SOB, SOB
Contemporary Realism
2003
274.0 x 183.0 cm
Giclée / Umělecký tisk
Giclée nebo plátěný tisk muzeální kvality s rychlou výrobou a flexibilními možnostmi povrchové úpravy.
Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.
Můžete zadat vlastní rozměry tak, aby výtvor odpovídal konkrétnímu rámu nebo prostoru. Pokud zvolená velikost nebude odpovídat poměru stran původního obrazu, dílo buď ořížeme, nebo obraz rozšíříme pomocí zrcadlového efektu či jednobarevného okraje. Před zahájením výroby vám bude zaslán digitální náhled k schválení.
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Ačkoliv jsou k dispozici i vlastní rozměry, pro zachování původních proporcí doporučujeme vybrat si rozměr z předdefinovaného seznamu.
Celosvětové doručení () do 2 týdnů namísto standardních 4/5 týdnů. (17 červenec)
Zdarma celosvětová expresní doprava
Vysoce kvalitní lněné plátno
Kompletní přepravní pojištění
Záruka vrácení celního poplatku
Záruka přesného barevného shodu
60denní lhůta pro vrácení zboží (pouze při vadách výroby)
100% garance vrácení peněz
Sleva při hromadné objednávce
SOB, SOB
Giclée / Umělecký tisk
Rozměry reprodukce
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Celková cena za výběr
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Podobná umělecká díla
Biografie umělce
Kerry James Marshall: A Visionary Confronting Racial Stereotypes
Kerry James Marshall (born October 17, 1955) is an American artist renowned for his monumental paintings and sculptures that grapple with themes of race, identity, and the legacy of the Civil Rights Movement. Raised in Birmingham, Alabama, Marshall’s formative years were deeply impacted by the Watts riots of 1965—a pivotal moment shaping his artistic perspective and fueling a lifelong commitment to exploring the complexities of Black experience within American culture. He moved to Los Angeles as a child, immersing himself in the vibrant energy of South Central and encountering the influence of figures like Charles White, who instilled in him a foundational understanding of social realism and artistic responsibility. Marshall earned his BFA from Otis College of Art and Design in 1978, where he honed his skills in drawing and sculpture—techniques that would become integral to his distinctive visual language. His early work immediately distinguished itself through its bold use of dark hues, primarily black, representing a deliberate rejection of traditional Western art conventions and challenging prevailing stereotypes about Black figures. This stylistic choice wasn’t merely aesthetic; it was a conscious effort to confront societal biases and reclaim narratives marginalized by history. His artistic journey gained significant momentum in the 1980s and 1990s, during which Marshall developed his signature style—characterized by monumental canvases populated with stylized Black figures rendered in starkly contrasting colors. Influenced by artists like Picasso and Rembrandt, Marshall skillfully employed techniques borrowed from art history to elevate African American subjects into positions of dignity and complexity. He sought to disrupt visual hierarchies established centuries earlier, asserting that “Black people occupy a space, even mundane spaces, in the most fascinating ways.” Marshall’s exploration of cultural references extended beyond traditional painting—he incorporated elements of popular culture, such as comic books and advertising imagery, into his artworks. This approach underscored his belief that art should engage with contemporary realities while simultaneously acknowledging the enduring impact of historical narratives. His work has been exhibited extensively throughout Europe and North America, garnering critical acclaim for its intellectual rigor and emotional depth. Throughout his career, Marshall’s artistic endeavors have consistently addressed issues of representation and social justice. He received a MacArthur Fellowship in 1997—a prestigious honor recognizing his groundbreaking contributions to the visual arts—and was appointed by President Barack Obama to the President's Committee on the Arts and Humanities in 2013. His monumental sculpture *A Monumental Journey*, installed in Hansen Triangle Park, Des Moines, Iowa, solidified his reputation as a visionary artist committed to public engagement and artistic innovation. Recent exhibitions at institutions like the National Gallery of Art, Washington D.C., Kunsthaus Zürich, and Musée d’Art Moderne de Paris have further cemented Marshall's place among the most influential artists of our time.- Notable Exhibitions: Documenta X (1997), Whitney Biennial (2008), Venice Biennale (2015), Royal Academy Exhibition (2016)
- Awards & Honors: MacArthur Fellowship (1997), Guggenheim Fellowship (2003)
- Publications: *Kerry James Marshall: Mastry* (Museum of Contemporary Art Chicago, 2016); *Kerry James Marshall: Painting and Other Stuff* (National Gallery of Art, Washington D.C., 2013)
Rychlé fakta
- Artistic Movement Or Style: Neo-Expressionism
- Artists Or Movements Influenced By This Artist: ['Renaissance Painting']
- Artists Who Influenced This Artist: ['Charles White']
- Date Of Birth: October 17, 1955
- Date Of Death: Living
- Full Name: Kerry James Marshall
- Nationality: American
- Notable Artworks:
- Small Pin-Up (Fingerwag)
- Scout (Girl)
- Place Of Birth: Birmingham, Alabama

Skleněná varianta je dostupná pouze u rozměrů menších než 110 cm
