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Din guide til de 4 mest berømte Cornelia Scheffer-malerier
Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 4 værker af Cornelia Scheffer i vores katalog
Kort sagt
Cornelia Scheffer's mest kendte værk er Self-portrait (1795). Du kan finde det på Dordrechts Museum i Dordrecht. Næste på listen er Woman with Two Children on a Country Road (1811) og The Women of Souli (1833). Vi har 4 værker af Cornelia Scheffer i vores katalog; denne guide udvælger de 4 mest kendte, inklusiv årstal, museum og historien bag hvert værk.
1769 – 1839, Dordrecht
Flest værker: Dordrechts Museum
De 10 vigtigste Cornelia Scheffer malerier, du skal kende
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Håndmalet oliereproduktion fra $200 29 × 34 cm
Samme størrelse som originalen $300 60 × 73 cm Bestil i original størrelse →
Få den håndmalet
Læs historien bag
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Håndmalet oliereproduktion fra $450 37 × 27 cm
Samme størrelse som originalen $733 112 × 95 cm Bestil i original størrelse →
Gør den til din egen
Lær det at kende
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Hvor du kan se Cornelia Scheffer's malerier
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Cornelia Scheffer | Malerier fra denne liste |
|---|---|---|---|
 Dordrechts Museum |
Dordrecht | 4 | Self-portrait, Woman with Two Children on a Country Road, The Women of Souli |
Årti for årti: det mest kendte værk af hver Cornelia Scheffer
Værker per årti
Vælg et årti for at se dets mest fremtrædende værk.
Cornelia Scheffer: hurtige svar om malerierne
Hvad er Cornelia Scheffers mest kendte maleri?Se svaret
Øverst på listen er Self-portrait (1795), Dordrechts Museum, Dordrecht. Lige efter kommer: Woman with Two Children on a Country Road (1811) og The Women of Souli (1833).
Hvor gammel var Cornelia Scheffer, da Self-portrait blev skabt?Se svaret
26 år gammel. Cornelia Scheffer blev født i 1769, og Self-portrait er fra 1795.
Hvor mange værker af Cornelia Scheffer er i din katalog?Se svaret
Vi har 4 værker af Cornelia Scheffer i vores katalog, dateret fra 1795 til 1833.
I hvilke museer kan man se Cornelia Scheffers berømte værker?Se svaret
Du finder de fleste af dem i Dordrechts Museum (Dordrecht). Listen over museer ovenfor giver en fuldstændig oversigt.
Hvad er Cornelia Scheffers første og sidste berømte værker?Se svaret
Det tidligste værk her er Self-portrait (1795); det nyeste er The Women of Souli (1833).
Hvilke berømte malerier af Cornelia Scheffer findes på Dordrechts Museum?Se svaret
Du kan se 4 af værkerne på denne side på Dordrechts Museum, Dordrecht, herunder Self-portrait, Woman with Two Children on a Country Road og The Women of Souli.
Hvor kan jeg bestille en Cornelia Scheffer reproduktion?Se svaret
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Cornelia Scheffers historie
A Life of Miniature Precision
Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.
In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.
The Move to Paris
The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.
Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.
Legacy in Miniature
Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.
Her technical output remains rooted in the intimate scale of her training:
- Self-portrait Cornelia Scheffer-Lamme: A 1795 painting capturing her own likeness.
- Miniature portraits of her family: Executed in watercolor and gouache on ivory, held in the Dordrechts museum.
- Genre works: Including pieces such as The women of Souli, a copy of her son's work.
She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.