Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Per Persson i vores katalog
Kort sagt
Det mest kendte maleri af Per Persson er Jonah beneath the Gourd, som du kan se på Nationalmuseum i Stockholm. Ud af 1 værker af Per Persson i vores katalog er disse 1 de mest kendte. Hvert værk er ledsaget af årstal, museum og en kort note om, hvad der gør det bemærkelsesværdigt.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Per Persson | Malerier fra denne liste |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 1 | Jonah beneath the Gourd |
Øverst på listen står Jonah beneath the Gourd.
Vi har 1 værker af Per Persson i vores katalog.
Du finder de fleste af dem i Nationalmuseum (Stockholm). Listen over museer ovenfor giver en fuldstændig oversigt.
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Per Persson remains a specific, localized figure in the history of Swedish painting. His presence in the art historical record is defined by a singular, substantial work held by the Nationalmuseum in Stockholm. He lived through the late eighteenth and early nineteenth centuries, a period of significant transition in European art, yet his legacy is anchored to a very specific visual narrative. To look at his work is to see a direct engagement with biblical themes through a Swedish lens.
His output is not characterized by a vast body of work or a wide-ranging stylistic evolution. Instead, his importance is tied to the survival of his specific compositions. He was a painter who operated within the constraints of his era, focusing on the translation of religious scripture into visual form.
The primary evidence of Persson's skill lies in his treatment of the biblical story of Jonah. His composition, Jonah beneath the Gourd, provides the essential context for his technical approach. This work, also known by its Swedish title Jona under kurbitsen, demonstrates a focus on the physical relationship between the prophet and the plant that provides his shade.
The technical execution of his painting reveals several key aspects of his practice:
Persson died in 1843, leaving behind a legacy that is more about the preservation of a specific moment in Swedish art than about a broad movement. His work exists as a point of reference for how religious narratives were interpreted in Sweden during his lifetime. He did not attempt to redefine the medium; he worked within the established traditions of his time. His significance is found in the tangible existence of his paintings in national collections, ensuring that his specific vision of the Jonah story remains accessible to those studying the period.
