Portrét John Simpson

Váš průvodce 20 nejslavnějšími obrazy autora John Simpson

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 22 děl umělce John Simpson v našem katalogu

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Nejslavnější dílo umělce John Simpson je The Duke of Wellington (1769–1852). Najdete ho v muzeu Royal Hospital Chelsea ve městě Londýn. Další v pořadí jsou Clarkson Frederick Stanfield (1829) a D. Maria II, Queen of Portugal (1819-1853) (1837). V našem katalogu máme 22 děl umělce John Simpson; tento průvodce vybral 20 nejznámějších z nich včetně roku vzniku, muzea a příběhu každého díla.

1782 – 1847, London Nejvíce děl: National Portrait Gallery

10 obrazů John Simpson, které je třeba znát jako první

1
The Duke of Wellington (1769–1852) od John Simpson

The Duke of Wellington (1769–1852)

Oil On Canvas · Royal Hospital Chelsea, Londýn

To gaze upon this depiction of the Duke of Wellington is to encounter not merely a likeness, but an embodiment of British martial spirit and enduring historical gravity. John Simpson has captured a moment steeped in ceremony and authority. The subject stands with an undeniable bearing, clad in formal attire that speaks volumes of his station—a man whose life was inextricably linked to the grand sweep of military history. His…

Ručně malovaná olejná reprodukce od $175 26 × 38 cm
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2
Clarkson Frederick Stanfield (1829) od John Simpson

Clarkson Frederick Stanfield

1829 · Oil · National Portrait Gallery, Londýn

A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his gaze drifts toward the same unseen horizon. The lighting is dramatic, a heavy chiaroscuro that spills from the upper left to catch the ridge of his brow and the bridge of his nose. This directional light carves his features out of a…

Ručně malovaná olejná reprodukce od $175 29 × 35 cm Velikost jako originál $289 64 × 77 cm Objednat v originální velikosti →
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3
D. Maria II, Queen of Portugal (1819-1853) (1837) od John Simpson

D. Maria II, Queen of Portugal (1819-1853)

1837 · Oil On Canvas · Imperial Museum of Brazil, Petrópolis

The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within an ornate, gilded throne that seems to grow from the very shadows of the room. The light catches the shimmering white of her satin gown, turning the fabric into a luminous landscape of folds and soft highlights. A vibrant sash, striped with…

Ručně malovaná olejná reprodukce od $175 28 × 36 cm
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4
Retrato de D. Pedro, Duque de Bragança (1834) od John Simpson

Retrato de D. Pedro, Duque de Bragança

1834 · Oil On Canvas

This formal and dignified 19th-century portrait depicts D. Pedro, Duque de Bragança in a three-quarter length composition. The subject is positioned slightly off-center, creating a sense of dynamic presence within the frame. He is dressed in an ornate military uniform, which is heavily adorned with medals, stars, and gold embroidery. A vibrant red and green ceremonial sash cuts across the dark tones of the attire, complemented by the bright white…

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5
Portrait of the Duke of Terceira (1832) od John Simpson

Portrait of the Duke of Terceira

1832 · Oil · Národní muzeum Soares dos Reis, Porto

John Simpson executed the Portrait of the Duke of Terceira about 1832. The sitter is António José Severim de Noronha, 1st Duke of Terceira, a prominent Portuguese military officer and statesman. His life was defined by significant political and military engagement during the nineteenth century.

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6
Prince Auguste de Beauharnais, Duke of Leuchtenberg (1834) od John Simpson

Prince Auguste de Beauharnais, Duke of Leuchtenberg

1834 · Oil On Canvas

The portrait titled Prince Auguste de Beauharnais, Duke of Leuchtenberg is a work by the artist John Simpson. The canvas captures Auguste Charles Eugène Napoléon de Beauharnais in a moment of formal stillness. He was a man of significant lineage, serving as the first prince consort of Maria II of Portugal. His presence in this work carries the weight of his many titles, including the 2nd Duke of Leuchtenberg and…

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7
Captain Peter Heywood (1773–1831) (1822) od John Simpson

Captain Peter Heywood (1773–1831)

1822 · Oil On Canvas · National Maritime Museum, Londýn

The man stares directly through the darkness, his gaze steady and unyielding. He sits enveloped in the heavy, dark atmosphere of the early 19th century, his presence defined by the sharp contrast of his military attire against an indistinct, shadowy background. A dark blue coat clings to his shoulders, weighted by the glint of gold epaulettes that signal his rank and the gravity of his station. His white shirt rises…

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8
William IV (1765–1837) (1830) od John Simpson

William IV (1765–1837)

1830 · Oil On Canvas

In this 1830 portrait, we find ourselves in the presence of William IV, a man whose likeness was captured during a period of significant transition in British history. The subject is positioned centrally, commanding the space with a quiet, regal authority. He is draped in formal attire that speaks to his high station, holding a scepter that serves as a direct symbol of his sovereign power. Behind him, a heavy…

Ručně malovaná olejná reprodukce od $175 25 × 39 cm
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9
Head of a Man ( Ira Frederick Aldridge) (1827) od John Simpson

Head of a Man ( Ira Frederick Aldridge)

1827 · Oil

The gaze of the subject meets the viewer through the layers of history in Head of a Man ( Ira Frederick Aldridge). This portrait, painted by John Simpson, captures a moment of profound stillness. The man stares into the distance, his thoughts seemingly drifting far beyond the edges of the frame. He wears a red robe that catches the light, a striking contrast against his dark skin. Around him, the…

Ručně malovaná olejná reprodukce od $175 28 × 36 cm
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10
Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes (1826) od John Simpson

Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes

1826 · Oil On Canvas

In this large-scale portrait, we encounter Sir John Fleming Leicester, 1st Lord de Tabley, captured in a moment of profound dignity. He is depicted in his peer's robes, a garment that carries the weight of his status and the recent elevation to the peerage in 1826. The subject is positioned with his back partially turned toward us, a choice that creates a sense of looking into a private, ceremonial space.…

Ručně malovaná olejná reprodukce od $175 24 × 42 cm
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Čísla 11 až 20: více obrazů od John Simpson

Co nejčastěji maloval John Simpson

Čtyři nejčastější motivy těchto děl, z nichž každý má svůj nejznámější příklad.

Kde si můžete prohlédnout obrazy autora John Simpson

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora John Simpson Obrazy z tohoto seznamu
National Portrait Gallery, LondýnNational Portrait Gallery Londýn 3 Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826), Sir Herbert Taylor
National Maritime Museum, LondýnNational Maritime Museum Londýn 2 Captain Peter Heywood (1773–1831), Clarkson Stanfield (1793–1867)
Royal Hospital Chelsea, LondýnRoyal Hospital Chelsea Londýn 1 The Duke of Wellington (1769–1852)
Imperial Museum of Brazil, PetrópolisImperial Museum of Brazil Petrópolis 1 D. Maria II, Queen of Portugal (1819-1853)
Národní muzeum Soares dos Reis, PortoNárodní muzeum Soares dos Reis Porto 1 Portrait of the Duke of Terceira
Leeds Civic Hall, LeedsLeeds Civic Hall Leeds 1 George Goodman, Mayor (1836)
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 1 Sir Charles Napier (1786–1860), Admiral
English Heritage, LondýnEnglish Heritage Londýn 1 Arthur Wellesley (1769–1852), 1st Duke of Wellington, KG

Dekáda po dekádě: nejznámější dílo každého John Simpson

Díla podle dekád

Vyberte si desetiletí a prohlédněte si jeho nejvýraznější dílo.

John Simpson: rychlé odpovědi o obrazech

Který obraz je nejznámější u John Simpson?Zobrazit odpověď

Na vrcholu žebříčku je The Duke of Wellington (1769–1852), Royal Hospital Chelsea, Londýn. Hned za ním následují: Clarkson Frederick Stanfield (1829) a D. Maria II, Queen of Portugal (1819-1853) (1837).

Jakých je 10 nejlepších obrazů umělce John Simpson?Zobrazit odpověď

The Duke of Wellington (1769–1852), Clarkson Frederick Stanfield, D. Maria II, Queen of Portugal (1819-1853), Retrato de D. Pedro, Duque de Bragança, Portrait of the Duke of Terceira, Prince Auguste de Beauharnais, Duke of Leuchtenberg, Captain Peter Heywood (1773–1831), William IV (1765–1837), Head of a Man ( Ira Frederick Aldridge) a Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes. Rok vzniku a muzeum každého díla najdete v seznamu výše.

Kolik děl umělce John Simpson se nachází ve vašem katalogu?Zobrazit odpověď

V našem katalogu máme 22 děl umělce John Simpson z let 1822 až 1841.

Ve kterých muzeích můžete vidět slavná díla umělce John Simpson?Zobrazit odpověď

Většinu z nich najdete v National Portrait Gallery (Londýn), National Maritime Museum (Londýn) a Royal Hospital Chelsea (Londýn). Seznam muzeí výše obsahuje podrobný přehled.

Kdy vytvořil/a John Simpson svá nejznámější díla?Zobrazit odpověď

V období 1830s, více než v jakémkoli jiném čase: 9 z 20 děl na této stránce pochází z této doby, z nichž D. Maria II, Queen of Portugal (1819-1853).

Jaká jsou první a poslední slavná díla umělce John Simpson?Zobrazit odpověď

Nejstarší dílo je z Captain Peter Heywood (1773–1831) (1822); nejnovější je z Sir Charles Napier (1786–1860), Admiral (1841).

Jaká témata maloval John Simpson nejčastěji?Zobrazit odpověď

Man (13), Dark background (5) a Portrait (4) z celkových 20 kusů na této stránce.

Která technika se nejčastěji objevuje v obrazech autora John Simpson?Zobrazit odpověď

Oil On Canvas, použito u 10 z 20 děl na této stránce.

Která slavná díla autora John Simpson se nacházejí v National Portrait Gallery?Zobrazit odpověď

Na této stránce můžete uvidět 3 děl v National Portrait Gallery, Londýn, včetně Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826) a Sir Herbert Taylor.

Kde si mohu objednat reprodukci John Simpson?Zobrazit odpověď

Ano. Každý obraz na této stránce je k dispozici jako ručně malovaná olejná reprodukce nebo jako tisk v rozměru, který vám vyhovuje. Pro objednání stačí otevřít stránku daného obrazu.

Příběh umělce John Simpson

John Simpson: A Life in Portraiture

Early Life and Training

  • Born in London in 1782, John Simpson embarked on a career as a portrait painter during a vibrant period of British art.
  • He received his foundational training at the prestigious Royal Academy, honing his skills and establishing himself within the artistic community.
  • Crucially, Simpson spent several years as an assistant to Sir Thomas Lawrence, PRA – a leading portraitist of the era. This mentorship profoundly shaped his style and approach to capturing likenesses.

Artistic Development and Style

  • Simpson’s early work reflects the influence of Sir Thomas Lawrence, characterized by a refined technique and attention to detail. He quickly gained recognition for his ability to create flattering and accurate portraits.
  • He exhibited regularly at the Royal Academy from 1807 until his death, demonstrating consistent productivity and engagement with the art world.
  • While primarily a portraitist, Simpson’s work occasionally ventured beyond conventional society portraiture, hinting at a broader artistic sensibility.

Major Achievements and Commissions

  • Royal Patronage: In 1834, Simpson received a significant commission to travel to Portugal and paint portraits in Lisbon.
  • His success led to an appointment as Painter to the Queen of Portugal, solidifying his reputation on the international stage.
  • Notable Sitters: Simpson painted numerous prominent figures, including William IV and many other notable individuals of his time. His portraits provide valuable visual records of British society during the 19th century.

‘The Captive Slave’ and Rediscovery

  • A Turning Point: Simpson's painting, ‘The Captive Slave,’ created a significant shift in his artistic legacy. It remained largely unseen for nearly 180 years.
  • Acquisition and Recognition: The Art Institute of Chicago acquired the work in 2008, bringing it to public attention.
  • Abolitionist Significance: ‘The Captive Slave’ is now recognized as a powerful statement against slavery. It demonstrates Simpson's capacity for venturing beyond conventional portraiture and engaging with important social issues.

Legacy and Historical Significance

  • Despite some contemporary criticism suggesting his work lacked “instinct and penetration,” John Simpson established a successful career as a respected portrait painter.
  • Family of Artists: He had two sons who also pursued artistic careers – Charles, who died young, and Philip, who found success with small domestic subjects.
  • Enduring Impact: The rediscovery of ‘The Captive Slave’ has elevated Simpson's status, highlighting his talent and the painting’s importance as a symbol of the abolitionist movement. He is now recognized not only for his technical skill but also for his contribution to social commentary through art.