Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Benjamin Raborg i vores katalog
Kort sagt
Benjamin Raborg's mest kendte værk er Night Scene of Indian Tipi (1895). Du kan finde det på Smithsonian American Art Museum i Washington, D.C.. Vi har 1 værker af Benjamin Raborg i vores katalog; denne guide udvælger de 1 mest kendte, inklusiv årstal, museum og historien bag hvert værk.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Benjamin Raborg | Malerier fra denne liste |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 1 | Night Scene of Indian Tipi |
De daterede værker af Benjamin Raborg på denne side er alle fra 1895. Her er de, sorteret efter berømmelse.
Vælg et årstal for at se værkerne fra det år.
Øverst på listen står Night Scene of Indian Tipi (1895).
24 år gammel. Benjamin Raborg blev født i 1871, og Night Scene of Indian Tipi er fra 1895.
Vi har 1 værker af Benjamin Raborg i vores katalog.
Du finder de fleste af dem i Smithsonian American Art Museum (Washington, D.C.). Listen over museer ovenfor giver en fuldstændig oversigt.
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Benjamin O'Fallan Raborg lived a life shaped by the landscapes of the American West. Born in Sulphur Springs, Missouri, he carried the influence of his family into his work, including his uncle, the artist Astley David Middleton Cooper. His brush found its way to the textures of the frontier, focusing on the quiet dignity of landscapes and the presence of portraits. He often turned his attention to American Indians, capturing them within the scenes he composed on canvas.
His work was not about grand gestures, but about the specific details of a place. In pieces like Night Scene of Indian Tipi, there is a focus on how light and shadow settle over a camp. This particular work resides in the Smithsonian American Art Museum, a quiet piece of his legacy that remains after his passing.
The path of his life took him from the plains of Missouri to the coast of California. He spent his final years in San Francisco, where his life came to an abrupt end in 1918. A cable car accident took his life, leaving behind a body of work that reflects the era of his existence. He is buried in Oak Hill Memorial Park in San Jose, California.
His paintings remain as physical traces of his time. They are objects that hold the light of a different century, specifically through his use of oil on canvas. His subjects—the landscapes and the people of the West—remain fixed in the way he chose to see them.
