Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Peter Copmann i vores katalog
Kort sagt
Peter Copmann's mest kendte værk er Portræt af en ung pige (1824). Du kan finde det på Statens Museum for Kunst i København. Vi har 1 værker af Peter Copmann i vores katalog; denne guide udvælger de 1 mest kendte, inklusiv årstal, museum og historien bag hvert værk.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Peter Copmann | Malerier fra denne liste |
|---|---|---|---|
 Statens Museum for Kunst |
København | 1 | Portræt af en ung pige |
De daterede værker af Peter Copmann på denne side er alle fra 1824. Her er de, sorteret efter berømmelse.
Vælg et årstal for at se værkerne fra det år.
Øverst på listen står Portræt af en ung pige (1824).
30 år gammel. Peter Copmann blev født i 1794, og Portræt af en ung pige er fra 1824.
Vi har 1 værker af Peter Copmann i vores katalog.
Du finder de fleste af dem i Statens Museum for Kunst (København). Listen over museer ovenfor giver en fuldstændig oversigt.
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Born in 1794, Peter Copmann lived through a period of significant artistic transition. His life, which concluded in 1850, was defined by a commitment to capturing the likeness of individuals and the quiet details of the natural world. Working primarily in Denmark, he developed a skill for both the delicate touch of pastel and the precise lines of lithography. His hands were as comfortable with the soft, powdery texture of a portrait as they were with the technical demands of printmaking.
His work often focused on the human face, seeking to find the character within a sitter's gaze. In his 1832 pastel portrait of the composer Friedrich Kuhlau, Copmann demonstrated his ability to interpret existing works, creating a new version of a portrait originally painted by Christian Horneman. This ability to translate one medium into another shows a deep understanding of light and form. He did not merely copy; he reinterpreted the essence of his subjects through his own lens.
Copmann’s repertoire was diverse, spanning from the intimate scale of a portrait to the expansive views of a rural scene. He moved between different artistic subjects with ease, often finding beauty in the simplest elements of nature. His technical range allowed him to explore various ways of seeing the world:
In his lithograph of Johan Christian Ryge, there is a specific focus on the subject's unwavering gaze. This directness creates a sense of psychological depth, making the viewer feel the weight of the sitter's presence. It is a quiet, steady way of engaging with the world, avoiding the dramatic in favor of the sincere.
