Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 201 værker af Émile Bernard i vores katalog
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Émile Bernard's mest kendte værk er Iron Bridges at Asnières (1887). Du kan finde det på MoMA - Museum of Modern Art i New York City. Næste på listen er Portrait of Marie Lemasson (1892) og Self-Portrait 1918 (1919). Vi har 201 værker af Émile Bernard i vores katalog; denne guide udvælger de 100 mest kendte, inklusiv årstal, museum og historien bag hvert værk.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Buckwheat Harvesters at Pont Aven is an oil on canvas work by Émile Bernard, executed in 1888. The piece captures a scene of buckwheat harvesting within a rural landscape, focusing on the labor of women in the Brittany region. It is currently held at the Musée de Pont-Aven in Hastenparck.
In Après le bain (les nymphes), the artist Émile Bernard invites us into a quiet, secluded moment of repose. Three nude female figures occupy the scene, their bodies arranged in a way that suggests a lingering sense of intimacy. Based on the title, these women appear to be nymphs, mythical beings caught in a state of languid rest within a natural setting. The air feels still around them, as if…
The gaze of the subject meets the viewer in Portrait of a Black Woman, a work that captures a quiet, heavy stillness. Painted by Émile Bernard, this piece emerges from a period of intense creative exploration. It exists under the title Portrait of a Black Woman, though some records identify the work as Study Of A Mulatto Woman, 1895. This distinction offers a glimpse into how the subject is perceived…
The evening air feels heavy and alive in Night Festival, an oil painting by Émile Bernard. Created about 1888, this work captures a moment of communal celebration suspended in the dark. The scene pulls the viewer into a nocturnal gathering where the glow of light meets the deep shadows of the night. It is a piece that belongs firmly to the Post-Impressionist movement, marking a departure from the fleeting light…
Portrait of Madeline, the Artist's Sister1889 · Art Museum at The University of Kentucky
Få den håndmalet from $175 →
Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941)1908 · Van Gogh Museet
Bestil dette værk from $225 →
Still Life with Fruit, Cup and Pitcher1888 · Des Moines Art Center
Gør den til din egen from $175 →
Woman Walking on the Banks of the Aven1890 · Museum of Fine Arts, Houston
Gør den til din egen from $175 →
De fire motiver, der optræder hyppigst i disse værker, hver med sit mest kendte eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Émile Bernard | Malerier fra denne liste |
|---|---|---|---|
 Van Gogh Museet |
Amsterdam | 11 | Self-Portrait 1918, Woman Sitting in a Field: Brittany, Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941) |
 Musée de Pont-Aven |
Hastenparck | 7 | Landscape at Pont-Aven with Poplars, The Adoration of the Shepherds, Study for The Buckwheat Harvesters |
 Thyssen-Bornemisza Museum |
Madrid | 4 | The Annunciation, Inside a Shop in Pont-Aven, The Cliffs at Le Pouldu |
 Musée des Beaux-Arts de Quimper |
Quimper | 4 | Funeral palls 1, Funeral palls 2, Orchard at Pont Aven |
 Wallraf-Richartz-Museum |
Köln | 3 | Loving Couple, Houses in Pont-Aven |
 Dallas Museum of Art |
Dallas | 3 | The Salon, Bridge at Pont-Aven |
 Musée des Beaux-Arts |
Reims | 3 | Fellah Women at the Bath, Toilet of Venus |
 Ackland Art Museum |
Chapel Hill | 2 | Victorine Lelopin, The Wave |
Vælg et årti for at se dets mest fremtrædende værk.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Øverst på listen er Iron Bridges at Asnières (1887), MoMA - Museum of Modern Art, New York City. Lige efter kommer: Portrait of Marie Lemasson (1892) og Self-Portrait 1918 (1919).
19 år gammel. Émile Bernard blev født i 1868, og Iron Bridges at Asnières er fra 1887.
Iron Bridges at Asnières, Portrait of Marie Lemasson, Self-Portrait 1918, Buckwheat Harvesters at Pont Aven, Après le bain (les nymphes), Portrait of a Black Woman, Night Festival, The Harvest, Loving Couple og The Harvest at Saint-Briac. Du finder årstallet og museet for hver af dem i listen ovenfor.
Vi har 201 værker af Émile Bernard i vores katalog, dateret fra 1885 til 1940.
Du finder de fleste af dem i Van Gogh Museet (Amsterdam), Musée de Pont-Aven (Hastenparck) og Thyssen-Bornemisza Museum (Madrid). Listen over museer ovenfor giver en fuldstændig oversigt.
I 1880s, mere end på andre tidspunkter: 29 af de 100 værker på denne side stammer fra dengang, herunder Iron Bridges at Asnières.
Det tidligste værk her er Funeral palls 1 (1885); det nyeste er Breton Women (1940).
Women (12), People (6) og Woman (4) ud af i alt 100 værker på denne side.
Oil On Canvas, anvendt i 8 af de 100 værker på denne side.
Post-impressionist synthetism, som du kan se i værkerne på denne side.
Du kan se 10 af værkerne på denne side på Van Gogh Museet, Amsterdam, herunder Self-Portrait 1918, Woman Sitting in a Field: Brittany og Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941).
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
