Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 141 děl umělce Léon Bonnat v našem katalogu
In short
Léon Bonnat's best-known piece is Jacob Wrestling with the Angel (also known as La Lutte de Jacob) (1876). Next on the list are Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74) (1879) and Self-portrait (1918) (1918). We have 141 works by Léon Bonnat in our catalogue; this guide picks out the 100 best known, with the year, the museum and the story of each piece.
The work before us is titled Jacob Wrestling with the Angel, though it is frequently referred to by its French name, La Lutte de Jacob. This piece was painted by Léon Joseph Florentin Bonnat in 1876. It is a significant example of the artist's engagement with religious narratives, rendered with a focus on the physical reality of the struggle depicted.
A single light source carves the face of Isaac Dignus Fransen van de Putte from a heavy, ink-black void. He sits with a rigid, vertical posture, his presence defined by the sharp contrast between a pale, starched collar and the deep shadows of his frock coat. The light catches the high ridge of his forehead and the steady gaze of a man accustomed to the gravity of statecraft. There is…
An elderly man sits within a frame of shadow and light. His face, etched with the textures of many years, turns toward the right while his eyes lock onto the viewer. A white beard descends in soft, defined strokes, catching the pale light that enters from the upper left. The background is a quiet expanse of ochre, burnt sienna, and deep umber, pressing close to the subject. He wears a…
A single figure stands in profile, caught in a moment of quiet stillness. The woman is draped in a gown of cool, light blue satin that catches the directional light from the upper left. This luminous fabric flows downward in heavy, sweeping folds, ending in delicate ruffles at the hem. Against the deep, warm umber and sienna tones of the background, the blue of her dress pulls the eye forward.…
The air in the chamber feels heavy, thick with the weight of a crown and the silence of a long-passed era. Standing before us, King Fruela II of Asturias commands the space with a stillness that feels almost monumental. He is draped in a mantle of deep, saturated crimson, a color so intense it seems to pulse against the dark, shadowy void behind him. This red is not merely a…
The room holds its breath as an elderly gentleman sits anchored in his chair. He is John Taylor Johnston, and the weight of his years settles around him in soft, muted tones. Light drifts in from the left, a gentle illumination that carves his features out of the surrounding shadows. It catches the silver of his beard and the subtle folds of his dark suit, lending a tangible volume to…
The Portrait of the count of Montalivet is an oil on canvas work by the French painter Léon Bonnat. It captures the likeness of Camille Bachasson, comte de Montalivet, a man who lived from 1801 to 1880. The painting was executed in 1878.
Léon Bonnat executed this oil on canvas in 1883, capturing the likeness of Levi Parsons Morton. The portrait presents the sitter in a formal, three-quarter length pose, establishing a sense of authority through a structured silhouette and a dark, atmospheric background. The composition focuses entirely on the subject, utilizing a directional light source from the upper left to define the facial features and hands against deep shadows.
The painter Ceferino Araujo Sánchez1864 · Museo del Prado
12
Self-Portrait1896 · Národní galerie Praha
13
Self-portrait / Portrait of a young Man1855 · Musée d'Orsay
14
Portrait of Louise Lienhard1850
15
Self-portrait at the age of 171850 · Musée Bonnat-Helleu
16
Portrait of Marie Bonnat, the artist's sister1851 · Musée Bonnat-Helleu
17
Young woman doing charity at the entrance to the chapel of San Sebastián Hospital in Cordoba1863 · Goya Museum
18
Portrait of Jean Léglise, Merchant, Mayor of Saint-Martin-de-Seignanx1868 · Clevelandské muzeum umění
19
The victim1870 · Národní muzeum krásných umění
20
An Arab Sheik1870 · Walters Art Museum
21
Begging scene1865 · Musée Bonnat-Helleu
22
Portrait of an unidentified woman1868 · Musée Carnavalet
23
Sketch for the ceiling of the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice1869 · Petit Palais
24
Sketch for the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice protecting the weak1866 · Petit Palais
25
An oriental barbershop1872 · Pushkinovo státní muzeum umění
26
Adolphe Thiers1876
27
Portrait of Marguerite Franchetti1875 · Musée Bonnat-Helleu
28
Victor Hugo on his deathbed1885 · Musée Victor Hugo
29
Louisa Lee Schuyler1879 · New York Historical Society
30
Precious Moments1880 · Museum of Fine Arts, St. Petersburg, Florida, USA
31
Portrait of George Aloysius Lucas1885 · Walters Art Museum
32
Portrait de Monseigneur Félix-Arsène Billard1883
33
Italian Girl1880 · Munson-Williams-Proctor Arts Institute
34
Don't cry1879 · Musée des Beaux-Arts
35
George Lee Schuyler (1811-1890)1883 · New York Historical Society
36
Portrait of Madame Georges Ehrler1880 · Petit Palais
37
John Taylor Johnston (1820 1893)1880 · Metropolitan Museum of Art
38
Interior of the Sistine Chapel1880
39
Ernest Renan1892
40
Anna L. R. S. Morton1884 · Národní galerie obrazů Smithsonian
41
Portrait of Henry Field1896 · Art Institute of Chicago
42
Portrait of Auguste Cain1889 · Petit Palais
43
Portrait of Henri Harpignies1889 · Petit Palais
44
Job1888
45
Portrait of Aimilia Salvagou1894 · Národní galerie
46
Henry Lillie Pierce1895 · Muzeum umění v Bostonu
47
George Martin Lane (1823-1897)1894 · Harvard Art Museums
48
Portrait of Prince Viacheslav Tenishev1896 · Státní Ermitáž
49
The broken pitcher (version with ciocie)1900
50
The broken pitcher (barefoot version)1900
51
A little accident1900
52
Portrait de Madame Dubernet by Léon Bonnat1899 · Petit Palais
53
An Egyptian Peasant Woman and Her Child1869 · Metropolitan Museum of Art
54
Portrait of Charles Ephrussi1906
55
Portrait of Georges Cain (1853-1919), painter and literary man1909 · Musée Carnavalet
56
Christ on the CrossPetit Palais
57
Jules Grévy1880
58
Head of a White Horse1850 · Scottish National Gallery
59
Kneeling girl in prayer (study for ^quot;Pilgrims at the Foot of the Statue of Saint Peter in Saint Peter's Church in Rome^quot;)1864
60
An Egyptian Peasant Woman and Her Child1869
61
An Egyptian Peasant Woman and Her Child1870
62
Fountain by the Cathedral of St. Peter in Rome1868 · Státní Ermitáž
63
Madame Pasca1874 · Musée d'Orsay
64
Italian Woman with Child1872 · Musée Bonnat-Helleu
65
Léon Gambetta1875 · Musée d'Orsay
66
Mary Sears (later Mrs. Francis Shaw)1878 · Muzeum umění v Bostonu
67
Henry White1882 · National Gallery of Art
68
Jean Gigoux1880 · Musée Des Beaux
69
In the Mountains1879 · Státní Ermitáž
70
Sketch for the Salon des Arts at the Hôtel de Ville in Paris: The glorification of Art1888 · Petit Palais
71
French priest Pierre Bienvenu Noailles1889
72
Joseph Dreyfus1890
73
Idylle1890 · Musée Bonnat-Helleu
74
Pasteur and his granddaughter Camille Vallery-Radot1886 · Musée Pasteur
75
The Hand of Antoine-Louis Barye1897 · Walters Art Museum
76
Eagle and Rabbit1897
77
Portrait du docteur Adrien Doyon
78
Portrait de Joseph Reinach (1856 1921)Musée d'Art Moderne et Contemporain de Strasbourg
79
JULES GREVY, PRESIDENT DE LA REPUBLIQUE (1807 1891)
80
LEON GAMBETTA (1838 1892)
81
ALEXANDRE DUMAS FILS (1824 1895)Musée d'Orsay
82
LOUIS ADOLPHE THIERS, PRESIDENT DE LA REPUBLIQUE (1797 1877)
83
MADAME PASCA
84
ISAAC PEREIRE (1806 1880)
85
Victor Hugo (1802 1885)Musée Victor Hugo
86
Le cardinal Charles Lavigerie, archevêque d'Alger (1825 1892)Musée d'Orsay
87
BERNIER LOUISMusée Condé
88
Autoportrait
89
JOSEPH DREYFUSMusée d'Orsay
90
Portrait de Monsieur CernuschiMusée Cernuschi
91
Maître Edouard Pascal
92
PORTRAIT DE L'ARTISTEMusée d'Orsay
93
LA MARQUISE FEYDEAU DE BROUMusée d'Orsay
94
Portrait de Louis Hector Leroux
95
Portrait de M. Daniel Guestier
96
Portrait du Vicomte Both de Tauzia
97
Madame Maurice Pascal et son chien Tiny
98
PORTRAIT DU GENERAL HENRI D'ORLEANS, DUC D'AUMALE (1880)Musée Condé
99
MADAME BONNAT
100
PORTRAIT DE L'ARTISTE AU CHAPEAUMusée d'Orsay
The four subjects that come up most often in these pieces, each with its best-known example.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Léon Bonnat | Obrazy z tohoto seznamu |
|---|---|---|---|
 Musée d'Orsay |
Paříž | 15 | Portrait of a woman, Portrait of the count of Montalivet, Self-portrait / Portrait of a young Man |
 Petit Palais |
Paříž | 8 | Sketch for the ceiling of the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice, Sketch for the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice protecting the weak, Portrait of Madame Georges Ehrler |
 Musée Bonnat-Helleu |
Bayonne | 7 | Self-portrait at the age of 17, Portrait of Marie Bonnat, the artist's sister, Begging scene |
 Walters Art Museum |
Baltimore | 6 | An Arab Sheik, Portrait of George Aloysius Lucas, The Hand of Antoine-Louis Barye |
 Státní Ermitáž |
Sankt-Petěrburg | 4 | Portrait of Prince Viacheslav Tenishev, Fountain by the Cathedral of St. Peter in Rome, In the Mountains |
 Museo del Prado |
Madrid | 3 | Self-portrait (1918), Fruela II of Asturias (king of Asturias from 910 to 925), The painter Ceferino Araujo Sánchez |
 Metropolitan Museum of Art |
New York | 3 | John Taylor Johnston (1820 1893), An Egyptian Peasant Woman and Her Child |
 Musée Condé |
Chantilly | 3 | BERNIER LOUIS, PORTRAIT DU GENERAL HENRI D'ORLEANS, DUC D'AUMALE (1880) |
Pick a decade to see its standout piece.
The air in the chamber feels heavy, thick with the weight of a crown and the silence of a long-passed era. Standing before us, King Fruela II of Asturias commands the space with a stillness that feels almost monumental. He is draped in a mantle of deep, saturated crimson, a color so intense it seems to pulse against the dark, shadowy void behind him. This red is not merely a…
This oil on canvas portrait, executed in 1864, presents a close-up view of Ceferino Araujo Sánchez. The subject is a man with a dark beard and mustache, positioned centrally within the frame. His gaze is directed slightly downward, creating a sense of quiet introspection. The lighting is directional, originating from the upper left, which casts the right side of his face and the background into deep shadow. This technique produces…
The work before us is titled Jacob Wrestling with the Angel, though it is frequently referred to by its French name, La Lutte de Jacob. This piece was painted by Léon Joseph Florentin Bonnat in 1876. It is a significant example of the artist's engagement with religious narratives, rendered with a focus on the physical reality of the struggle depicted.
A single figure stands in profile, caught in a moment of quiet stillness. The woman is draped in a gown of cool, light blue satin that catches the directional light from the upper left. This luminous fabric flows downward in heavy, sweeping folds, ending in delicate ruffles at the hem. Against the deep, warm umber and sienna tones of the background, the blue of her dress pulls the eye forward.…
This oil on canvas portrait, executed in 1896, presents a bust-length view of an elderly man positioned slightly off-center. The subject looks directly toward the viewer with a weary and contemplative expression. His face is marked by the textures of age, with light originating from the upper left to cast shadows across the right side of his features, defining the forehead, cheekbone, and skin texture. A stark white beard and…
An elderly man sits within a frame of shadow and light. His face, etched with the textures of many years, turns toward the right while his eyes lock onto the viewer. A white beard descends in soft, defined strokes, catching the pale light that enters from the upper left. The background is a quiet expanse of ochre, burnt sienna, and deep umber, pressing close to the subject. He wears a…
Top of the list is Jacob Wrestling with the Angel (also known as La Lutte de Jacob) (1876). Right behind it: Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74) (1879) and Self-portrait (1918) (1918).
43 years old. Léon Bonnat was born in 1833, and Jacob Wrestling with the Angel (also known as La Lutte de Jacob) dates from 1876.
Jacob Wrestling with the Angel (also known as La Lutte de Jacob), Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74), Self-portrait (1918), ADAM ET EVE TROUVANT LE CORPS D'ABEL, Portrait of a woman, Fruela II of Asturias (king of Asturias from 910 to 925), John Taylor Johnston (1820–1893), Portrait of the count of Montalivet, Levi Parsons Morton a The Martyrdom of Saint Denis (also known as Martyr de Saint Denis). You'll find the year and the museum of each in the list above.
We have 141 works by Léon Bonnat in our catalogue, dated 1850 to 1918.
You'll find most of them in Musée d'Orsay (Paříž), Petit Palais (Paříž) a Musée Bonnat-Helleu (Bayonne). The museum list above has the full breakdown.
In 1880s, more than any other time: 22 of the 100 pieces on this page date from then, Portrait of a woman among them.
The earliest piece here is Portrait of Louise Lienhard (1850); the most recent is Self-portrait (1918) (1918).
Man (10), Portrait (6) a Dark background (5), out of the 100 pieces on this page.
Oil On Canvas, used in 13 of the 100 pieces on this page.
Academic realism a Realism, as you can see in the pieces on this page.
You can see 11 of the pieces on this page at the Musée d'Orsay, Paříž, including Portrait of a woman, Portrait of the count of Montalivet a Self-portrait / Portrait of a young Man.
Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.
Léon Joseph Florentin Bonnat se narodil v roce 1833 ve francouzském Bayonne a zemřel v roce 1922. Jehož raný život nabral zajímavý obrat, když se jeho rodina v roce 1846 přestěhovala do Madridu, kde jeho otec založil knihovnu. Tato relokace se ukázala jako klíčová pro umělecký rozvoj mladého Bonnata. Během pomáhání v obchodě si pilně kopíroval rytiny děl starých mistrů, čímž v sobě podsehl hlubokou vášeň pro kresbu a položil základy své budoucí kariére. V Madridu prošel formálním výcvikem u Madraza, než se vrátil do Paříže.
V Paříži se Léon Bonnat snažil o další zdokonalení svých dovedností a studoval u významných historických malířů, jako byli Paul Delaroche a Léon Cogniet. Navzdory několika pokusům nebyl okamžitě přijat do prestižní École des Beaux-Arts v rámci soutěže Prix de Rome. Stipendium z Bayonne mu však umožnilo strávit tři roky v Římě (1858–60), což byla zkušenost, která hluboce formovala jeho uměleckou vizi. Během tohoto období si navázal přátelství s fellow umělci, jako byli Edgar Degas, Gustave Moreau a sochař Henri Chapu. Styl Bonnata byl silně ovlivněn španělskými mistry – zejména Velázquezem a Jusepem de Ribera – stejně jako umělci jako Titian a Van Dyck, jejichž díla studoval s naprostou pečlivostí v muzeu Prado.
Bonnat si rychle vybudoval pověst předního portrétního malíře v Paříži, kde mu neustále přicházely zakázky. Jeho portréty odrážejí vliv jeho obdivovaných španělských předchůdců, charakterizovaný realismem, dramatickým světlem a psychologickou hloubkou. Pracoval také s náboženskými tématy a žánrovými obrazy zobrazujícími italské rolníky a občas se vydal i do orientalistických scén. Bonnatovo dílo je poznamenáno surovým naturalismem a absencí nadměrné povrchové vyhlazenosti, což jsou vlastnosti, které chválili kritici jako Théophile Gautier, jenž ho ve prospěch vyzdvihoval v kontrastu s více leštěným stylem, který reprezentoval Bouguereau.
Během své kariére dosáhl významného uznání. V roce 1869 získal v Paříži Medaili za zásluhy a byl jmenován Velkým důstojníkem Légie cti. V roce 1882 se stal profesorem na École des Beaux-Arts, kde mentoroval četné ambiciózní umělce, včetně Johna Singera Sargenta, Toulouse-Lautreca a Gustave'a Caillebotte'a. V roce 1905 nakonec nahradil jako ředitel školy Paula Duboise. Bonnatova pedagogická filozofie kladla důraz na jednoduchost, celkový efekt a precizní kreslické dovednosti. Mezi jeho nejdůležitější díla patří náboženské obrazy, jako jsou Kristus na kříži, Job a Svatý Vincent nahrazující dva vězni.
Bonnat zaujímal ve svém čase unikátní postavení v uměleckém světě, kdy sloužil jako most mezi akademickým malířstvím a nastupujícím impresionistickým hnutím. Jako člen Akademie držel administrativní moc nad Akademií i École des Beaux-Arts. Navzdory této příslušnosti k tradičním institucím podporoval nezávislé umělce, jako byli Edgar Degas nebo Auguste Rodin, a dokonce bránil podání Gustave'a Courbeta do Salonu. Jako důkaz vděčnosti za ranou podporu založil ve svém rodném městě Bayonne Musée Bonnat, které hostí výjimečnou sbírku kreseb starých mistrů spolu s jeho vlastními díly. Jeho odkaz žije v jeho obrazech, v jeho vlivné pedagogické kariéře i v muzeu, které založil, čímž uchoval umělecké dědictví pro budoucí generace.
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