Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Julius Hellesen i vores katalog
Kort sagt
Julius Hellesen's mest kendte værk er Parti ved Ordrup (1841). Du kan finde det på Statens Museum for Kunst i København. Vi har 1 værker af Julius Hellesen i vores katalog; denne guide udvælger de 1 mest kendte, inklusiv årstal, museum og historien bag hvert værk.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Julius Hellesen | Malerier fra denne liste |
|---|---|---|---|
 Statens Museum for Kunst |
København | 1 | Parti ved Ordrup |
De daterede værker af Julius Hellesen på denne side er alle fra 1841. Her er de, sorteret efter berømmelse.
Vælg et årstal for at se værkerne fra det år.
Øverst på listen står Parti ved Ordrup (1841).
18 år gammel. Julius Hellesen blev født i 1823, og Parti ved Ordrup er fra 1841.
Vi har 1 værker af Julius Hellesen i vores katalog.
Du finder de fleste af dem i Statens Museum for Kunst (København). Listen over museer ovenfor giver en fuldstændig oversigt.
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Born in Copenhagen, Denmark, on July 17, 1823, Julius Hellesen entered a world that would eventually shape his eye for the natural landscape. He was the son of Anna Dorothea Dons and Niels Conrad Hellesen, a customs assistant. From a young age, the inclinations of his spirit seemed to lean toward the visual arts, leading him toward the formal structures of artistic education in his home city.
His path through the Academy of Fine Arts began early, as he first visited the institution in 1836. This period of study was marked by a steady progression of skill and discipline. By December 1843, he had been admitted to the Model School, a significant step in his development as a painter and lithographer. It was during these formative years that he found his true calling, moving away from general studies to focus on the nuances of the outdoors.
Under the guidance of Heinrich Buntzen, Julius Hellesen dedicated himself to the study of landscape painting. This mentorship provided the technical foundation necessary to capture the light and form of the Danish countryside. His training was not merely about the application of pigment, but a deep immersion into the textures of the earth and sky, a pursuit that would define his professional life and his contributions to the Danish art scene.
The young artist first stepped into the public eye at the age of seventeen, making his debut at the Charlottenborg Spring Exhibition. This early introduction to the art world marked the beginning of a dedicated period of showing his work. Between 1840 and 1846, he became a regular presence at these spring exhibitions, presenting various landscapes that reflected his growing skill and focus on the natural world.
As the years passed, his interests expanded beyond the brush and canvas. In his later years, he turned his attention to the precision of lithography, finding steady work as a lithographer at Em. Bærentzen & Co. This shift allowed him to explore the nuances of printmaking, a craft that required a different kind of patience and technical discipline. Even as he embraced this medium, he continued to exhibit his graphic talents, such as when he presented a color lithograph of Rosenborg Slot in 1860.
Hellesen found his true calling in the quietude of the Danish landscape, a pursuit that defined his creative spirit. His early brushwork captured the essence of the countryside, such as in Parti ved Ordrup, painted in 1841. This work demonstrated an early command of his chosen genre. He continued to explore the natural world through various compositions, including VED EN MOLLEDAM MED UDSIGT OVER HAVET in 1842 and the 1843 work titled Danish landscape. These oil paintings reveal a man deeply attentive to the light and topography of his homeland.
As his career progressed, his technical interests expanded beyond the canvas. He turned his hand to the precision of lithography, capturing specific locales with a different kind of clarity. His output included a landscape from Sæby with a view to the church, and later, a color lithograph titled Fersiska trädgården, Stockholm, which was produced in 1890. This later work shows a shift in medium, yet the artist's eye for detail remained constant even as his methods evolved.
Those who wish to encounter the traces of his hand may find them preserved within the halls of Copenhagen. His presence in the capital remains felt through several significant holdings that have survived the passage of time. One might find his vision of the landscape captured in the Statens Museum For Kunst, where the work titled Parti ved Ordrup resides. This piece offers a glimpse into the way he composed the natural world during his most active years.
Other treasures of his output have found a home within the Thorvaldsens Museum, also located in Copenhagen, Denmark. Here, the museum maintains a digital collection that allows for a closer study of his compositions. Among these is a work known as Danish landscape, which was painted in 1843. This oil on canvas remains a vital part of the institution's holdings, allowing the viewer to observe the specific textures of the Danish terrain as he saw them.
As the years passed, Hellesen’s personal life became anchored by his marriage to Pauline Emilie Paulsen. They wed on November 15, 1862, bringing together two families in Copenhagen. Pauline was the daughter of Jens Paulsen and Christine Duus, and her presence marked a significant chapter in his life as he continued his professional pursuits.
The artist's later years were spent navigating the changing landscape of his craft, moving between the delicate precision of lithography and the expansive nature of his landscape studies. However, his health eventually faltered. He passed away on July 10, 1877, at the Kommunehospitalet in Copenhagen. He was laid to rest in the Assistens Kirkegård, leaving behind a body of work that captured the quiet essence of the Danish terrain.
