Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 5 værker af Frank Wright i vores katalog
Kort sagt
Det mest kendte maleri af Frank Wright er The Mill Valley, Karekare Bay (1899), som du kan se på Auckland Art Gallery Toi o Tāmaki i Auckland. Lige efter følger The Close of day (1909) og Morning after rain (1912). Ud af 5 værker af Frank Wright i vores katalog er disse 5 de mest kendte. Hvert værk er ledsaget af årstal, museum og en kort note om, hvad der gør det bemærkelsesværdigt.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Frank Wright | Malerier fra denne liste |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 4 | The Mill Valley, Karekare Bay, The Close of day, Morning after rain |
 Te Whare O Rehua Sarjeant Gallery |
1 | Waitakeres |
Vælg et årti for at se dets mest fremtrædende værk.
Øverst på listen er The Mill Valley, Karekare Bay (1899), Auckland Art Gallery Toi o Tāmaki, Auckland. Lige efter kommer: The Close of day (1909) og Morning after rain (1912).
39 år gammel. Frank Wright blev født i 1860, og The Mill Valley, Karekare Bay er fra 1899.
Vi har 5 værker af Frank Wright i vores katalog, dateret fra 1899 til 1912.
Du finder de fleste af dem i Auckland Art Gallery Toi o Tāmaki (Auckland) og Te Whare O Rehua Sarjeant Gallery. Listen over museer ovenfor giver en fuldstændig oversigt.
I 1910s, mere end på andre tidspunkter: 2 af de 5 værker på denne side stammer fra dengang, herunder Morning after rain.
Det tidligste værk her er The Mill Valley, Karekare Bay (1899); det nyeste er Morning after rain (1912).
Du kan se 4 af værkerne på denne side på Auckland Art Gallery Toi o Tāmaki, Auckland, herunder The Mill Valley, Karekare Bay, The Close of day og Morning after rain.
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Frank Wright remains a figure of significant interest for collectors tracking the turn-of-the-century landscape of New Zealand. While his reputation was long confined to the Auckland region, his technical proficiency distinguishes him from his contemporaries. He was a professional painter who operated with a level of discipline that set him apart from more popular, less structured artists of his era. His work provides a direct visual record of the New Zealand landscape and its inhabitants during a transformative period.
The market has recently begun to recognize the true value of his output. For years, his works lagged behind others in price, but recent auction results have corrected this oversight. His ability to capture specific locales, from the waters of Whangarei Harbour to the estuaries of Tamaki, demonstrates a focused commitment to the geography of his surroundings.
Wright’s practice was defined by a clear, observational approach to his subjects. He worked across various media, showing a particular aptitude for both oil on canvas and watercolour. His compositions often centered on the intersection of land and water, capturing the specific light and atmosphere of the New Zealand coast.
His repertoire includes several notable subjects and formats:
The significance of Wright’s work is cemented by his inclusion in major regional exhibitions. A joint exhibition arranged by the Auckland City Art Gallery in 1953 confirmed his place in the local canon. He was part of a final generation of painters who defined the aesthetic of the turn of the century in New Zealand. His paintings are no longer merely regional curiosities; they are essential components for understanding the development of New Zealand's early art market.
