Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 2 værker af Dirck Carbasius i vores katalog
Kort sagt
Hvis du kender ét maleri af Dirck Carbasius, er det sandsynligvis Portrait of a Woman (1640), som hænger på Bavarian State Painting Collections i München. Vores katalog indeholder 2 værker af Dirck Carbasius. Nedenfor er de 2 mest kendte værker, hver med årstal, hvor de kan findes, og hvad der gør dem specielle.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Dirck Carbasius | Malerier fra denne liste |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 1 | Portrait of a Woman |
Dirck Carbasiuss værker her strækker sig over 21 år, fra 1640 til 1660. Gennemse dem år for år med de mest kendte værker fra hvert år.
Vælg et årstal for at se værkerne fra det år.
Øverst på listen står Portrait of a Woman (1640).
21 år gammel. Dirck Carbasius blev født i 1619, og Portrait of a Woman er fra 1640.
Vi har 2 værker af Dirck Carbasius i vores katalog, dateret fra 1640 til 1660.
Du finder de fleste af dem i Bavarian State Painting Collections (München). Listen over museer ovenfor giver en fuldstændig oversigt.
Det tidligste værk her er Portrait of a Woman (1640); det nyeste er Portrait of a family returning from a hunt (1660).
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Dirck Carbasius lived a life shaped by the quiet rhythms of the Netherlands. Born in Hoorn in 1619, he was a man of dual identities, balancing the creative demands of a painter with the practical responsibilities of a brewer. This intersection of art and industry defined his existence in a bustling Dutch town. He remained in Hoorn throughout his life, eventually passing away there in 1681.
His presence in the community was marked by these two distinct roles. While many remember the painters of the Dutch Golden Age for their singular focus on the canvas, Carbasius navigated a different path. He managed the complexities of brewing while maintaining his practice as a visual artist. This duality suggests a man deeply rooted in the daily realities of his era.
To understand Carbasius is to look past the singular label of artist. His work emerged from a life that was as much about the production of ale as it was about the application of pigment. This connection to the practicalities of Dutch life provides a grounded perspective on his place in history.
Though his name may not carry the weight of the most famous masters, Carbasius represents the many individuals who contributed to the cultural fabric of the Netherlands. He was a part of a generation that saw the Dutch Republic reach a peak of artistic and commercial activity. His life reflects the multifaceted nature of the people who built that society, working with both the brush and the barrel.
