Portræt af John Dee

Mød de 4 mest berømte malerier af John Dee

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 4 værker af John Dee i vores katalog

Kort sagt

Hvis du kender ét maleri af John Dee, er det sandsynligvis Obsidian Mirror (1400). Four Castles Gold Disk (1560) og Sigillum Dei, Wax Disks (1582) fuldender de tre værker, som folk genkender med det samme. Vores katalog indeholder 4 værker af John Dee. Nedenfor er de 4 mest kendte værker, hver med årstal, hvor de kan findes, og hvad der gør dem specielle.

1527 – 1608

Start her: de 10 bedste John Dee malerier

John Dee år for år: de mest fremragende værker

John Dees værker her strækker sig over 23 år, fra 1560 til 1582. Gennemse dem år for år med de mest kendte værker fra hvert år.

Værker per år

Vælg et årstal for at se værkerne fra det år.

Dine spørgsmål om John Dees malerier

Hvilket maleri af John Dee er det mest berømte?Se svaret

Øverst på listen er Obsidian Mirror (1400). Lige efter følger Four Castles Gold Disk (1560) og Sigillum Dei, Wax Disks (1582).

Hvor mange malerier har John Dee skabt?Se svaret

Vi har 4 værker af John Dee i vores katalog, dateret fra 1560 til 1582.

Hvornår malede John Dee sine mest kendte værker?Se svaret

I 1582, mere end på andre tidspunkter: 2 af de 4 værker på denne side stammer fra dengang, herunder Sigillum Dei, Wax Disks.

Hvilke berømte John Dee malerier kom først og sidst?Se svaret

Det tidligste værk her er Four Castles Gold Disk (1560); det nyeste er Sigillum Dei, Wax Disks (1582).

Kan jeg få en reproduktion af et maleri af John Dee?Se svaret

Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.

Lær John Dee at kende

The Life and Family of John Dee

John Dee was an English polymath and occultist, a man whose intellectual reach extended far beyond the boundaries of traditional scholarship. Born on 13 July 1527, he occupied a space between rigorous science and the esoteric. His lineage began with his father, Rowland Dee, providing the foundation for a life defined by the pursuit of hidden knowledge. He was not a painter or a visual creator, but a thinker whose influence was felt through his vast intellectual inquiries and his involvement in the occult sciences of the sixteenth century.

Family life for Dee was marked by specific, documented connections that anchored his complex existence. His son, Arthur Dee, was born on 13 July 1579. This lineage continued through a life spent largely in Mortlake, London, where he maintained his residence and his extensive collections. The weight of his intellectual pursuits often intersected with his personal associations, creating a life that was as much about human relationships as it was about the study of the unknown.

The end of his life remains a matter of slight historical debate, with records suggesting he died in 1608 or 1609. Regardless of the exact year, the impact of his work remains a concrete part of the history of English intellectualism. He left behind a legacy of manuscripts and tracts, including the Cotton Vitellius C. VII, which serves as a primary record of his own life and thoughts. His existence was defined by this tension between the documented word and the unseen forces he sought to understand.

Travels and Connections in Europe

John Dee was an English polymath and occultist whose influence relied heavily on his ability to navigate the complex social and intellectual circles of the European continent. His movements were not mere sightseeing; they were strategic engagements with the power structures of the era. He was a visitor to the court of Rudolf II, a connection that placed him at the center of significant intellectual exchange. This relationship was solidified during his time in Prague, where he visited the court of Rudolf II between 1584 and 1585. These interactions demonstrate a man deeply embedded in the high-stakes political and esoteric currents of the late sixteenth century.

His social network was as diverse as it was specialized. He maintained a close friendship with Edward Kelley, a relationship that likely defined much of his later intellectual pursuits. Beyond these personal ties, Dee moved through a web of associates and acquaintances that spanned various social strata. He was connected to William of Rosenberg and Nicholas Starkie, figures who represent the breadth of his professional and social reach. These were not casual acquaintances but part of a structured existence defined by proximity to power and the exchange of specialized knowledge. His presence in Prague and his ties to the court of Rudolf II confirm that his work was never isolated to a single locale, but was instead part of a broader, continental dialogue.