Kort sagt
Det mest kendte maleri af Robert Eigenberger er The Myth of Man Is Over (1950). Lige efter følger The Sensual One (1929) og Saint Sebastian (1934). Ud af 4 værker af Robert Eigenberger i vores katalog er disse 4 de mest kendte. Hvert værk er ledsaget af årstal, museum og en kort note om, hvad der gør det bemærkelsesværdigt.
Robert Eigenbergers top 10: de værker alle kender
Et berømt værk af Robert Eigenberger for hvert årti
Robert Eigenberger malerier: det, folk gerne vil vide
Hvilket maleri er Robert Eigenberger bedst kendt for?Se svaret
Øverst på listen er The Myth of Man Is Over (1950). Lige efter følger The Sensual One (1929) og Saint Sebastian (1934).
Hvor gammel var Robert Eigenberger på tidspunktet for The Myth of Man Is Over?Se svaret
60 år gammel. Robert Eigenberger blev født i 1890, og The Myth of Man Is Over er fra 1950.
Hvor mange værker af Robert Eigenberger er der?Se svaret
Vi har 4 værker af Robert Eigenberger i vores katalog, dateret fra 1929 til 1950.
Hvad er de ældste og nyeste berømte malerier af Robert Eigenberger?Se svaret
Det tidligste værk her er The Sensual One (1929); det nyeste er The Myth of Man Is Over (1950).
Mød Robert Eigenberger
The Life and Academic Career of Robert Eigenberger
Robert Eigenberger was an Austrian art historian, painter, pedagogue, restorer, and university teacher. Born in Sedlec, Czech Republic, he pursued his studies in art history in Prague, Munich, Göttingen, and Berlin. His professional journey included serving as an assistant at the K. K. Zentralkommission für Denkmalpflege in Vienna and later becoming the director of the Gemäldegalerie at the Academy of Fine Arts in Vienna. Throughout his distinguished academic career, he held various roles at the Academy, including serving as a professor and eventually as the Rector from 1951 to 1955. He also led the Institute for Sacred Art following his retirement.
Artistic Practice and Pseudonym
In addition to his academic and restorative work, Eigenberger was an active painter who often exhibited under the pseudonym Karl Reigen. His artistic output was diverse, encompassing the following subjects:
His recognition within the art community included membership in the Vienna Secession and the Wiener Künstlerhaus, as well as receiving the Austrian State Prize for Painting in 1930.


