Portræt af Adèle Romany

Din guide til de 37 mest berømte Adèle Romany-malerier

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 39 værker af Adèle Romany i vores katalog

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Adèle Romany's mest kendte værk er Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795). Du kan finde det på National Museum of Women in the Arts i Washington, D.C.. Næste på listen er Madame Coury, Duhamel Widow (1811) og Portrait of a Young Woman (1804). Vi har 39 værker af Adèle Romany i vores katalog; denne guide udvælger de 37 mest kendte, inklusiv årstal, museum og historien bag hvert værk.

1769 – 1846, Paris Neoclassicism Flest værker: Library-museum of the Comédie-Française

De 10 vigtigste Adèle Romany malerier, du skal kende

1
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) af Adèle Romany

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

Håndmalet oliereproduktion fra $175 27 × 36 cm Samme størrelse som originalen $508 97 × 128 cm Bestil i original størrelse →
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2
Madame Coury, Duhamel Widow (1811) af Adèle Romany

Madame Coury, Duhamel Widow

1811 · Oil On Canvas · Nationalmuseum, Stockholm

In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

Håndmalet oliereproduktion fra $175 28 × 36 cm Samme størrelse som originalen $455 90 × 117 cm Bestil i original størrelse →
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3
Portrait of a Young Woman (1804) af Adèle Romany

Portrait of a Young Woman

1804 · Oil On Canvas · Musée Marmottan Monet, Paris

The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

Håndmalet oliereproduktion fra $175 29 × 35 cm Samme størrelse som originalen $237 51 × 61 cm Bestil i original størrelse →
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Nummer 11 til 37: flere Adèle Romany malerier

11Presumed self-portrait (1799) af Adèle RomanyPresumed self-portrait1799 · Musée des Beaux-Arts de Rouen Bestil dette værk fra $200 →
12Young lovers playing the lyre (1802) af Adèle RomanyYoung lovers playing the lyre1802 Gør den til din egen fra $200 →
13Portrait of Jeanne-Marie Mercier, the artist's mother (1799) af Adèle RomanyPortrait of Jeanne-Marie Mercier, the artist's mother1799 · Musee Baron Martin Gør den til din egen fra $175 →
14Portrait of Justine-Louise Mercier, aunt of the artist (1798) af Adèle RomanyPortrait of Justine-Louise Mercier, aunt of the artist1798 Bestil dette værk fra $175 →
15Louis Jean-Baptiste Étienne Vigée (1800) af Adèle RomanyLouis Jean-Baptiste Étienne Vigée1800 Gør den til din egen fra $175 →
16Portrait de Mme Thénard (1800) af Adèle RomanyPortrait de Mme Thénard1800 · Carnavalet Museum Få den håndmalet fra $175 →
17Full-length Portrait of a Young Lady Seated in a Landscape (1805) af Adèle RomanyFull-length Portrait of a Young Lady Seated in a Landscape1805 · Musée Grobet-Labadié Få den håndmalet fra $175 →
18Portrait of a Lady at a Pianoforte (1808) af Adèle RomanyPortrait of a Lady at a Pianoforte1808 · Museum of Fine Arts Gør den til din egen fra $175 →
19portrait of Pierre-Marie-Nicolas Michelot (1807) af Adèle Romanyportrait of Pierre-Marie-Nicolas Michelot1807 Gør den til din egen fra $175 →
20Joseph-Dominique Fabry Garat Playing a Lyre Guitar (1808) af Adèle RomanyJoseph-Dominique Fabry Garat Playing a Lyre Guitar1808 · Museum of Fine Arts Bestil dette værk fra $175 →
21Portrait of Emilie Leverd (1808) af Adèle RomanyPortrait of Emilie Leverd1808 · Library-museum of the Comédie-Française Få den håndmalet fra $175 →
22Mlle Raucourt as Agrippine (1812) af Adèle RomanyMlle Raucourt as Agrippine1812 · Library-museum of the Comédie-Française Bestil dette værk fra $175 →
23Portrait of Joseph Souberbielle (1814) af Adèle RomanyPortrait of Joseph Souberbielle1814 Gør den til din egen fra $200 →
24Portrait of mademoiselle A.P. (1806) af Adèle RomanyPortrait of mademoiselle A.P.1806 · Musée de la Chartreuse de Douai Få den håndmalet fra $175 →
25Portrait of Antoine Valedau (1809) af Adèle RomanyPortrait of Antoine Valedau1809 · Musée Fabre Få den håndmalet fra $175 →
26Portrait of Alphonse de Chavanges (1812) af Adèle RomanyPortrait of Alphonse de Chavanges1812 Få den håndmalet fra $175 →
27Portrait of Michael Kelly (1810) af Adèle RomanyPortrait of Michael Kelly1810 Få den håndmalet fra $175 →
28Portrait of Fleury (1818) af Adèle RomanyPortrait of Fleury1818 · Library-museum of the Comédie-Française Gør den til din egen fra $175 →
29The Marquis de Romance Mesmon's snack (1815) af Adèle RomanyThe Marquis de Romance Mesmon's snack1815 · Château de Versailles Gør den til din egen fra $175 →
30Portrait of Aglaé-Constance Boudard in red velvet dress (1815) af Adèle RomanyPortrait of Aglaé-Constance Boudard in red velvet dress1815 Gør den til din egen fra $175 →
31Portrait of Amélie-Justine Laidin de la Bouterie (1818) af Adèle RomanyPortrait of Amélie-Justine Laidin de la Bouterie1818 Gør den til din egen fra $175 →
32Portrait de Zoé Prévost, de l'Opéra-Comique (1830) af Adèle RomanyPortrait de Zoé Prévost, de l'Opéra-Comique1830 · Musée Magnin Bestil dette værk fra $175 →
33Mlle Prévost de l’Opéra Comique (1830) af Adèle RomanyMlle Prévost de l’Opéra Comique1830 Få den håndmalet fra $175 →
34The Flight from the Village Fire (1833) af Adèle RomanyThe Flight from the Village Fire1833 Bestil dette værk fra $225 →
35Portrait of Voltaire (1836) af Adèle RomanyPortrait of Voltaire1836 · Library-museum of the Comédie-Française Gør den til din egen fra $175 →
36Baptiste cadet (1832) af Adèle RomanyBaptiste cadet1832 · Library-museum of the Comédie-Française Gør den til din egen fra $175 →
37Portrait of Auguste Vestris (1793) af Adèle RomanyPortrait of Auguste Vestris1793 · Rhode Island School of Design Museum of Art Få den håndmalet fra $175 →

Hvad Adèle Romany har malet mest af

De fire motiver, der optræder hyppigst i disse værker, hver med sit mest kendte eksempel.

Hvor du kan se Adèle Romany's malerier

De 8 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Adèle Romany Malerier fra denne liste
Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
Château de Versailles, VersaillesChâteau de Versailles Versailles 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
Nationalmuseum, StockholmNationalmuseum Stockholm 1 Madame Coury, Duhamel Widow
Musée Marmottan Monet, ParisMusée Marmottan Monet Paris 1 Portrait of a Young Woman
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
Musée Jacquemart-André, ParisMusée Jacquemart-André Paris 1 Portrait of a woman

Årti for årti: det mest kendte værk af hver Adèle Romany

Værker per årti

Vælg et årti for at se dets mest fremtrædende værk.

Adèle Romany: hurtige svar om malerierne

Hvad er Adèle Romanys mest kendte maleri?Se svaret

Øverst på listen er Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. Lige efter kommer: Madame Coury, Duhamel Widow (1811) og Portrait of a Young Woman (1804).

Hvor gammel var Adèle Romany, da Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou blev skabt?Se svaret

26 år gammel. Adèle Romany blev født i 1769, og Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou er fra 1795.

Hvad er Adèle Romanys top 10 malerier?Se svaret

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois og A young person hesitating to play the piano in front of her family. Du finder årstallet og museet for hver af dem i listen ovenfor.

Hvor mange værker af Adèle Romany er i din katalog?Se svaret

Vi har 39 værker af Adèle Romany i vores katalog, dateret fra 1791 til 1836.

I hvilke museer kan man se Adèle Romanys berømte værker?Se svaret

Du finder de fleste af dem i Library-museum of the Comédie-Française (Paris), Château de Versailles (Versailles) og Museum of Fine Arts (Boston). Listen over museer ovenfor giver en fuldstændig oversigt.

Hvornår skabte Adèle Romany sine mest berømte værker?Se svaret

I 1800s, mere end på andre tidspunkter: 13 af de 37 værker på denne side stammer fra dengang, herunder Portrait of a Young Woman.

Hvad er Adèle Romanys første og sidste berømte værker?Se svaret

Det tidligste værk her er Portrait of Julie Candeille (1791); det nyeste er Portrait of Voltaire (1836).

Hvilket medie optræder hyppigst i Adèle Romany's malerier?Se svaret

Oil On Canvas, anvendt i 2 af de 37 værker på denne side.

Hvilken stil eller retning er Adèle Romany kendt for?Se svaret

Neoclassicism, som du kan se i værkerne på denne side.

Hvilke berømte malerier af Adèle Romany findes på Library-museum of the Comédie-Française?Se svaret

Du kan se 5 af værkerne på denne side på Library-museum of the Comédie-Française, Paris, herunder Portrait of Emilie Leverd, Mlle Raucourt as Agrippine og Portrait of Fleury.

Hvor kan jeg bestille en Adèle Romany reproduktion?Se svaret

Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.

Adèle Romanys historie

Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

Early Life and Artistic Training

  • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
  • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
  • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

Artistic Style and Notable Works

  • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
  • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
  • Notable Works:
    • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
    • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
    • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
  • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

Recognition and Historical Significance

  • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
  • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
  • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
  • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

Legacy and Rediscovery

Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.