Portræt af Henrik Plötz

Henrik Plötzs mest berømte malerier: Alle 4, rangeret

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 4 værker af Henrik Plötz i vores katalog

Kort sagt

Det mest kendte maleri af Henrik Plötz er Charles Bonnet, Swizz Naturalist and Philosopher (1785), som du kan se på Nationalmuseum i Stockholm. Lige efter følger Portrait of Prince Willem George Frederik (1795) og Portrait of a woman (1800). Ud af 4 værker af Henrik Plötz i vores katalog er disse 4 de mest kendte. Hvert værk er ledsaget af årstal, museum og en kort note om, hvad der gør det bemærkelsesværdigt.

1747 – 1830, Pinneberg Flest værker: Nationalmuseum

Henrik Plötzs top 10: de værker alle kender

Hvor du kan se Henrik Plötz's malerier

De 2 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Henrik Plötz Malerier fra denne liste
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Charles Bonnet, Swizz Naturalist and Philosopher, King Khristian VII of Denmark and Norway
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Portrait of Prince Willem George Frederik, Portrait of a woman

Et berømt værk af Henrik Plötz for hvert årti

Værker per årti

Vælg et årti for at se dets mest fremtrædende værk.

Henrik Plötz malerier: det, folk gerne vil vide

Hvilket maleri er Henrik Plötz bedst kendt for?Se svaret

Øverst på listen er Charles Bonnet, Swizz Naturalist and Philosopher (1785), Nationalmuseum, Stockholm. Lige efter kommer: Portrait of Prince Willem George Frederik (1795) og Portrait of a woman (1800).

Hvor gammel var Henrik Plötz på tidspunktet for Charles Bonnet, Swizz Naturalist and Philosopher?Se svaret

38 år gammel. Henrik Plötz blev født i 1747, og Charles Bonnet, Swizz Naturalist and Philosopher er fra 1785.

Hvor mange værker af Henrik Plötz er der?Se svaret

Vi har 4 værker af Henrik Plötz i vores katalog, dateret fra 1785 til 1800.

Hvilke museer har Henrik Plötzs mest kendte malerier?Se svaret

Du finder de fleste af dem i Nationalmuseum (Stockholm) og Rijksmuseum (Amsterdam). Listen over museer ovenfor giver en fuldstændig oversigt.

Hvad er de ældste og nyeste berømte malerier af Henrik Plötz?Se svaret

Det tidligste værk her er Charles Bonnet, Swizz Naturalist and Philosopher (1785); det nyeste er Portrait of a woman (1800).

Hvad kan du se af Henrik Plötz på Nationalmuseum?Se svaret

Du kan se 2 af værkerne på denne side på Nationalmuseum, Stockholm, herunder Charles Bonnet, Swizz Naturalist and Philosopher og King Khristian VII of Denmark and Norway.

Kan jeg bestille en Henrik Plötz reproduktion til mit hjem?Se svaret

Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.

Mød Henrik Plötz

The Life and Versatility of Henrik Plötz

Henrik Plötz was a multifaceted German artist and inventor born in Pinneberg. His diverse talents spanned several disciplines, as he was a painter, flautist, and miniaturist. His early life was marked by significant transitions; after losing his parents at a young age, he was raised by the Danish General Caesar Lüttichau, who ensured he received flute lessons in Fredericia. By 1768, he secured a position in the Royal Chapel in Copenhagen. However, his musical career was altered after a journey to Switzerland, where an illness prevented him from playing the flute further.

Following this, Plötz turned his focus toward visual arts and mechanics. He studied under an enamel painter and later with the mechanician P. J. Droz. His intellectual pursuits led him to Genthod, where he worked with the naturalist Charles Bonnet, creating plates of insects and plants and assisting with botanical and mechanical experiments.

Mechanical Innovations and Artistic Legacy

Plötz was a man of profound technical curiosity, known for inventing precision instruments. He developed a physionotrace and a pantograph to create profile portraits with mechanical accuracy. His inventive spirit continued in Naples and later in Berlin, where he shared an atelier with Christian Hornemann. In 1799, he moved to Copenhagen to serve as a court mechanician under Christian Günther von Bernstorff. During his time in Copenhagen, he invented various devices, including a stamping machine designed to produce non-copyable banknotes.

His artistic output was notable for its dedication to the European tradition of miniature painting. His legacy also extended through his family, as his son, Carl Ludwig, followed in his footsteps as a miniature painter.