Charles Philipon
Sculpture Bronze
Surrealism
1833
16.0 x 13.0 cm
Musée d'Orsay
Giclée / Umělecký tisk
Giclée nebo plátěný tisk muzeální kvality s rychlou výrobou a širokou nabídkou povrchových úprav. ( Objednat ručně malovanou reprodukci
Přepnout na digitální verzi obrazu)
Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.
Můžete zadat vlastní rozměry tak, aby výtvor odpovídal konkrétnímu rámu nebo prostoru. Pokud zvolená velikost nebude odpovídat poměru stran původního obrazu, dílo buď ořížeme, nebo obraz rozšíříme pomocí zrcadlového efektu či jednobarevného okraje. Před zahájením výroby vám bude zaslán digitální náhled k schválení.
Mějte prosím na paměti, že náhled na obrazovce neodráží skutečné oříznutí nebo rozšíření. Pouze digitální náhled přesně zobrazí finální kompozici.
Ačkoliv jsou k dispozici i vlastní rozměry, pro zachování původních proporcí doporučujeme vybrat si rozměr z předdefinovaného seznamu.
Celosvětové doručení () do 2 týdnů namísto standardních 4/5 týdnů. (24 září)
Zdarma celosvětová expresní doprava
Vysoce kvalitní lněné plátno
Úplné pojištění přepravy
Záruka vrácení celního poplatku
Záruka věrného barevného shodu
100dení lhůta pro vrácení zboží (pouze při vadách výroby)
100% garance vrácení peněz
Sleva při více objednávkách
Charles Philipon
Giclée / Umělecký tisk
Velikost reprodukce
-
Celková cena
$ 62
A Portrait of Unease: Exploring Honoré Daumier’s “Charles Philipon”
Honoré Daumier's "Charles Philipon," completed in 1833, transcends mere portraiture; it embodies a haunting meditation on aging, duality, and the anxieties inherent within human consciousness. This sculpture, measuring 16 x 13 cm, resides within a realm of surrealism tempered by Daumier’s masterful draftsmanship—a stylistic fusion that continues to captivate audiences today. Examining its intricacies reveals layers of artistic intention and social commentary, cementing its place as a cornerstone of French Realist art.The Subject Matter: A Fragmented Reflection
Daumier's subject is Charles Philipon, a prominent Parisian journalist known for his outspoken critiques of the monarchy and societal conventions. However, Daumier doesn’t present Philipon as a heroic figure or a polished diplomat; instead, he depicts him as an elderly man whose face is fractured into multiple expressions—a disconcerting visual metaphor for the complexities of human experience. The artist deliberately eschews idealized beauty, opting for a raw portrayal that confronts viewers with uncomfortable truths about mortality and psychological vulnerability. This decision aligns perfectly with Daumier’s broader artistic mission: to expose hypocrisy and challenge established norms through unflinching observation.Style and Technique: Sculptural Expressionism
The sculpture's style is undeniably expressive realism, pushing beyond the conventions of academic portraiture toward a more emotionally resonant aesthetic. Daumier employs a technique characterized by meticulous layering and building up the form using plaster or clay—a process that meticulously captures textural nuances and imbues the piece with palpable physicality. The sculptor’s hand achieves remarkable detail in rendering the wrinkled skin, furrowed brow, and subtly shifting gaze of Philipon's face. Crucially, Daumier abandons traditional perspective, flattening the image to heighten the impact of the sculptural surface—a deliberate stylistic choice that emphasizes the immediacy of observation and invites contemplation about the figure’s inner state. The rough texture is not merely decorative; it serves as a conduit for conveying emotion and suggesting the passage of time.Historical Context: Parisian Satire Amidst Reform
“Charles Philipon” emerged during a period of significant social upheaval in France—the Bourbon Restoration following Napoleon's defeat. Daumier’s work reflects the anxieties surrounding this era, capturing the pervasive disillusionment felt by intellectuals and artists who witnessed the return of autocratic rule. Simultaneously, the sculpture engages with the burgeoning movement for artistic reform championed by Impressionists and Realists alike. Daumier’s rejection of idealized beauty aligns with a broader critique of academic art's preoccupation with mythological narratives and historical grandeur—a stance that prioritizes psychological truth over aesthetic embellishment.Symbolism: Faces Within Faces
The sculpture’s central motif – the multiple faces emerging from Philipon’s hair – operates on several symbolic levels. These superimposed expressions represent not only the multifaceted nature of human personality but also the inescapable confrontation with mortality and decay. The fractured visage speaks to the fragmentation of identity as one ages, mirroring the anxieties surrounding societal change and the loss of certainty. Furthermore, Daumier's deliberate distortion of facial features underscores his artistic conviction that art should challenge conventional perceptions and provoke emotional responses—a testament to the enduring power of visual storytelling.Emotional Impact: A Momentary Pause for Reflection
Ultimately, “Charles Philipon” compels viewers to confront uncomfortable truths about human existence. Its unsettling gaze invites introspection, prompting consideration of themes such as aging, vulnerability, and the inescapable awareness of our own mortality. Daumier’s masterful execution ensures that this emotional resonance persists long after initial viewing—a lasting legacy for one of France's most perceptive artists.Související díla
Biografie umělce
A Life Etched in Satire: The World of Honoré Daumier
Honoré-Victorin Daumier, born in Marseille in 1808, was a figure inextricably linked to the turbulent currents of 19th-century France. His early life, shaped by his father’s aspirations as a poet and subsequent relocation to Paris in 1814, immersed him within a city already brimming with artistic fervor. Initially destined for a legal career, Daumier's inclination swiftly shifted towards the visual arts. He began his apprenticeship under Alexandre Lenoir, absorbing the classical techniques and dramatic chiaroscuro favored by Rubens, and further honed his skills at the Académie Suisse. This foundational training wasn’t merely about mastering technique; it was about cultivating a profound sensitivity to the social injustices and political absurdities that permeated Parisian society – an awareness he would translate into his art with searing accuracy.The Sharpened Pen: Caricature and Social Commentary
Daumier's career truly ignited in the wake of the 1830 Revolution, an event that fundamentally reshaped France’s political landscape and simultaneously provided a fertile ground for his burgeoning satirical talent. He quickly established himself as a master lithographer, initially contributing anonymously to various publications before gaining recognition through his work with *Le Charivari*, a fiercely independent comic journal founded by Charles Philipon. It was within the pages of *Le Charivari* that Daumier’s genius truly blossomed. His caricatures weren't simply humorous illustrations; they were biting critiques, exposing the hypocrisy and corruption of the bourgeoisie, the failings of the legal system, and the machinations of the political establishment. He fearlessly lampooned King Louis-Philippe, a figure he viewed as weak and indecisive, earning himself a six-month imprisonment in 1832 for a particularly provocative caricature depicting the monarch as a bloated, decadent figure. This experience, rather than silencing him, served to solidify his commitment to using art as a weapon against injustice – a conviction that fueled his prolific output for decades. His lithographs became visual manifestos, capturing the spirit of dissent and offering a starkly honest portrayal of the realities faced by ordinary people. The sheer volume of his work during this period is staggering—thousands of lithographs documenting Parisian life, political events, and social commentary.Beyond Caricature: Painting and Sculptural Visions
While Daumier is most widely celebrated for his lithography, to reduce him solely to caricature would be a profound oversight. He was also a dedicated painter and sculptor, though recognition for these works came later in his life. His paintings, often depicting scenes of everyday Parisian life – the crowded third-class carriages, the weary laundresses, the pompous lawyers – are imbued with a remarkable sense of realism and empathy. They aren’t idealized representations; rather, they offer unflinching glimpses into hardship, poverty, and the struggles of ordinary people. He masterfully employed loose brushwork and dramatic lighting to convey emotion and atmosphere, anticipating some of the techniques that would later be embraced by the Impressionists. His sculptural work, largely created in clay (many pieces remaining unbaked during his lifetime), reveals a similar commitment to capturing the human form with honesty and emotional depth. These sculptures, rediscovered after his death, demonstrate a remarkable talent for modeling and an ability to convey psychological complexity through subtle gestures – a testament to Daumier’s profound understanding of the human condition.A Lasting Legacy: Influence and Historical Significance
Honoré Daumier's impact on art history is undeniable. He bridged the gap between Romanticism and Realism, laying the groundwork for future generations of artists who sought to depict the world as it truly was – with all its flaws and imperfections. His unflinching social commentary profoundly influenced artists like Gustave Courbet and Édouard Manet, both of whom embraced a more direct engagement with social issues in their work. Furthermore, Daumier’s innovative use of lithography revolutionized printmaking, transforming it from a primarily decorative medium into a powerful tool for political and social critique. His legacy continues to resonate today, reminding us of the enduring power of art to challenge authority, expose injustice, and bear witness to the complexities of the human experience. The Musée d'Orsay in Paris houses a significant collection of his paintings and sculptures, offering visitors a valuable opportunity to immerse themselves in the world he so vividly portrayed. His lithographs are widely accessible through collections like those found on ArtsDot, ensuring that his satirical genius continues to provoke thought and inspire dialogue – a testament to an artist who dared to hold power accountable. Daumier wasn’t merely an artist; he was a chronicler of his time—a visual poet whose art served as both entertainment and a potent form of social protest.Honoré Daumier
1808 - 1879 , Francie
Rychlé informace
- Artistic Movement Or Style: Realismus, Satira
- Artists Or Movements Influenced By This Artist: ['Impressionismus']
- Artists Who Influenced This Artist:
- Lenoir
- David
- Date Of Birth: 26. února 1808
- Date Of Death: 10. února 1879
- Full Name: Honoré-Victorin Daumier
- Nationality: Francouzský
- Notable Artworks:
- Rue Transnonain
- Les gens de justice
- Place Of Birth: Paříž, Francie

Skleněná varianta je dostupná pouze u rozměrů menších než 110 cm
