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Lot
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Lot
Giclée / Umělecký tisk
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Popis sběratelského kousku
The Raw Essence of Form: Kiki Smith’s Lot
In the evocative sculpture Lot, the renowned German-American artist Kiki Smith invites viewers into a profound meditation on the human condition. This striking bronze work transcends mere representation, offering instead a visceral encounter with materiality and emotion. At first glance, the figure emerges from its dark pedestal as a study in organic abstraction, where the boundaries of the female form are softened by a deliberate, expressive texture. The sculpture does not seek to mimic life through anatomical perfection; rather, it captures the very essence of existence—the fragility, the weight, and the quiet resilience of the body. Through the medium of silica bronze and steel, Smith creates a presence that feels both ancient and urgently contemporary, grounding the viewer in a moment of deep introspection.
The technical mastery behind Lot lies in its masterful use of texture and light. The surface of the bronze is far from smooth; it is a landscape of ridges, imperfections, and tactile variations that suggest the very process of its creation. These rugged details, likely achieved through meticulous lost-wax casting, allow light to dance across the form in subtle gradations, creating shadows that lend the piece a rhythmic, breathing quality. This interplay of light and shadow avoids harsh contrasts, opting instead for a diffused glow that emphasizes the sculpture's soft, curvilinear silhouette. The choice of materials—the strength of steel paired with the earthy, weathered tones of bronze—mirrors the duality of the subject matter: the intersection of enduring strength and delicate vulnerability.
Deeply rooted in the traditions of Expressionism, Smith’s work bypasses the clinical detachment of Minimalism to touch upon something primal. The sculpture functions as a symbolic vessel for themes of introspection and the internal psyche. There is an inherent sense of solitude within the figure, a quietude that resonates with anyone who has sought refuge in self-reflection. For collectors and interior designers alike, Lot offers more than just a visual centerpiece; it provides an emotional anchor. Its understated color palette of greys and browns allows it to integrate seamlessly into sophisticated environments, while its powerful, abstract presence commands attention, making it an ideal choice for those looking to infuse a space with depth, history, and a sense of timeless grace.
Podobná umělecká díla
Biografie umělce
Kiki Smith
Kiki Smith (* 18. ledna 1954 Norimberk) je americká výtvarnice. Je dcerou amerického sochaře Tonyho Smithe a operní pěvkyně a herečky Jane Lawrence. Narodila se v Norimberku, ale již v roce 1955, před narozením svých sester, umělkyně Seton a herečky Beatrice, se rodina odstěhovala do New Jersey. V letech 1974 až 1975 studovala na Hartfordské škole umění v Connecticutu a v roce 1976 se usadila v New Yorku, kde působila v umělecké skupině Colab (Collaborative Projects), s níž měla v roce 1980 výstavu nazvanou The Times Square Show. První samostatnou výstavu (Life Wants to Live) měla v roce 1982 v prostoru The Kitchen na Manhattanu. V pozdějších letech měla desítky dalších výstav, její díla byla k vidění mj. na Whitney Biennial (1991, 1993, 2002), Biennale di Venezia (1993, 1999, 2005, 2009, 2017) a v Sanfranciském muzeu moderního umění (2005). V roce 2016 měla společnou výstavu se svou sestrou. V 80. letech natočila ve spolupráci s Ellen Cooper super8mm film Cave Girls. V roce 2022 vytvořila pět velkých mozaik pro interiér železniční stanice Grand Central Madison v New Yorku. ## Early Life and Education Smith's father was artist Tony Smith (American, 1912–1980), and her mother was actress and opera singer Jane Lawrence Smith. Although her work takes a very different form than that of her parents, early exposure to her father’s process of making geometric sculptures allowed her to experience Modernism's formal craftsmanship firsthand. Her childhood experience in the Catholic Church, combined with a fascination for the human body, shaped her artwork conceptually. ## Colab and Initial Artistic Exploration Smith joined Collaborative Projects (Colab), an artist collective operating on the fringes of the established art world, in 1976. Colab provided a fertile ground for experimentation, encouraging unconventional materials and radical approaches to art-making. This immersion into the vibrant, often chaotic energy of the East Village scene liberated Smith from traditional constraints, allowing her to explore themes previously considered taboo or marginalized. ## Body Art and AIDS Awareness Prompted by her father’s death in 1980, and the subsequent death of her sister Beatrice “Bebe” Smith, due to AIDS in 1988, Smith began an ambitious investigation of mortality and the physicality of artmaking. Her sculptural explorations focused on confronting themes of vulnerability, resilience, and societal stigma—particularly concerning the AIDS crisis. She utilized materials like silicone bronze and forged steel to create figures that challenged conventional notions of beauty and representation. ## Major Works and Recognition Throughout her career, Smith consistently pushed boundaries, creating works that are both deeply personal and universally resonant. Her sculptures were exhibited at prestigious institutions worldwide, earning her numerous awards and honors, including election to the American Academy of Arts and Letters. She is recognized as a pivotal figure whose unflinching exploration of challenging subjects has profoundly influenced feminist art, contemporary sculpture, and our understanding of the human condition.
Kiki Smithová
1954 - , Německo
Rychlé fakta
- Artistic Movement Or Style: Minimalismus / Anti-Form
- Artists Who Influenced This Artist:
- Tony Smith
- Louise Bourgeois
- Eva Hesse
- Date Of Birth: 18. ledna 1954
- Full Name: Kiki Smith
- Nationality: Američanka / Němka
- Notable Artworks:
- Io Standing
- Mary Magdalene
- Homespun Tales
- Place Of Birth: Norimberk, Německo
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