her er de, år for år, med de mest kendte værker fra hvert år.
Værker per år
Vælg et årstal for at se værkerne fra det år.
Dine spørgsmål om Thomas E. Barratts malerier
Hvilket maleri af Thomas E. Barratt er det mest berømte?Se svaret
Øverst på listen er Portrait of a Gentleman (1840), Metropolitan Museum of Art, New York. Lige efter kommer: Henry Smith (1854) og Mr. Drury (1850).
Hvor gammel var Thomas E. Barratt, da Portrait of a Gentleman blev skabt?Se svaret
26 år gammel. Thomas E. Barratt blev født i 1814, og Portrait of a Gentleman er fra 1840.
Hvor mange malerier har Thomas E. Barratt skabt?Se svaret
Vi har 3 værker af Thomas E. Barratt i vores katalog, dateret fra 1840 til 1854.
Hvor kan man se Thomas E. Barratts berømte malerier?Se svaret
Du finder de fleste af dem i Smithsonian American Art Museum (Washington, D.C.) og Metropolitan Museum of Art (New York). Listen over museer ovenfor giver en fuldstændig oversigt.
Hvilke berømte Thomas E. Barratt malerier kom først og sidst?Se svaret
Det tidligste værk her er Portrait of a Gentleman (1840); det nyeste er Henry Smith (1854).
Hvilke værker af Thomas E. Barratt kan du se på Smithsonian American Art Museum?Se svaret
Du kan se 2 af værkerne på denne side på Smithsonian American Art Museum, Washington, D.C., herunder Henry Smith og Mr. Drury.
Kan jeg få en reproduktion af et maleri af Thomas E. Barratt?Se svaret
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Lær Thomas E. Barratt at kende
A Life in Miniature
The life of Thomas E. Barratt was defined by the precision of the small scale. Born in England around 1814, he moved through a world that demanded intimacy in its portraiture. He was a miniaturist and portrait painter, a profession requiring a steady hand and a keen eye for the subtle nuances of human character. His career, which spanned the years between 1837 and 1854, was a quiet pursuit of likeness, capturing the essence of his subjects on surfaces as delicate as ivory.
His work, such as the watercolor on ivory titled Mr. Drury, reveals a technical mastery of the medium. In such pieces, the artist had to navigate the translucent qualities of the ivory to create depth and life. He focused on the details of dress—the frilled shirt, the patterned cravat, and the high-tied stock—to ground his subjects in their specific era. These were not grand, sweeping canvases, but private treasures meant to be held and studied closely.
The Quiet Precision of the Portraitist
Barratt’s presence in the American art landscape was marked by this dedication to the minute. While many artists sought the scale of the public gallery, he found his purpose in the intimate space of the portrait miniature. His movement through the mid-nineteenth century saw him active in the United States, where he continued his practice until his passing after 1854. His ability to translate a sitter's identity into a small, portable format speaks to a specific kind of technical discipline.
The historical significance of his work lies in its preservation of the individual. Through his use of watercolor, he captured the textures of fabric and the soft contours of the face with a precision that larger oils often struggle to replicate. His legacy is found in the quiet, detailed records of the people he painted, preserved in collections like the Smithsonian American Art Museum.