Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 7 værker af Max Bohm i vores katalog
Kort sagt
Det mest kendte maleri af Max Bohm er Springtime in France (1923), som du kan se på Smithsonian American Art Museum i Washington, D.C.. Lige efter følger Portrait of Mr. C. (1892) og Lucy (1909). Ud af 7 værker af Max Bohm i vores katalog er disse 7 de mest kendte. Hvert værk er ledsaget af årstal, museum og en kort note om, hvad der gør det bemærkelsesværdigt.
Sea Babies is an oil on canvas painting executed by the American artist Max Bohm. Created in 1914, this work belongs to the category of American art produced before 1950. The piece was rendered using oil pigments on a canvas substrate, a medium that allows for the layering of color and texture seen in the finished surface.
De 3 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Max Bohm | Malerier fra denne liste |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 4 | Springtime in France, Ancient Seaport, The Happy Mother |
 Cleveland Museum of Art |
Cleveland | 2 | Portrait of Mr. C., Lucy |
 Detroit Institute of Arts |
Detroit | 1 | Sea Babies |
Vælg et årti for at se dets mest fremtrædende værk.
Sea Babies is an oil on canvas painting executed by the American artist Max Bohm. Created in 1914, this work belongs to the category of American art produced before 1950. The piece was rendered using oil pigments on a canvas substrate, a medium that allows for the layering of color and texture seen in the finished surface.
Øverst på listen er Springtime in France (1923), Smithsonian American Art Museum, Washington, D.C.. Lige efter kommer: Portrait of Mr. C. (1892) og Lucy (1909).
55 år gammel. Max Bohm blev født i 1868, og Springtime in France er fra 1923.
Vi har 7 værker af Max Bohm i vores katalog, dateret fra 1892 til 1923.
Du finder de fleste af dem i Smithsonian American Art Museum (Washington, D.C.), Cleveland Museum of Art (Cleveland) og Detroit Institute of Arts (Detroit). Listen over museer ovenfor giver en fuldstændig oversigt.
I 1910s, mere end på andre tidspunkter: 3 af de 7 værker på denne side stammer fra dengang, herunder Sea Babies.
Det tidligste værk her er Portrait of Mr. C. (1892); det nyeste er Springtime in France (1923).
Du kan se 4 af værkerne på denne side på Smithsonian American Art Museum, Washington, D.C., herunder Springtime in France, Ancient Seaport og The Happy Mother.
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Max Bohm (1868-1923) was an American artist who forged a significant career primarily in Europe before returning to his native United States. Known for his romantic and often heroic depictions of everyday life, particularly the fishing communities of France and later the landscapes of Cape Cod, Bohm’s work reflects a blend of Impressionistic techniques with a deeply personal vision.
Born in Cleveland, Ohio, in 1868, Max Bohm received his foundational artistic training at the prestigious Académie Julian in Paris. This immersion in the Parisian art world proved pivotal to his development, exposing him to the latest trends and techniques of the time. He travelled extensively throughout Europe, absorbing diverse influences that would shape his unique style.
Between 1895 and 1904, Bohm established himself within the vibrant Etaples art colony in northern France. This community attracted artists from across Europe and America, fostering a spirit of collaboration and experimentation. It was here that Bohm began to develop his signature style, focusing on the lives and labors of local fishermen. His heroic portrayal of these working-class subjects culminated in a gold medal at the Paris Salon in 1898 – a major achievement that brought him widespread recognition.
Bohm’s artistic style is often described as Romantic, characterized by dramatic lighting, emotive compositions, and a sense of narrative. While influenced by Impressionism, he moved beyond simply capturing fleeting moments of light; instead, he imbued his paintings with a deeper psychological resonance. His work frequently features robust figures engaged in strenuous activity, rendered with a powerful realism that conveys both their physical strength and their inherent dignity.
After leaving Etaples, Bohm spent several years teaching painting at a school in London until 1911. He then returned to the United States, joining the burgeoning artist community on Cape Cod, Massachusetts. The rugged beauty of the Cape’s coastline and its maritime traditions provided him with new subject matter, though he continued to employ his characteristic Romantic sensibility.
Max Bohm’s work offers a compelling glimpse into the lives of working people during a period of significant social and economic change. His paintings are not merely representations of reality; they are imbued with a sense of empathy and respect for his subjects. As a National Academician, he played a role in shaping the American art landscape of the early 20th century. Furthermore, Bohm’s artistic legacy continues through his granddaughter, artist Anne Packard, demonstrating a lasting family connection to the world of fine art.
He died in Provincetown, Cape Cod in 1923 leaving behind a body of work that continues to resonate with viewers today.
