Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Bror Andsten i vores katalog
Kort sagt
Hvis du kender ét maleri af Bror Andsten, er det sandsynligvis Self-Portrait (1945), som hænger på Finnish National Gallery i Helsinki. Vores katalog indeholder 1 værker af Bror Andsten. Nedenfor er de 1 mest kendte værker, hver med årstal, hvor de kan findes, og hvad der gør dem specielle.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Bror Andsten | Malerier fra denne liste |
|---|---|---|---|
 Finnish National Gallery |
Helsinki | 1 | Self-Portrait |
Hvert dateret værk af Bror Andsten på denne side stammer fra et enkelt år, 1945. Her er de.
Vælg et årstal for at se værkerne fra det år.
Øverst på listen står Self-Portrait (1945).
35 år gammel. Bror Andsten blev født i 1910, og Self-Portrait er fra 1945.
Vi har 1 værker af Bror Andsten i vores katalog.
Du finder de fleste af dem i Finnish National Gallery (Helsinki). Listen over museer ovenfor giver en fuldstændig oversigt.
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
The studio light in Helsinki carries a specific weight, one that Bror Andsten navigated through the formative years of the 1940s. Born in 1910, he moved through the halls of the Free Art School between 1941 and 1943, a period of intense technical refinement. By 1942, his debut was already a reality. He did not merely exist in the periphery of the Finnish art scene; he moved into its center through a series of exhibitions. His presence was felt in the Young Artists exhibitions of 1942, 1945, and the late 1940s, eventually leading to a place in the group exhibitions of the Finnish Artists' Association.
His development was marked by a steady ascent. In 1949, he secured second prize in the Dukat competition, a moment that solidified his standing among his contemporaries. His life was anchored by his marriage to Aina Greta Jansson in 1946, a domestic stability that ran parallel to his professional rise in the capital.
The trajectory of his career is defined by specific recognitions and the institutional acceptance of his vision. His work found a permanent home within the most significant collections in Finland.
By the mid-1940s, the focus of his output turned toward the self. In 1945, he produced a Self-Portrait that remains his most significant contribution to the Finnish National Gallery. This work captures a moment of introspection, a psychological study that resides within the Ateneum. It is a piece that looks back at the man who would pass away in Helsinki in 1953, leaving behind a body of work that remains a part of the national visual record.
