Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Constant Cap i vores katalog
Kort sagt
Hvis du kender ét maleri af Constant Cap, er det sandsynligvis Remembering the National Festivities of 1880 (1880), som hænger på Det Kongelige Museum for Fin Kunst Antwerpen i Antwerpen. Vores katalog indeholder 1 værker af Constant Cap. Nedenfor er de 1 mest kendte værker, hver med årstal, hvor de kan findes, og hvad der gør dem specielle.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Constant Cap | Malerier fra denne liste |
|---|---|---|---|
 Det Kongelige Museum for Fin Kunst Antwerpen |
Antwerpen | 1 | Remembering the National Festivities of 1880 |
Hvert dateret værk af Constant Cap på denne side stammer fra et enkelt år, 1880. Her er de.
Vælg et årstal for at se værkerne fra det år.
Øverst på listen står Remembering the National Festivities of 1880 (1880).
38 år gammel. Constant Cap blev født i 1842, og Remembering the National Festivities of 1880 er fra 1880.
Vi har 1 værker af Constant Cap i vores katalog.
Du finder de fleste af dem i Det Kongelige Museum for Fin Kunst Antwerpen (Antwerpen). Listen over museer ovenfor giver en fuldstændig oversigt.
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Constant Aimé Marie Cap lived his life within the borders of Belgium, moving from Saint-Nicolas to the streets of Antwerp. He spent his days as both a painter and an engraver, working with a focus on academic precision. His hands were trained at the Royal Academy of Fine Arts in Antwerp, where he learned to capture the small, steady movements of daily life.
His work often rests on the stillness of a single moment. In pieces like A Woman gazing through a window, there is a sense of looking without being seen. He had a way of placing figures in quiet settings, such as Femmes en prière dans une église, where the focus remains on the weight of the atmosphere rather than grand gestures.
Cap looked backward as much as he looked at the present. He used his skill to document the textures of the past, particularly through works like De goudweger/Oud Antwerpen/XVI eeuw and Oud Antwerpen-Het laatste Keersken. These paintings carry the weight of history, rendered with the careful detail of an engraver's eye.
The subjects he chose were often ordinary, yet he treated them with a specific gravity:
He died in Antwerp in 1915, leaving behind a body of work that remains tied to the light and the specific corners of his Belgian home.
