Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 5 værker af László Pataky i vores katalog
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Det mest kendte maleri af László Pataky er Roosters on Horses (1880), som du kan se på Slovak National Gallery i Bratislava. Lige efter følger Cavalry Battle (1890) og Kuruci (1903). Ud af 5 værker af László Pataky i vores katalog er disse 3 de mest kendte. Hvert værk er ledsaget af årstal, museum og en kort note om, hvad der gør det bemærkelsesværdigt.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af László Pataky | Malerier fra denne liste |
|---|---|---|---|
 Slovak National Gallery |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
Vælg et årti for at se dets mest fremtrædende værk.
Øverst på listen er Roosters on Horses (1880), Slovak National Gallery, Bratislava. Lige efter kommer: Cavalry Battle (1890) og Kuruci (1903).
23 år gammel. László Pataky blev født i 1857, og Roosters on Horses er fra 1880.
Vi har 5 værker af László Pataky i vores katalog, dateret fra 1880 til 1903.
Du finder de fleste af dem i Slovak National Gallery (Bratislava) og Ernest Zmeták Art Gallery (Nové Zámky). Listen over museer ovenfor giver en fuldstændig oversigt.
Det tidligste værk her er Roosters on Horses (1880); det nyeste er Kuruci (1903).
Du kan se 2 af værkerne på denne side på Slovak National Gallery, Bratislava, herunder Roosters on Horses og Cavalry Battle.
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.
