Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 14 værker af Daniel Gran i vores katalog
Kort sagt
Det mest kendte maleri af Daniel Gran er Allegory of the Dawn (1723). Lige efter følger Mary with Child and Saints, Enthroned on Clouds (1730) og Diana's Admission to Olympus (1732). Ud af 14 værker af Daniel Gran i vores katalog er disse 14 de mest kendte. Hvert værk er ledsaget af årstal, museum og en kort note om, hvad der gør det bemærkelsesværdigt.
De 3 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Daniel Gran | Malerier fra denne liste |
|---|---|---|---|
 Nationalmuseet i Warszawa |
Warszawa | 2 | Greeting of Venus at Mount Olympus, Bacchus and Ceres |
 Szépművészeti Múzeum |
Budapest | 2 | St Elizabeth Distributing Alms, The Day Driving away the Night |
 Nationalmuseet i Kraków |
Kraków | 1 | Apollo with the Muses – Project for a Plafond |
Vælg et årti for at se dets mest fremtrædende værk.
Øverst på listen er Allegory of the Dawn (1723). Lige efter følger Mary with Child and Saints, Enthroned on Clouds (1730) og Diana's Admission to Olympus (1732).
29 år gammel. Daniel Gran blev født i 1694, og Allegory of the Dawn er fra 1723.
Allegory of the Dawn, Mary with Child and Saints, Enthroned on Clouds, Diana's Admission to Olympus, Apollo with the Muses – Project for a Plafond, Allegory of the Happy Government of Mähren, Allegory of the Morning, Instruction of Mary by Joachim and Anna, The Holy Family, Madonna and Child og unleserlich. Du finder årstallet og museet for hver af dem i listen ovenfor.
Vi har 14 værker af Daniel Gran i vores katalog, dateret fra 1723 til 1747.
Du finder de fleste af dem i Nationalmuseet i Warszawa (Warszawa), Szépművészeti Múzeum (Budapest) og Nationalmuseet i Kraków (Kraków). Listen over museer ovenfor giver en fuldstændig oversigt.
I 1730s, mere end på andre tidspunkter: 4 af de 14 værker på denne side stammer fra dengang, herunder Mary with Child and Saints, Enthroned on Clouds.
Det tidligste værk her er Allegory of the Dawn (1723); det nyeste er Allegory of the Morning (1747).
Du kan se 2 af værkerne på denne side på Nationalmuseet i Warszawa, Warszawa, herunder Greeting of Venus at Mount Olympus og Bacchus and Ceres.
Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.
Daniel Gran (1694-1757) was a prominent Austrian Baroque painter who played a crucial role in the transition towards Classicism. His career spanned a period of significant artistic change, and he is remembered for his masterful frescoes, religious scenes, and illusionistic style.
Born in Vienna, Italy in 1694, Daniel Gran came from a family that valued its noble lineage. Successfully asserting his claim to this title was important during his time, as improper use of such distinctions could have severe social consequences. Details regarding his early artistic training remain somewhat scarce, but it is known he developed considerable skill and ambition.
Gran’s initial work firmly rooted in the Baroque tradition, characterized by dramatic compositions, rich colors, and a sense of movement. However, towards the end of his career, his paintings began to exhibit a shift away from purely Baroque aesthetics – particularly in terms of figural dimensions and illusionism. This evolution suggests an increasing interest in the emerging principles of Classicism, emphasizing clarity, balance, and restraint.
While specific influences are not extensively documented, it’s reasonable to assume Gran was impacted by contemporary Italian and Austrian Baroque masters. His later stylistic changes suggest a growing awareness of early Classical art and its emphasis on form and proportion.
Daniel Gran’s significance lies in his role as a bridge between the Baroque and Classical periods. He wasn't merely an imitator of earlier styles but actively contributed to the evolving artistic landscape of 18th-century Austria. His work demonstrates a conscious effort to move beyond the exuberance of the High Baroque towards a more restrained and balanced aesthetic.
Gran’s influence can be seen in the subsequent development of Austrian painting, paving the way for later Classicist artists. In 1894, Vienna honored his legacy by naming the Grangasse street in Rudolfsheim-Fünfhaus (the 15th district) after him. His self-portrait remains a treasured piece within the monastery of Herzogenburg.
Gran’s frescoes continue to captivate viewers with their beauty, technical skill, and historical importance, solidifying his place as a notable figure in Austrian art history.
