Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 35 værker af Joseph Légaré i vores katalog
Kort sagt
Det mest kendte maleri af Joseph Légaré er Conversion of Saint Paul (1822). Lige efter følger Le Massacre des Hurons par les Iroquois (1827) og Le Père éternel entouré d'anges (1824). Ud af 35 værker af Joseph Légaré i vores katalog er disse 23 de mest kendte. Hvert værk er ledsaget af årstal, museum og en kort note om, hvad der gør det bemærkelsesværdigt.
Sainte Marguerite d'Antioche1825 · Musée national des beaux-arts du Québec
Få den håndmalet from $175 →
Saint François d'Assise en prière devant un crucifix1825 · Musée national des beaux-arts du Québec
Bestil dette værk from $175 →
Madame Charles-Maxime Defoy, née Marie-Louise Légaré, soeur de l'artiste1830 · Musée national des beaux-arts du Québec
Gør den til din egen from $175 →
Nature morte au portrait de Calvin1835 · Musée national des beaux-arts du Québec
Bestil dette værk from $175 →
The Corpus Christi Procession, Nicolet1832 · National Gallery of Canada
Få den håndmalet from $175 →
L'Incendie du quartier Saint-Jean à Québec, vu vers l'ouest1845 · Musée national des beaux-arts du Québec
Gør den til din egen from $175 →
Paysage au monument à Wolfe1845 · Musée national des beaux-arts du Québec
Bestil dette værk from $175 →
De 3 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Joseph Légaré | Malerier fra denne liste |
|---|---|---|---|
 Musée national des beaux-arts du Québec |
Québec City | 11 | Le Massacre des Hurons par les Iroquois, Le Père éternel entouré d'anges, Saint Jérôme entendant la trompette du Jugement dernier (La Vision de saint Jérôme) |
 National Gallery of Canada |
Ottawa | 9 | Josephte Ourné, Landscape, The Battle of Sainte-Foy |
 Musée de la civilisation |
Quebec City | 2 | The Rock Slide at Cape Diamond, The Church of Sainte-Foy |
Vælg et årti for at se dets mest fremtrædende værk.
Joseph Légaré’s “Cholera Plague, Quebec,” painted in 1832, is more than a simple depiction of a nighttime scene; it’s a haunting meditation on vulnerability and societal disruption rendered with the stark clarity of black and white. Measuring 82 x 111 cm, this artwork immediately draws the viewer into a world steeped in shadow and anxiety, reflecting the profound anxieties gripping Quebec during the devastating cholera epidemic of that year.
Øverst på listen er Conversion of Saint Paul (1822). Lige efter følger Le Massacre des Hurons par les Iroquois (1827) og Le Père éternel entouré d'anges (1824).
27 år gammel. Joseph Légaré blev født i 1795, og Conversion of Saint Paul er fra 1822.
Conversion of Saint Paul, Le Massacre des Hurons par les Iroquois, Le Père éternel entouré d'anges, Saint Jérôme entendant la trompette du Jugement dernier (La Vision de saint Jérôme), La Vision de saint Roch, Josephte Ourné, Landscape, The Battle of Sainte-Foy, Saint Francis of Paola Raising his Sister's Child from the Dead og Saint Philip Baptizing the Eunuch of Queen Candace. Du finder årstallet og museet for hver af dem i listen ovenfor.
Vi har 35 værker af Joseph Légaré i vores katalog, dateret fra 1821 til 1854.
Du finder de fleste af dem i Musée national des beaux-arts du Québec (Québec City), National Gallery of Canada (Ottawa) og Musée de la civilisation (Quebec City). Listen over museer ovenfor giver en fuldstændig oversigt.
I 1820s, mere end på andre tidspunkter: 9 af de 23 værker på denne side stammer fra dengang, herunder Conversion of Saint Paul.
Det tidligste værk her er Saint Francis of Paola Raising his Sister's Child from the Dead (1821); det nyeste er The Battle of Sainte-Foy (1854).
Du kan se 11 af værkerne på denne side på Musée national des beaux-arts du Québec, Québec City, herunder Le Massacre des Hurons par les Iroquois, Le Père éternel entouré d'anges og Saint Jérôme entendant la trompette du Jugement dernier (La Vision de saint Jérôme).
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Joseph Légaré (1795-1855) was a pivotal Canadian artist and politician whose life embodies the intersection of creativity and public service. Born in Saint-Jacques, Canada East, Légaré left an indelible mark on the country’s cultural landscape.
Légaré's early life was marked by a natural inclination towards artistic expression. Though details of his formative years remain somewhat obscure, it is evident he honed skills that would lead him to become one of the founding members of Willow Bunch, Saskatchewan. He wasn’t solely an artist; Légaré skillfully balanced multiple roles throughout his life – painter, glazier, seigneur, and political figure.
Demonstrating a strong entrepreneurial spirit, Légaré ventured into cattle and horse ranching in the Willow Bunch area. This showcased his adaptability and willingness to embrace diverse opportunities. Further solidifying his commitment to community, he served as postmaster in Willow Bunch from 1898 until his death in 1918.
While a significant portion of Légaré’s artistic output remains undocumented, his influence on Canadian art is undeniable. He is particularly remembered for his historical paintings and religious scenes. Cholera Plague, Quebec stands as one of his most recognized works, capturing a poignant moment in the region's history.
Information regarding specific artistic influences on Légaré is limited due to the scarcity of documented sources about his early training. However, it’s reasonable to assume he was influenced by the prevailing artistic styles of Lower Canada during the 19th century – a blend of European traditions adapted to the Canadian context.
Légaré’s life serves as a fascinating case study in the intersection of art and politics. He represents a generation of Canadians who actively participated in both cultural development and civic leadership. His legacy continues to inspire those interested in the rich history of Canadian art and its connection to the nation's social and political evolution.
