Red
18.0 x 25.0 cm
Biennale Internazionale dell'Antiquariato di Firenze
Ručně malovaná olejová reprodukce
Ručně malovaná olejná barva na plátně ve vašem zvoleném rozměru i s rámem, vyrobená našimi umělci na zakázku. ( Koupit tisk
Koupit obrázek)
Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.
Můžete zadat vlastní rozměry pro konkrétní rám nebo prostor. Pokud se vámi vybraná velikost neshoduje s proporcemi původního obrazu, dílo buď ořízneme, nebo jej doplníme ručně malovanými prvky. Před zahájením výroby vám bude zaslán digitální náhled ke schválení.
Upozorňujeme, že náhled na obrazovce neodpovídá skutečnému ořezu ani rozšíření. Pouze digitální náhled přesně zobrazí finální kompozici.
Ačkoliv je možné zvolit vlastní velikost, pro zachování původních proporcí doporučujeme vybrat rozměr z předdefinovaného seznamu.
Po přijetí objednávky vám tým ArtsDot.com zašle e-mail s pokyny a poskytne náhledovou verzi.
Celosvětová doprava () za 3–4 týdny namísto standardních 5 týdnů. (7 září). Bez kompromisů v kvalitě.
Zdarma celosvětová expresní doprava
Vysoce kvalitní lněné plátno
Kompletní přepravní pojištění
Záruka vrácení celního poplatku
Záruka přesného barevného shodu
100dená lhůta pro vrácení zboží (pouze při vadách)
100% garance vrácení peněz
Sleva při hromadné objednávce
Red
Technika reprodukce
Rozměry reprodukce
-
Celková cena za výběr
$ 263
Podobná umělecká díla
Biografie umělce
Agostino Bonalumi: Pioneer of Spatial Painting and Environmental Sculpture
Agostino Bonalumi (1935-2013) stands as a pivotal figure in Italian postwar art, recognized for his groundbreaking approach to painting – what he termed “pittura oggetto” – which fundamentally challenged conventional artistic boundaries. Born in Milan, Italy, Bonalumi’s formative years were marked by an early fascination with technical drawing and sculpture, nurtured during his studies at the Politecnico di Milano. His artistic journey commenced with a youthful foray into avant-garde circles, culminating in his debut exhibition at the Premio Nazionale Città di Vimercate in 1948 – an astonishing achievement for someone barely thirteen years old—demonstrating an innate talent and unwavering dedication to experimentation.- Early Influences: Bonalumi’s artistic sensibilities were profoundly shaped by the burgeoning Surrealist movement, particularly the work of René Magritte and Giorgio Morandi, fostering a preoccupation with illusion and perception.
- Collaboration with Lucio Fontana & Enrico Castellani: A crucial turning point arrived in 1958 when he joined forces with Enrico Castellani and Piero Manzoni, establishing a collaborative dialogue that would propel them into the heart of the Zero movement – an international avant-garde initiative spearheaded by Lucio Fontana.
- The Birth of Pittura Oggetto: This collaboration cemented Bonalumi’s commitment to “pittura oggetto,” a revolutionary concept wherein painting transcends its traditional canvas surface, becoming an immersive environmental experience. Fontana's pioneering perforations served as inspiration for Bonalumi's exploration of spatial dimensions and materiality.
The Zero Movement & Spatial Exploration
Bonalumi’s involvement with the Zero movement solidified his position at the forefront of artistic innovation. Alongside Castellani, Manzoni, and Fontana, he championed a radical rejection of representational art, prioritizing geometric forms and textural surfaces to evoke sensory perceptions beyond visual sight. The resulting sculptures – often monumental installations crafted from polyurethane foam – were conceived as “environmental paintings,” designed to envelop viewers in a dynamic interplay of color and form. These works interrogated the relationship between perception and reality, mirroring the broader philosophical concerns of the era.- Notable Exhibitions: His artistic reputation grew exponentially through participation in landmark exhibitions such as "Zero" in London (1964) and “Zero Avantgarde” touring exhibition beginning in Lucio Fontana’s studio in Milan (1965), attracting considerable international acclaim.
- Connections with German Art Scene: Bonalumi cultivated strong ties with the German art scene, fostering collaborations with Udo Kultermann and Galerie M.E., establishing himself as a respected voice within European artistic discourse.
Technique & Artistic Vision
Bonalumi’s distinctive technique involved meticulously crafting polyurethane foam sculptures using molds and vacuum chambers – a process that demanded precision and technical mastery. However, his artistic vision extended far beyond mere craftsmanship; it centered on capturing fleeting moments of atmospheric conditions—particularly sunlight—and translating them into vibrant color fields. These paintings, characterized by their luminous hues and textured surfaces, represented a deliberate departure from traditional painting conventions, prioritizing emotional resonance over literal depiction. His work embodies an unwavering belief in the transformative power of art to engage viewers’ senses and provoke contemplation about the nature of existence.Legacy & Recognition
Throughout his prolific career, Bonalumi garnered considerable recognition for his contributions to contemporary art history. Arturo Schwarz championed his artistic endeavors, organizing exhibitions that showcased his evolving oeuvre and securing his place among Italy's most influential sculptors. His monograph by Gillo Dorfl meticulously documented his artistic trajectory, cementing his legacy as a visionary artist who reshaped the landscape of abstract painting and environmental sculpture—a testament to his enduring influence on subsequent generations of artists.Agostino Bonalumi
1935 - 2013
Rychlé fakta
- Artistic Movement Or Style: Zero movement; Pittura Oggetto
- Artists Or Movements Influenced By This Artist: ['Zero movement']
- Artists Who Influenced This Artist: ['Lucio Fontana']
- Date Of Birth: July 10, 1935
- Date Of Death: September 18, 2013
- Full Name: Agostino Bonalumi
- Nationality: Italian
- Notable Artworks:
- Untitled (123)
- Untitled (226)
- Bianco, 1967
- Place Of Birth: Italy

Skleněná varianta je dostupná pouze u rozměrů menších než 110 cm