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Daniel Koerners mest berømte malerier: Alle 2, rangeret
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 2 værker af Daniel Koerner i vores katalog
Kort sagt
Det mest kendte maleri af Daniel Koerner er West Side Ramp (1938), som du kan se på Smithsonian American Art Museum i Washington, D.C.. Ud af 2 værker af Daniel Koerner i vores katalog er disse 2 de mest kendte. Hvert værk er ledsaget af årstal, museum og en kort note om, hvad der gør det bemærkelsesværdigt.
1909 – 1977, New York City
Flest værker: Smithsonian American Art Museum
Daniel Koerners top 10: de værker alle kender
Hvor du kan se Daniel Koerner's malerier
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Daniel Koerner | Malerier fra denne liste |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 1 | West Side Ramp |
 Metropolitan Museum of Art |
New York | 1 | Farm in Moonlight |
De berømte Daniel Koerner værker fra hvert år
1938 er det år, hvor alle daterede værker af Daniel Koerner på denne side blev skabt. Her er de, med de mest berømte først.
Værker efter år
Vælg et årstal for at se værkerne fra det år.
Daniel Koerner malerier: det, folk gerne vil vide
Hvilket maleri er Daniel Koerner bedst kendt for?Se svaret
Øverst på listen står West Side Ramp (1938).
Hvor gammel var Daniel Koerner på tidspunktet for West Side Ramp?Se svaret
29 år gammel. Daniel Koerner blev født i 1909, og West Side Ramp er fra 1938.
Hvor mange værker af Daniel Koerner er der?Se svaret
Vi har 2 værker af Daniel Koerner i vores katalog.
Hvilke museer har Daniel Koerners mest kendte malerier?Se svaret
Du finder de fleste af dem i Smithsonian American Art Museum (Washington, D.C.) og Metropolitan Museum of Art (New York). Listen over museer ovenfor giver en fuldstændig oversigt.
Hvornår blev Daniel Koerners mest berømte værker malet?Se svaret
I 1938, mere end på andre tidspunkter: 2 af de 2 værker på denne side stammer fra dengang, herunder West Side Ramp.
Mød Daniel Koerner
The Sketch and the Struggle
Daniel Koerner lived a life defined by the intersection of visual expression and social advocacy. Born in 1909, he moved through the mid-century American art scene not merely as a painter, but as a cartoonist and an active participant in the labor movements of his time. His work was often inseparable from the political climate of the era, reflecting the tensions and the organized efforts of artists seeking stability and recognition during the Great Depression.
His involvement in the Federal Arts Project was a defining chapter. Through his correspondence and manuscripts, we see a man deeply engaged with the mechanics of artistic survival. He was part of the complex discussions surrounding the Woodrum relief bill and the support for the Federal Arts Bill, navigating the precarious waters of government-sponsored art and the rights of the creators themselves.
A Life of Lines and Letters
Koerner’s output was diverse, spanning the delicate precision of illustration to the broader strokes of painting. As a cartoonist, he possessed a keen ability to distill complex social realities into singular, impactful images. This skill made him a natural fit for the burgeoning movements of artist unions and international organizations that sought to unify the creative community.
His legacy is found as much in his advocacy as in his aesthetics. He was a figure in the Artists' Union and the Artists League of America, contributing to the discourse on how artists should exist within a modern society. His papers reveal a man who understood that the brush and the pen were tools for both personal expression and collective action.
- American painter and cartoonist
- Active in the WPA-FAP and various artists' unions
- Contributor to the discourse on the Federal Arts Bill