Portræt af Charles de Steuben

Charles de Steubens mest berømte malerier: Alle 19, rangeret

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 19 værker af Charles de Steuben i vores katalog

Kort sagt

Det mest kendte maleri af Charles de Steuben er Portrait of Anna Benardaki (1844), som du kan se på Hermitage Museum i Sankt Petersborg. Lige efter følger Portrait of Baron Alexander Stieglitz (1844) og Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850). Ud af 19 værker af Charles de Steuben i vores katalog er disse 19 de mest kendte. Hvert værk er ledsaget af årstal, museum og en kort note om, hvad der gør det bemærkelsesværdigt.

1788 – 1856, Bauerbach Romanticism Flest værker: Hermitage Museum

Charles de Steubens top 10: de værker alle kender

1
Portrait of Anna Benardaki (1844) af Charles de Steuben

Portrait of Anna Benardaki

1844 · Oil · Hermitage Museum, Sankt Petersborg

The Portrait of Anna Benardaki is a formal mid-19th-century oil portrait that captures a woman seated upon a luxurious red velvet sofa. The composition is centered on the subject, presenting a medium shot that establishes an intimate yet formal connection with the viewer. Her attire consists of a luminous white and silver gown, detailed with intricate lace sleeves and flowing satin folds. This bright palette stands in sharp contrast to…

Hand-painted oil reproduction from $175 29 × 34 cm Same size as the original $482 99 × 116 cm Order at original size →
Bestil dette værk Mere om dette værk
2
Portrait of Baron Alexander Stieglitz (1844) af Charles de Steuben

Portrait of Baron Alexander Stieglitz

1844 · Oil On Canvas · Hermitage Museum, Sankt Petersborg

The Portrait of Baron Alexander Stieglitz is a significant oil painting by the artist Charles Auguste Guillaume Steuben. Created in Russia around 1844, this work captures the likeness of Baron Alexander von Stieglitz, a man known for his influence as a Russian banker and philanthropist. The portrait offers a quiet study of a figure central to the social and economic fabric of the era.

Hand-painted oil reproduction from $175 28 × 36 cm Same size as the original $353 75 × 94 cm Order at original size →
Få den håndmalet Læs historien bag
3
Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) af Charles de Steuben

Portrait of Alexander P. von Benckendorff (1819 – 1851)

1850 · Oil On Canvas · Hermitage Museum, Sankt Petersborg

The subject, Alexander P. von Benckendorff, is rendered in a three-quarter length pose, his gaze directed toward the viewer's left. He is dressed in a formal military uniform, a garment defined by sharp lines and heavy textures. The dark blues and blacks of his attire recede into a somber, atmospheric background, while the metallic sheen of buttons and braided cords catches the light. A draped cloak adds a sense of…

Hand-painted oil reproduction from $175 29 × 34 cm Same size as the original $484 99 × 117 cm Order at original size →
Gør den til din egen Lær det at kende
4
Portrait of a Young Woman (1843) af Charles de Steuben

Portrait of a Young Woman

1843 · Oil On Canvas · Hermitage Museum, Sankt Petersborg

A young woman leans against a cool stone balustrade, her presence filling the space with a quiet, luminous grace. She is caught in a moment of stillness, her body angled slightly away as she gazes out toward a horizon we cannot quite reach. A bright orange-red shawl drapes over her shoulders, providing a sharp, warm contrast to the crisp white lace of her gown. The light catches the delicate textures…

Hand-painted oil reproduction from $175 29 × 35 cm Same size as the original $499 100 × 121 cm Order at original size →
Få den håndmalet Læs historien bag
5
Portrait of D.E. Benardaki (1844) af Charles de Steuben

Portrait of D.E. Benardaki

1844 · Oil On Canvas · Hermitage Museum, Sankt Petersborg

In this 1844 oil portrait, we find ourselves in the presence of D.E. Benardaki, a man whose seated posture suggests a life of intellect and quiet authority. The composition is a formal, three-quarter length view, placing the subject slightly off-center to create a sense of balanced movement. He is positioned within a scholarly environment, seated beside a desk where writing implements rest, hinting at a mind preoccupied with thought or…

Hand-painted oil reproduction from $175 29 × 34 cm Same size as the original $479 98 × 116 cm Order at original size →
Gør den til din egen Lær det at kende
6
Portrait of Countess Yulia Stroganova (1848) af Charles de Steuben

Portrait of Countess Yulia Stroganova

1848 · Oil On Canvas · Hermitage Museum, Sankt Petersborg

The Portrait of Countess Yulia Stroganova is an oil on canvas painted by Charles de Steuben in 1848. The subject, also identified as Julia Stroganova, is presented in a three-quarter length pose. She sits slightly off-center, her presence defined by the quiet weight of her station. She is a lady and a bride, captured in a moment of poised stillness.

Hand-painted oil reproduction from $175 29 × 35 cm Same size as the original $484 98 × 118 cm Order at original size →
Få den håndmalet Læs historien bag

Fortsæt med at udforske Charles de Steuben: 11 til 19

Hvad Charles de Steuben har malet mest af

De fire motiver, der optræder hyppigst i disse værker, hver med sit mest kendte eksempel.

Hvor du kan se Charles de Steuben's malerier

De 8 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Charles de Steuben Malerier fra denne liste
Hermitage Museum, Sankt PetersborgHermitage Museum Sankt Petersborg 7 Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851)
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 2 Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband, Marquise de Béthisy as an Orientalist
Carnavalet Museum, ParisCarnavalet Museum Paris 1 Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist
Musée Victor Hugo, ParisMusée Victor Hugo Paris 1 Sketch for the painting "La Esmeralda and her goat"
Opera House, VersaillesOpera House Versailles 1 Anne d'Autriche, reine de France
Château de Versailles, VersaillesChâteau de Versailles Versailles 1 Louis IV, King of France
Napoleon museum ArenenbergNapoleon museum Arenenberg 1 The Death of Napoleon
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Battle of Poitiers, 25 October 732

Et berømt værk af Charles de Steuben for hvert årti

Værker per årti

Vælg et årti for at se dets mest fremtrædende værk.

Charles de Steuben malerier: det, folk gerne vil vide

Hvilket maleri er Charles de Steuben bedst kendt for?Se svaret

Øverst på listen er Portrait of Anna Benardaki (1844), Hermitage Museum, Sankt Petersborg. Lige efter kommer: Portrait of Baron Alexander Stieglitz (1844) og Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Hvor gammel var Charles de Steuben på tidspunktet for Portrait of Anna Benardaki?Se svaret

56 år gammel. Charles de Steuben blev født i 1788, og Portrait of Anna Benardaki er fra 1844.

Hvilke 10 malerier af Charles de Steuben er de mest berømte?Se svaret

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851), Portrait of a Young Woman, Portrait of D.E. Benardaki, Portrait of Countess Yulia Stroganova, Mercury Putting Argus to Sleep, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist, Sketch for the painting "La Esmeralda and her goat" og Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband. Du finder årstallet og museet for hver af dem i listen ovenfor.

Hvor mange værker af Charles de Steuben er der?Se svaret

Vi har 19 værker af Charles de Steuben i vores katalog, dateret fra 1800 til 1850.

Hvilke museer har Charles de Steubens mest kendte malerier?Se svaret

Du finder de fleste af dem i Hermitage Museum (Sankt Petersborg), Palais des Beaux-Arts de Lille (Lille) og Carnavalet Museum (Paris). Listen over museer ovenfor giver en fuldstændig oversigt.

Hvornår blev Charles de Steubens mest berømte værker malet?Se svaret

I 1830s, mere end på andre tidspunkter: 9 af de 19 værker på denne side stammer fra dengang, herunder Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist.

Hvad er de ældste og nyeste berømte malerier af Charles de Steuben?Se svaret

Det tidligste værk her er The Death of Napoleon (1800); det nyeste er Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Hvad malede Charles de Steuben mest af?Se svaret

Woman (3), Man (3) og Lace (2) ud af i alt 19 værker på denne side.

Hvad malede Charles de Steuben normalt med?Se svaret

Oil On Canvas, anvendt i 5 af de 19 værker på denne side.

Hvilken kunstretning er Charles de Steuben knyttet til?Se svaret

Romanticism, som du kan se i værkerne på denne side.

Hvad kan du se af Charles de Steuben på Hermitage Museum?Se svaret

Du kan se 7 af værkerne på denne side på Hermitage Museum, Sankt Petersborg, herunder Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz og Portrait of Alexander P. von Benckendorff (1819 – 1851).

Kan jeg bestille en Charles de Steuben reproduktion til mit hjem?Se svaret

Ja. Hvert maleri på denne side er tilgængeligt som en håndmalet oliereproduktion eller som et print i den størrelse, der passer dig. Åbn blot maleriets side for at bestille.

Mød Charles de Steuben

A Life Forged in the Shadows of Empires

Born into the nobility of the German Duchy of Württemberg, the life of Charles Auguste Guillaume Steuben was never destined for a quiet existence. His early years were defined by movement and the grandeur of shifting borders, moving from his birthplace to the imperial splendor of Saint Petersburg at the tender age of twelve. It was within the hallowed halls of the Imperial Academy of Arts that the young student first began to grasp the language of light and shadow, studying drawing under the watchful eyes of Russian masters. This formative period in Russia, shaped by the social connections of his father—a captain in Russian service—provided a unique cosmopolitan foundation. As he transitioned from the Russian court to the artistic epicenter of Paris, Steuben carried with him a perspective that was both deeply European and profoundly observant, preparing him for a career that would bridge the gap between the Napoleonic era and the Second Empire.

The Echo of Schiller and the Romantic Flame

Steuben’s artistic identity was not merely a product of formal training at the École des Beaux-Arts under luminaries like Jacques-Louis David and Pierre-Paul Prud'hon; it was ignited by the literary fire of Friedrich Schiller. The poet's ideals of individual liberty and free self-determination became the heartbeat of Steuben’s Romantic sensibility, instilling in him a belief that art should reflect the internal struggle for freedom. His style emerged as a dramatic interplay of expressive brushstrokes and a vivid, emotive palette, designed to capture the turbulent spirit of an age defined by revolution and restoration. He mastered the ability to blend meticulous observation with an imaginative, almost theatrical interpretation of history.

  • Philosophical Roots: The profound influence of Friedrich Schiller’s political ideals on his Romantic vision.
  • Academic Pedigree: Refined training under the masters of French Neoclassicism and lithography.
  • Thematic Depth: A focus on historical narratives that emphasized psychological insight and emotional fervor.

Chronicles in Color and Chiaroscuro

The true mastery of Steuben lay in his ability to weave meticulous historical detail with a cinematic sense of drama. He was a storyteller who utilized the technique of chiaroscuro to pull figures from the darkness, lending them a monumental presence that commanded the viewer's attention. In his celebrated work, The Death of Napoleon, one finds a hauntingly intimate glimpse into the twilight of a legend, where the grandeur of empire meets the stark reality of mortality on Saint Helena. Similarly, his Battle of Poitiers serves as a powerful testament to historical resilience, utilizing vibrant color and dynamic composition to depict the decisive clash between Charles Martel and Abd al-Rahman III. Through both painting and lithography, Steuben left behind a legacy that remains a vital window into the soul of nineteenth-century Europe, capturing the very essence of the Romantic era.