Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 3 værker af Friedrich Eibner i vores katalog
Kort sagt
Friedrich Eibner's mest kendte værk er Neupfarrplatz in Regensburg (1849). Du kan finde det på Bavarian State Painting Collections i München. Næste på listen er gothic cathedral in Freiburg (1850) og Nuremberg seen from Tullnau (1848). Vi har 3 værker af Friedrich Eibner i vores katalog; denne guide udvælger de 3 mest kendte, inklusiv årstal, museum og historien bag hvert værk.
Friedrich Eibner wasinterested primarily in architectural renditions. Beyond his Bavarian homeland,he also worked along the Rhine, in France, and in Northern Italy. On a trip toSpain in the entourage of Russian Prince Meshchersky, he produced numerousdrawings and watercolors, 65 of which the prince acquired and arranged toreproduce as a facsimile album. Later, from 1868 onward, Eibner also beganreceiving commissions from Bavarian King Ludwig II.Here Eibner shows anatmospheric, romantic scene. He…
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Friedrich Eibner | Malerier fra denne liste |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 1 | Neupfarrplatz in Regensburg |
 Nuremberg Municipal Museums |
Nürnberg | 1 | Nuremberg seen from Tullnau |
1848 til 1850: kun 3 år dækker alle daterede Friedrich Eibner-værker her. Se dem år for år.
Vælg et årstal for at se værkerne fra det år.
Friedrich Eibner wasinterested primarily in architectural renditions. Beyond his Bavarian homeland,he also worked along the Rhine, in France, and in Northern Italy. On a trip toSpain in the entourage of Russian Prince Meshchersky, he produced numerousdrawings and watercolors, 65 of which the prince acquired and arranged toreproduce as a facsimile album. Later, from 1868 onward, Eibner also beganreceiving commissions from Bavarian King Ludwig II.Here Eibner shows anatmospheric, romantic scene. He…
Øverst på listen er Neupfarrplatz in Regensburg (1849), Bavarian State Painting Collections, München. Lige efter kommer: gothic cathedral in Freiburg (1850) og Nuremberg seen from Tullnau (1848).
24 år gammel. Friedrich Eibner blev født i 1825, og Neupfarrplatz in Regensburg er fra 1849.
Vi har 3 værker af Friedrich Eibner i vores katalog, dateret fra 1848 til 1850.
Du finder de fleste af dem i Bavarian State Painting Collections (München) og Nuremberg Municipal Museums (Nürnberg). Listen over museer ovenfor giver en fuldstændig oversigt.
Det tidligste værk her er Nuremberg seen from Tullnau (1848); det nyeste er gothic cathedral in Freiburg (1850).
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Friedrich Eibner was a German painter whose artistic soul was deeply entwined with the grandeur of the built environment. Primarily focused on architectural renditions, his work captured the structural elegance and historical weight of the landscapes he traversed. Born in Hilpoltstein, Bavaria, Eibner developed a keen eye for the interplay between light and stone, a skill nurtured through his early studies after the works of Heinrich Schönfeld. His artistic journey was one of constant movement, as he wandered far beyond his Bavarian homeland to document the world through delicate watercolours and precise drawings.
His travels were not merely geographical but served as an expansive exploration of European architectural heritage. Eib．ner’s path took him along the Rhine, through the landscapes of France, and into Northern Italy. One of the most significant chapters of his life occurred during a journey to Spain in 1860–61, traveling in the entourage of Russian Prince Meshchersky. This expedition proved immensely fruitful for his legacy; Eibner produced a vast collection of drawings and watercolours, sixty-five of which were acquired by the Prince to be arranged into a magnificent facsimile album. This body of work remains a testament to his ability to translate foreign vistas into intimate, detailed records.
Beyond the mere documentation of structures, Eibner possessed a profound ability to infuse his architectural subjects with emotion and atmosphere. He utilized lighting as a transformative medium, employing it to set moods that could blur the edges of a city or sharpen the silhouette of a cathedral. This romantic approach allowed him to move beyond technical accuracy into the realm of the evocative, creating scenes where light and shadow dance across facades to suggest a sense of time and memory.
The depth of his talent eventually brought him to the attention of the highest echelons of German society. From 1868 onward, Eibner began receiving prestigious commissions from Bavarian King Ludwig II. Working under such patronage allowed him to further refine his ability to depict atmospheric, romantic scenes that resonated with the aesthetic sensibilities of the era. His work stands as a bridge between the rigorous study of architecture and the emotive power of Romanticism, leaving behind a legacy of beauty captured through the lens of a wandering observer.
