Is Apollo and Daphne under copyright?

No, this artwork is in the public domain.

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The painting Apollo and Daphne by Paolo Di Matteis is a captivating work of art that showcases the artist's skill in depicting mythological scenes. Created in 1702, this oil on canvas painting measures 61 x 50 cm and is a stunning example of Baroque art.

The Story Behind the Painting

The story of Apollo and Daphne is taken from the Metamorphoses of the Roman poet Ovid. According to the myth, Apollo had offended Cupid in his capacity as an archer, leading Cupid to shoot two separate arrows out of spite. One arrow struck Apollo, inflaming him with love for Daphne, while the other hit Daphne, causing her to flee from Apollo's advances.

Artistic Style and Technique

Paolo Di Matteis's artistic style is characterized by his use of bold colors and dramatic lighting. In Apollo and Daphne, he masterfully depicts the scene with a sense of movement and energy, drawing the viewer's eye to the central figures of Apollo and Daphne. The painting is also notable for its intricate details, including the foliage and trees that surround the figures.

The Chazen Museum of Art has an impressive collection of Baroque art, including works by Paolo Di Matteis.
For more information on Paolo Di Matteis and his works, visit /art/list/?Filter=A2AAPJ-Paolo-Di-Matteis-Madonna.
To learn more about the myth of Apollo and Daphne, see https://en.wikipedia.org/wiki/Daphne.

The painting Apollo and Daphne by Paolo Di Matteis is a timeless masterpiece that continues to captivate art lovers to this day. Its beautiful depiction of mythological figures, combined with its intricate details and bold colors, make it a must-see for anyone interested in Baroque art. Whether you're an art historian or simply someone who appreciates beauty, Apollo and Daphne is sure to leave a lasting impression.

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Kunstnerens biografi

Paolo di Matteis: A Baroque Visionary Shaping Naples and Rome

Paolo de Matteis (1662-1728) stands as a pivotal figure in the Italian Baroque, an artist whose opulent frescoes and decorative schemes indelibly imprinted upon the artistic landscape of Naples and Rome. Born in Piano Vetrale, Salerno, he emerged from humble beginnings to become one of the era’s most celebrated painters, skillfully blending dramatic theatricality with refined elegance—a hallmark that would later influence the Rocaille style. His formative years were spent under the tutelage of Francesco di Maria in Naples, followed by a crucial apprenticeship with Luca Giordano, arguably his greatest mentor and stylistic inspiration.

Early Training & Influences: Giordano’s mastery of illusionistic painting profoundly shaped de Matteis' technique, fostering an unwavering commitment to creating immersive visual experiences that captivated viewers. This influence is evident throughout his oeuvre, particularly in the masterful use of chiaroscuro and perspective.
Service Under the Spanish Viceroyalty: De Matteis served faithfully within the court of Naples for decades, undertaking commissions that showcased both his artistic prowess and diplomatic acumen. These projects allowed him to hone his skills while navigating the complexities of aristocratic patronage.

His Parisian sojourn between 1702 and 1705 marked a significant broadening of his horizons—a period during which he absorbed new stylistic trends and experimented with innovative compositional approaches. This exposure fueled his artistic evolution, propelling him towards greater sophistication and experimentation. He returned to Naples reinvigorated, dedicating himself to ambitious decorative schemes for churches, notably the magnificent vault of San Ignazio in Gesù Nuovo – a testament to his ability to transform spaces into breathtaking works of art. Furthermore, he undertook the prestigious commission to depict The Assumption of Our Lady at Monte Cassino, cementing his reputation as one of the foremost artists of his time.

Rome & Papal Patronage: Between 1723 and 1725, de Matteis resided in Rome, receiving a substantial commission from Pope Innocent XIII—a pivotal moment that allowed him to collaborate with some of the era’s leading intellectuals and artists.

De Matteis' legacy extends beyond his individual masterpieces; he nurtured the talents of numerous pupils, including Ignacio Oliveira, Bernardes Peresí, and members of the Sarnelli family – fostering a vibrant artistic environment that contributed significantly to the flourishing Baroque tradition in Naples. His influence can be seen in the works of Giuseppe Mastroleo, Giovanni Pandozzi, and Nicolas de Filippis, demonstrating his enduring impact on subsequent generations of painters. Notable Works:

Apollo and Daphne
Love And The Vices Disarm Judgement
Painting of Our Lady of Sorrows

Paolo di Matteis’ contribution to Baroque art is undeniable—a painter who skillfully blended theatrical grandeur with meticulous detail, leaving behind a visual record of his time that continues to inspire admiration and scholarly study. His work embodies the spirit of the Baroque era, capturing its dramatic intensity and sublime beauty while simultaneously reflecting the humanist values prevalent during this transformative period in European history.

paolo di matteis

1662 - 1727

Kort om kunstneren

Artistic Movement Or Style: Baroque & Rocaille
Artists Or Movements Influenced By This Artist: ['Rocaille']
Artists Who Influenced This Artist: ['Luca Giordano']
Date Of Birth: 1662
Date Of Death: 1728
Full Name: Paolo de Matteis
Nationality: Italian
Notable Artworks:
- Apollo and Daphne
- Love And The Vices Disarm Judgement
- Painting of Our Lady of Sorrows
Place Of Birth: Piano Vetrale, Salerno, Italy

Apollo and Daphne

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