Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 24 værker af August Becker i vores katalog
Kort sagt
Hvis du kender ét maleri af August Becker, er det sandsynligvis Stags and Old Oak Near the Wallwitzburg near Dessau (1836). The Jungfrau (1853) og A view of Schloss Waldleiningen (1863) fuldender de tre værker, som folk genkender med det samme. Vores katalog indeholder 24 værker af August Becker. Nedenfor er de 24 mest kendte værker, hver med årstal, hvor de kan findes, og hvad der gør dem specielle.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af August Becker | Malerier fra denne liste |
|---|---|---|---|
 Royal Collection |
London | 23 | The Jungfrau, A view of Schloss Waldleiningen, The Valley of the Dee near Braemar |
Vælg et årti for at se dets mest fremtrædende værk.
Øverst på listen er Stags and Old Oak Near the Wallwitzburg near Dessau (1836). Lige efter følger The Jungfrau (1853) og A view of Schloss Waldleiningen (1863).
15 år gammel. August Becker blev født i 1821, og Stags and Old Oak Near the Wallwitzburg near Dessau er fra 1836.
Stags and Old Oak Near the Wallwitzburg near Dessau, The Jungfrau, A view of Schloss Waldleiningen, The Valley of the Dee near Braemar, Glen Gelder, The Valley of the Dee above Braemar, Caenlochan, Loch Avon, Balmoral og Loch Callater. Du finder årstallet og museet for hver af dem i listen ovenfor.
Vi har 24 værker af August Becker i vores katalog, dateret fra 1836 til 1877.
Du finder de fleste af dem i Royal Collection (London). Listen over museer ovenfor giver en fuldstændig oversigt.
I 1860s, mere end på andre tidspunkter: 16 af de 24 værker på denne side stammer fra dengang, herunder A view of Schloss Waldleiningen.
Det tidligste værk her er Stags and Old Oak Near the Wallwitzburg near Dessau (1836); det nyeste er The Villa Hohenlohe (1877).
Du kan se 23 af værkerne på denne side på Royal Collection, London, herunder The Jungfrau, A view of Schloss Waldleiningen og The Valley of the Dee near Braemar.
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
August Becker did not merely paint scenery; he captured the specific, rugged geography of the nineteenth century. His work belongs to the Düsseldorfer Malerschule, a movement defined by a rigorous approach to landscape that favored structural accuracy over mere sentiment. He moved from the initial guidance of Johann Heinrich Schilbach to the specialized landscape training of Johann Wilhelm Schirmer at the Kunstakademie Düsseldorf. This technical foundation allowed him to transition from local German vistas to the dramatic, vertical compositions of the North.
His ability to translate geological scale onto canvas earned him a place in the most prestigious collections of his era. In 1854, while studying in London, his work caught the attention of the British monarchy. Prince Albert purchased his painting "The Jungfrau" as a gift for Queen Victoria. This was no minor social victory; it established Becker as a painter of international standing, leading to further acquisitions by the Queen and invitations to visit Scotland and the Isle of Wight.
Becker’s career was defined by his movement through significant European landscapes. He did not stay confined to the Rhine valley, instead seeking out the specific light and form of diverse regions. His travels were purposeful, often dictated by the specific demands of his patrons or the availability of new subject matter.
The sheer volume of his work—over 360 paintings—indicates a highly disciplined professional practice. He was a painter of precision, capable of shifting from the intimate details of the Nahe region to the vast, sweeping scales of Norwegian fjords. His later years saw him teaching, including lessons for Princess Antonia, proving his technical authority was recognized by the aristocracy. While much of his work remains in private or royal hands, with about 80 paintings located in England, his presence in the Kunst Archiv Darmstadt ensures his place in the historical record of German landscape painting.
