Portræt af Frederic Yates

Din guide til de 16 mest berømte Frederic Yates-malerier

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 16 værker af Frederic Yates i vores katalog

Kort sagt

Frederic Yatess mest kendte værk er Charlotte Mason (1842–1923) (1902). Næste på listen er Path on Nab Scar (1900) og At Dent, August 1904 (1904). Vi har 16 værker af Frederic Yates i vores katalog; denne guide udvælger de 16 mest kendte, inklusiv årstal, museum og historien bag hvert værk.

1854 – 1919, Southampton Flest værker: Abbot Hall Art Gallery

De 10 vigtigste Frederic Yates malerier, du skal kende

1
Charlotte Mason (1842–1923) (1902) af Frederic Yates

Charlotte Mason (1842–1923)

1902 · Oil On Canvas

The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a gesture of deep reflection. She wears a dark, somber dress and a scarf that wraps around her neck, grounding her presence against the warmth of the red table before her. Nearby, a book rests, its presence suggesting the source of her meditation…

Håndmalet oliereproduktion fra $175 27 × 37 cm Samme størrelse som originalen $207 40 × 52 cm Bestil i original størrelse →
Gør den til din egen Lær det at kende

Nummer 11 til 16: flere Frederic Yates malerier

Hvor du kan se Frederic Yates's malerier

De 5 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Frederic Yates Malerier fra denne liste
Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 5 Path on Nab Scar, Rydal Valley, View near Rydal
Kendal Town Hall, KendalKendal Town Hall Kendal 3 Frederick Punchard, John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905), William Dilworth Crewdson (c.1838–1908), High Sheriff of Westmorland (1888) and Chairman of Westmorland County Council (1906–1907)
Cumbria Archive And Local Studies Centre, Barrow-in-FurnessCumbria Archive And Local Studies Centre Barrow-in-Furness 1 At Dent, August 1904
University of Birmingham, BirminghamUniversity of Birmingham Birmingham 1 Ernest de Sélincourt (1870–1943), Professor of English
Laing Art Gallery, Newcastle upon TyneLaing Art Gallery Newcastle upon Tyne 1 Japanese Shrine

År for år: de mest kendte værker af Frederic Yates

Frederic Yatess daterede værker her dækker 15 år, fra 1900 til 1914. Gennemse dem år for år.

Værker per år

Vælg et årstal for at se værkerne fra det år.

Frederic Yates: hurtige svar om malerierne

Hvad er Frederic Yatess mest kendte maleri?Se svaret

Øverst på listen er Charlotte Mason (1842–1923) (1902). Lige efter følger Path on Nab Scar (1900) og At Dent, August 1904 (1904).

Hvor gammel var Frederic Yates, da Charlotte Mason (1842–1923) blev skabt?Se svaret

48 år gammel. Frederic Yates blev født i 1854, og Charlotte Mason (1842–1923) er fra 1902.

Hvad er Frederic Yatess top 10 malerier?Se svaret

Charlotte Mason (1842–1923), Path on Nab Scar, At Dent, August 1904, John Henry Bridges (1832–1906), Ernest de Sélincourt (1870–1943), Professor of English, Rydal Water, Rydal Valley, View near Rydal, Frederick Punchard og John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905). Du finder årstallet og museet for hver af dem i listen ovenfor.

Hvor mange værker af Frederic Yates er i din katalog?Se svaret

Vi har 16 værker af Frederic Yates i vores katalog, dateret fra 1900 til 1914.

I hvilke museer kan man se Frederic Yatess berømte værker?Se svaret

Du finder de fleste af dem i Abbot Hall Art Gallery (Kendal), Kendal Town Hall (Kendal) og Cumbria Archive And Local Studies Centre (Barrow-in-Furness). Listen over museer ovenfor giver en fuldstændig oversigt.

Hvornår skabte Frederic Yates sine mest berømte værker?Se svaret

I 1904, mere end på andre tidspunkter: 2 af de 16 værker på denne side stammer fra dengang, herunder At Dent, August 1904.

Hvad er Frederic Yatess første og sidste berømte værker?Se svaret

Det tidligste værk her er Path on Nab Scar (1900); det nyeste er Rydal Water (1914).

Hvilke berømte malerier af Frederic Yates findes på Abbot Hall Art Gallery?Se svaret

Du kan se 5 af værkerne på denne side på Abbot Hall Art Gallery, Kendal, herunder Path on Nab Scar, Rydal Valley og View near Rydal.

Hvor kan jeg bestille en Frederic Yates reproduktion?Se svaret

Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.

Frederic Yatess historie

A Life Painted in Light: The Story of Frederic Yates

Frederic Yates, born Frederick Keeping in 1854 and passing in 1919, remains a compelling figure within the landscape tradition of Victorian Britain. Though perhaps not a household name today, his evocative paintings – often signed simply as “F. Yates” – capture a particular mood of romantic contemplation that resonates deeply with viewers even now. His life story is one woven into the fabric of artistic shifts and societal changes, a journey from early promise to a dedicated practice focused on capturing the beauty of the English countryside and the dignity of portraiture. While biographical details are somewhat scarce, piecing together his exhibition history and stylistic development reveals an artist deeply attuned to both the technical demands of his craft and the emotional power of light and atmosphere.

Early Years and Artistic Training

The early life of Frederick Keeping is shrouded in some mystery. Records suggest a formal artistic education, though the specifics remain elusive. It’s believed he studied at the prestigious South Kensington Art Schools – later to become the Royal College of Art – during a period when academic realism was dominant. This foundation undoubtedly instilled in him a mastery of technique and an understanding of composition. However, Yates quickly moved beyond strict imitation, developing a style that embraced a more subjective interpretation of nature. The adoption of “Frederic Yates” as his professional name suggests a deliberate forging of a new artistic identity, perhaps distancing himself from the constraints of earlier training or seeking to establish a unique presence in the crowded art market. His early works demonstrate a clear influence of the Barbizon school and artists like John Constable, evident in their naturalistic depictions of rural scenes and subtle handling of light.

The Alluring Landscapes: A Romantic Vision

Yates’s most celebrated work centers around his landscapes. These are not merely topographical representations; they are imbued with a sense of quiet drama and emotional depth. He favored idyllic settings – rolling hills, tranquil woodlands, shimmering rivers – often bathed in the soft glow of dawn or dusk. His paintings evoke a feeling of nostalgia for a vanishing rural England, a sentiment that resonated strongly with Victorian audiences undergoing rapid industrialization. Yates’s technique is characterized by delicate brushwork and a masterful use of color to create atmospheric effects. He wasn't interested in grand, sweeping vistas but rather in intimate scenes that invited contemplation. The influence of the Pre-Raphaelites can be seen in his attention to detail and his desire to capture the beauty of the natural world with almost photographic accuracy, yet he infused these details with a romantic sensibility. He skillfully balanced realism with an emotional response to the landscape, creating works that are both visually stunning and deeply moving.

Portraiture: Capturing Character and Dignity

Alongside his landscapes, Yates also produced a significant body of portrait work. These portraits, often depicting members of the middle class, reveal a sensitivity to character and an ability to capture the inner life of his sitters. Unlike the flamboyant poses and elaborate costumes favored by some Victorian portraitists, Yates’s portraits are characterized by their simplicity and directness. He focused on conveying the personality and dignity of his subjects through subtle nuances of expression and gesture.
  • His use of light is particularly effective in portraiture,
  • softening features and creating a sense of intimacy.
  • He often employed a muted color palette,
  • allowing the sitter’s character to take center stage.

Legacy and Historical Significance

While Frederic Yates may not be as widely recognized as some of his contemporaries, his work offers a valuable insight into the artistic sensibilities of Victorian Britain. His landscapes represent a continuation of the romantic tradition, while his portraits reflect a growing interest in psychological realism. He successfully navigated the demands of the art market, producing works that were both commercially viable and artistically satisfying. Today, his paintings are increasingly sought after by collectors who appreciate their quiet beauty and emotional depth. Yates’s legacy lies not in groundbreaking innovation but in his ability to capture a particular moment in time – a fleeting glimpse of rural England and the enduring dignity of the human spirit. His work serves as a reminder of the power of art to evoke emotion, preserve memory, and connect us to the past.