Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Robert Muller i vores katalog
Kort sagt
Det mest kendte maleri af Robert Muller er Mrs George Morland (1792), som du kan se på Dulwich Picture Gallery i London. Ud af 1 værker af Robert Muller i vores katalog er disse 1 de mest kendte. Hvert værk er ledsaget af årstal, museum og en kort note om, hvad der gør det bemærkelsesværdigt.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Robert Muller | Malerier fra denne liste |
|---|---|---|---|
 Dulwich Picture Gallery |
London | 1 | Mrs George Morland |
1792 er det år, hvor alle daterede værker af Robert Muller på denne side blev skabt. Her er de, med de mest berømte først.
Vælg et årstal for at se værkerne fra det år.
Øverst på listen står Mrs George Morland (1792).
19 år gammel. Robert Muller blev født i 1773, og Mrs George Morland er fra 1792.
Vi har 1 værker af Robert Muller i vores katalog.
Du finder de fleste af dem i Dulwich Picture Gallery (London). Listen over museer ovenfor giver en fuldstændig oversigt.
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
To look at the surviving record of Robert Muller is to encounter a shadow in the history of British painting. Born in London in 1773, his career was a sudden, brief flash that vanished almost as quickly as it appeared. He was active between 1789 and 1800, a period of intense artistic production in the United Kingdom, yet his personal biography remains largely unwritten. We know him through his output rather than his life story. He was a painter who operated during a specific window of time, leaving behind a footprint that is defined more by the scarcity of his remains than by the volume of his fame.
Muller’s work is tied to the visual language of the late eighteenth century. His output suggests a focus on portraiture and the depiction of figures within specific social or domestic contexts. His technique was grounded in the traditions of his era, aiming for a clarity of form that was standard for the period. His ability to capture specific individuals is evidenced by his known works, such as his depiction of Mrs George Morland, which exists within the collections of the Dulwich Picture Gallery. This piece, dating from between circa 1792 and circa 1795, provides a concrete anchor for his skill and his place within the London art scene.
The specifics of his professional life include:
The significance of Muller lies in his role as a representative of a specific, fleeting moment in British art. He did not persist into the nineteenth century to influence later movements, but his existence is necessary to understand the breadth of the London painting tradition. He represents the professional painter of the 1790s—an artist working within a structured, competitive environment. His death around 1800 cut short a career that was still in its developmental phase. We judge him not by a long legacy of influence, but by the tangible evidence of his skill left in the hands of galleries.
