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Daswanths mest berømte malerier: Alle 4, rangeret
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 4 værker af Daswanth i vores katalog
Kort sagt
Det mest kendte maleri af Daswanth er The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) (1560), som du kan se på Cleveland Museum of Art i Cleveland. Lige efter følger The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) og The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560). Ud af 4 værker af Daswanth i vores katalog er disse 4 de mest kendte. Hvert værk er ledsaget af årstal, museum og en kort note om, hvad der gør det bemærkelsesværdigt.
1500 – 1584
Flest værker: Cleveland Museum of Art
1. The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) 1560
2. The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night 1560
3. The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night 1560
Daswanths top 10: de værker alle kender
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Håndmalet oliereproduktion fra $1450 28 × 36 cm
Samme størrelse som originalen $1534 55 × 70 cm Bestil i original størrelse →
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Hvor du kan se Daswanth's malerier
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Daswanth | Malerier fra denne liste |
|---|---|---|---|
 Cleveland Museum of Art |
Cleveland | 3 | The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot), The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night, The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night |
 MAK – Museum of Applied Arts |
Wien | 1 | Umar Defeats a Dragon |
De berømte Daswanth værker fra hvert år
Fra 1560 til 1577 strækker Daswanth's daterede værker sig over 18 år. Gennemse den lange karriere år for år.
Værker per år
Vælg et årstal for at se værkerne fra det år.
1560
The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot)
Alder 60
3 værker i år
Mere fra 1560
Daswanth malerier: det, folk gerne vil vide
Hvilket maleri er Daswanth bedst kendt for?Se svaret
Øverst på listen er The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) (1560), Cleveland Museum of Art, Cleveland. Lige efter kommer: The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) og The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560).
Hvor gammel var Daswanth på tidspunktet for The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot)?Se svaret
60 år gammel. Daswanth blev født i 1500, og The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) er fra 1560.
Hvor mange værker af Daswanth er der?Se svaret
Vi har 4 værker af Daswanth i vores katalog, dateret fra 1560 til 1577.
Hvilke museer har Daswanths mest kendte malerier?Se svaret
Du finder de fleste af dem i Cleveland Museum of Art (Cleveland) og MAK – Museum of Applied Arts (Wien). Listen over museer ovenfor giver en fuldstændig oversigt.
Hvornår blev Daswanths mest berømte værker malet?Se svaret
I 1560, mere end på andre tidspunkter: 3 af de 4 værker på denne side stammer fra dengang, herunder The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot).
Hvad er de ældste og nyeste berømte malerier af Daswanth?Se svaret
Det tidligste værk her er The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) (1560); det nyeste er Umar Defeats a Dragon (1577).
Hvad kan du se af Daswanth på Cleveland Museum of Art?Se svaret
Du kan se 3 af værkerne på denne side på Cleveland Museum of Art, Cleveland, herunder The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot), The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night og The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night.
Kan jeg bestille en Daswanth reproduktion til mit hjem?Se svaret
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Mød Daswanth
The Creative Spirit of the Mughal Era
Daswanth was a Mughal-era painter serving under the emperor Akbar. Born the son of a palanquin-bearer, he was a Hindu who demonstrated a natural talent for painting and drawing on walls. This talent led him to be taught by the Persian master painter Khwāja 'Abd al-Samad. While 'Abd al-Samad's work was traditional and conservative, Daswanth's own works were noted for being imaginative and original. He was recognized in the Ain-i-Akbari as one of the three most important artists of his period, and the Akbarnama also credited him with great artistic talent.
His artistic style was characterized by a chaotic and creative energy that distinguished him from his contemporaries. His illustrations often appeared otherworldly, sometimes described as scary, with figures that were proportionally inconsistent and weightless. He possessed a unique technique involving the free application of wet pigment and a beautiful understanding of perspective through the use of character size, architectural details, and backgrounds. His work often focused on storytelling, depicting gods, demigods, courtly figures, and warriors, frequently portraying scenes of battle and gory violence.
Masterpieces and Contributions
Daswanth contributed significantly to several major works, including the Hamzanama and the Tarikh e Khandan e Timuriyah. He is also associated with the Razmnama, a Persian translation of the Hindu epic the Mahabharata, where he drew as many as 31 full-page miniatures. His work in this collection included diverse compositions, such as:
- Arjun hitting the target: A scene depicting a crowd of kings and the protagonist Arjuna near a cauldron of hot oil.
- Abhimanyu's Chakravyuha: A unique double-page composition featuring thousands of figures arranged in a maze formation.
His repertoire also included illustrations for the Tūtīnāma, such as The Wounded Monkey Bites the Hand of the Prince. His style occasionally incorporated elements from other traditions, such as Chinese-style clouds or Western techniques and idioms. His life ended in 1584 after he wounded himself with a dagger.