Portræt af Robert Smithson

Din guide til de 4 mest berømte Robert Smithson-malerier

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 6 værker af Robert Smithson i vores katalog

Kort sagt

Robert Smithson's mest kendte værk er Non Site - Site Uncertain. Du kan finde det på Detroit Institute of Arts i Detroit. Næste på listen er Three-Sided Vortex (1966) og Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967). Vi har 6 værker af Robert Smithson i vores katalog; denne guide udvælger de 4 mest kendte, inklusiv årstal, museum og historien bag hvert værk.

1938 – 1973, Passaic Flest værker: Detroit Institute of Arts
Non Site - Site Uncertain af Robert Smithson1. Non Site - Site Uncertain Three-Sided Vortex (1966) af Robert Smithson2. Three-Sided Vortex 1966 Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967) af Robert Smithson3. Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) 1967

De 10 vigtigste Robert Smithson malerier, du skal kende

Hvor du kan se Robert Smithson's malerier

De 2 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Robert Smithson Malerier fra denne liste
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Non Site - Site Uncertain
Chrysler Museum of Art, NorfolkChrysler Museum of Art Norfolk 1 Three-Sided Vortex

År for år: de mest kendte værker af Robert Smithson

Robert Smithsons daterede værker her spænder fra 1966 til 1970, i alt 5 år. Her er de, ét år ad gangen.

Værker per år

Vælg et årstal for at se værkerne fra det år.

Robert Smithson: hurtige svar om malerierne

Hvad er Robert Smithsons mest kendte maleri?Se svaret

Øverst på listen er Non Site - Site Uncertain, Detroit Institute of Arts, Detroit. Lige efter kommer: Three-Sided Vortex (1966) og Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967).

Hvor mange værker af Robert Smithson er i din katalog?Se svaret

Vi har 6 værker af Robert Smithson i vores katalog, dateret fra 1966 til 1970.

I hvilke museer kan man se Robert Smithsons berømte værker?Se svaret

Du finder de fleste af dem i Detroit Institute of Arts (Detroit) og Chrysler Museum of Art (Norfolk). Listen over museer ovenfor giver en fuldstændig oversigt.

Hvad er Robert Smithsons første og sidste berømte værker?Se svaret

Det tidligste værk her er Three-Sided Vortex (1966); det nyeste er Torn Photograph from the 2nd Stop (Rubble) (2nd Mountain of Six Stops on a Section) from Artists Photographs (1970).

Robert Smithsons historie

Early Life and Artistic Beginnings

  • Born: January 2, 1938, in Passaic, New Jersey
  • Early years spent in Rutherford and Clifton, New Jersey
  • Studied painting and drawing at the Art Students League of New York (1955-1956)
  • Early artwork explored collage influenced by homoerotic themes, science fiction, and pop art. Primarily identified as a painter during this period.
  • Influenced by William Carlos Williams, who was his pediatrician.

The Shift to Minimalism and Conceptual Art

  • After a three-year break from the art world, emerged in 1964 as a proponent of the minimalist movement.
  • Abandoned figurative work, focusing on glass sheet and neon lighting tubes exploring visual refraction and mirroring.
  • Developed interest in entropy (the second law of thermodynamics) – decay, renewal, chaos, order, non-sites, and earthworks. Saw entropy not as a disadvantage but as a form of transformation.
  • Associated with minimalist artists like Nancy Holt (his wife), Robert Morris, and Sol LeWitt.
  • Became a critic for *Arts Magazine* and *Artforum*, gaining recognition as a writer before his art.

Land Art and Earthworks: Spiral Jetty and Beyond

  • Fascination with industrial areas in New Jersey led to the development of "Non-Sites" – sculptures incorporating earth and rocks from specific locations, often combined with mirrors or glass.
  • Spiral Jetty (1970): His most famous work, a massive coil of basalt rock extending into the Great Salt Lake in Utah. A key example of land art, exploring themes of entropy, time, and geological processes.
  • Explored temporary sculptures using mirrors in the Yucatan Peninsula, documented in "Incidents of Mirror-Travel in the Yucatan."
  • Recovered 18th- and 19th-century conceptions of landscape architecture, influencing his later earthwork explorations.

Theoretical Writings and Landscape Perspectives

  • Wrote extensively on art theory, including "A Heap of Language," exploring how writing could become an artwork.
  • Examined Frederick Law Olmsted's design for Central Park in New York City, recovering issues of site specificity, human intervention, and the picturesque landscape.
  • His writings demonstrate a deep engagement with history, philosophy, geology, and cultural theory.

Legacy and Historical Significance

  • Died: July 20, 1973, in Tucson, Arizona (due to a heart attack while hiking).
  • Considered a pivotal figure in Land Art and Earthworks movements.
  • His work expanded the definition of art, blurring boundaries between sculpture, landscape, and natural processes.
  • Influenced generations of artists with his conceptual approach, exploration of entropy, and engagement with geological time scales.
  • The Holt/Smithson Foundation continues to preserve and promote his legacy.
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