Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 6 værker af Émile Bin i vores katalog
Kort sagt
Det mest kendte maleri af Émile Bin er Jean-Baptiste-Philibert Vaillant, Marshal of France (1853), som du kan se på Opera House i Versailles. Lige efter følger Sketch for the Church of Saint-Sulpice: The Assumption of the Virgin (1869) og Sketch for the Church of Saint-Sulpice: The Death of the Virgin (1869). Ud af 6 værker af Émile Bin i vores katalog er disse 6 de mest kendte. Hvert værk er ledsaget af årstal, museum og en kort note om, hvad der gør det bemærkelsesværdigt.
De 3 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Émile Bin | Malerier fra denne liste |
|---|---|---|---|
 Petit Palais |
Paris | 3 | Sketch for the Church of Saint-Sulpice: The Assumption of the Virgin, Sketch for the Church of Saint-Sulpice: The Death of the Virgin, Sketch for the Wedding Hall of the Mairie of the 19ème Arrondissement: Allegory of the Arts (ceiling) |
 Opera House |
Versailles | 1 | Jean-Baptiste-Philibert Vaillant, Marshal of France |
 Musée Des Beaux |
Tours | 1 | Perseus Freeing Andromeda |
Vælg et årti for at se dets mest fremtrædende værk.
Øverst på listen er Jean-Baptiste-Philibert Vaillant, Marshal of France (1853), Opera House, Versailles. Lige efter kommer: Sketch for the Church of Saint-Sulpice: The Assumption of the Virgin (1869) og Sketch for the Church of Saint-Sulpice: The Death of the Virgin (1869).
28 år gammel. Émile Bin blev født i 1825, og Jean-Baptiste-Philibert Vaillant, Marshal of France er fra 1853.
Vi har 6 værker af Émile Bin i vores katalog, dateret fra 1853 til 1880.
Du finder de fleste af dem i Petit Palais (Paris), Opera House (Versailles) og Musée Des Beaux (Tours). Listen over museer ovenfor giver en fuldstændig oversigt.
I 1860s, mere end på andre tidspunkter: 3 af de 6 værker på denne side stammer fra dengang, herunder Sketch for the Church of Saint-Sulpice: The Assumption of the Virgin.
Det tidligste værk her er Jean-Baptiste-Philibert Vaillant, Marshal of France (1853); det nyeste er Sketch for the Wedding Hall of the Mairie of the 19ème Arrondissement: Allegory of the Arts (ceiling) (1880).
Du kan se 3 af værkerne på denne side på Petit Palais, Paris, herunder Sketch for the Church of Saint-Sulpice: The Assumption of the Virgin, Sketch for the Church of Saint-Sulpice: The Death of the Virgin og Sketch for the Wedding Hall of the Mairie of the 19ème Arrondissement: Allegory of the Arts (ceiling).
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Born in Paris, Émile Bin was a multifaceted artist whose career spanned painting, printmaking, and draftsmanship. He received his initial instruction from his father, Jean-Baptiste François Bin, and later studied under his uncle, Nicolas Gosse. After working with Léon Cogniet, he entered the École des Beaux-arts in 1842. His artistic output was diverse, encompassing portraiture, mythology painting, and watercolor. As a decorative painter, he contributed to the interiors of various locations, including the Hôtel du Louvre, the Church of Saint-Sulpice, and the National Museum of Natural History. His skill in decorative arts was recognized at the International Exposition in 1867, where his collaboration on the Egyptian Pavilion earned him the Order of the Medjidie.
Beyond the studio, Bin was a staunch Republican and a man of deep political conviction. He fought on the barricades in 1848 and 1851 and famously refused to paint a portrait of Napoleon III for the Town Hall of Montmartre. His political involvement extended to serving as the Mayor of the Eighteenth Arrondissement in 1883. In 1878, he was named a Knight of the Légion d'honneur, and he later became a founder of the Société des Artistes Français. His pedagogical influence was significant, as he taught several notable students, including:
Bin passed away in Marly-la-Ville.
