Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 5 værker af Carl Ebert i vores katalog
Kort sagt
Hvis du kender ét maleri af Carl Ebert, er det sandsynligvis Forest Landscape with Bathing Children (1867), som hænger på Bavarian State Painting Collections i München. Evening Landscape (1875) og Landscape society in a park fuldender de tre værker, som folk genkender med det samme. Vores katalog indeholder 5 værker af Carl Ebert. Nedenfor er de 5 mest kendte værker, hver med årstal, hvor de kan findes, og hvad der gør dem specielle.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Carl Ebert | Malerier fra denne liste |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
München | 1 | Isar Landscape |
9 år, fra 1867 til 1875: det er hele tidsspændet for Carl Eberts daterede værker her. Gennemgå dem år for år.
Vælg et årstal for at se værkerne fra det år.
Øverst på listen er Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, München. Lige efter kommer: Evening Landscape (1875) og Landscape society in a park.
46 år gammel. Carl Ebert blev født i 1821, og Forest Landscape with Bathing Children er fra 1867.
Vi har 5 værker af Carl Ebert i vores katalog, dateret fra 1867 til 1875.
Du finder de fleste af dem i Bavarian State Painting Collections (München) og Lenbachhaus (München). Listen over museer ovenfor giver en fuldstændig oversigt.
Det tidligste værk her er Forest Landscape with Bathing Children (1867); det nyeste er Evening Landscape (1875).
Du kan se 2 af værkerne på denne side på Bavarian State Painting Collections, München, herunder Forest Landscape with Bathing Children og Evening Landscape.
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.
