Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 2 værker af Samuel Spode i vores katalog
Kort sagt
Samuel Spode's mest kendte værk er A Dark Bay Racehorse held by a Trainer in a Landscape (1833). Du kan finde det på Florence Court. Vi har 2 værker af Samuel Spode i vores katalog; denne guide udvælger de 2 mest kendte, inklusiv årstal, museum og historien bag hvert værk.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Samuel Spode | Malerier fra denne liste |
|---|---|---|---|
 Florence Court |
1 | A Dark Bay Racehorse held by a Trainer in a Landscape |
De daterede værker af Samuel Spode på denne side er alle fra 1833. Her er de, sorteret efter berømmelse.
Vælg et årstal for at se værkerne fra det år.
Øverst på listen står A Dark Bay Racehorse held by a Trainer in a Landscape (1833).
35 år gammel. Samuel Spode blev født i 1798, og A Dark Bay Racehorse held by a Trainer in a Landscape er fra 1833.
Vi har 2 værker af Samuel Spode i vores katalog.
Du finder de fleste af dem i Florence Court. Listen over museer ovenfor giver en fuldstændig oversigt.
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Samuel Spode was a British painter who specialized in equestrian sporting scenes, with a particular focus on the portraiture of military and sporting horses. His work often captured the essence of horse racing and fox hunting, frequently featuring prominent animals such as Birdcatcher, Caractacus, and Voltager. He also portrayed significant historical horses, including the Duke of Wellington's war horse, Copenhagen, and the charger Ronald, which was ridden by Lord Cardigan during the Charge of the Light Brigade.
Spode's career was marked by significant movement; he emigrated to Van Diemen's Land with his wife, Mary Crewe, and his brother Josiah, before returning to England in 1826. During his time in England, he stayed at Heron Cottage in the Staffordshire Potteries. His artistic output included works for various patrons, such as the Earl of Lonsdale and John Dawson Duckett, and some of his paintings were reproduced in The Sporting Magazine.
In the 1830s, Spode traveled frequently to Ireland to seek commissions, and he also spent time working as a horse trainer at the Curragh Racecourse. His dedication to his passion for animal painting meant that he worked solely on commissions, and as a result, he never exhibited at well-known exhibitions. Around 1845, he painted several works with Stonehenge in the background, suggesting a period of residence near Amesbury.
Spode's life was characterized by several marriages; he was widowed three times before eventually marrying a girl named Delia in Dublin. He died in Dublin, leaving behind a legacy defined by the many famous horses he depicted throughout his career.
