The Little Orme
1897
35.0 x 52.0 cm
Llyfrgell Genedlaethol Cymru / The National Library of Wales
Жикле / Художествен принт
Giclée печат или принт върху платно с музейно качество, бързо производство и гъвкави опции за завършен вид.
Изберете от предварително зададените размери, които съответстват на оригиналните пропорции на произведението.
Можете да въведете собствени размери, за да паснат на конкретна рамка или пространство. Ако избраният от Вас размер не съвпада с пропорциите на оригиналното изображение, ние ще изрежем произведението или ще разширим изображението с огледален или едноцветен ръб. Дигитален макет ще бъде изпратен за Ваше одобрение преди започването на производството.
Моля, имайте предвид, че предпрегледът на екрана не отразява реалното изрязване или разширяване. Само макетът ще покаже точно финалната композиция.
Въпреки че са налични персонализирани размери, препоръчваме да изберете размер от предварително дефинирания списък, за да запазите оригиналните пропорции.
Доставка по целия свят () в рамките на 2 седмици вместо стандартните 4/5 седмици. (14 Юли)
Безплатна експресна доставка по целия свят
Висококачествено ленено платно
Пълно застраховане при доставка
Гаранция за възстановяване на митнически такси
Гаранция за цветова точност
60-Дневен период за връщане (Само при дефекти)
100% Гаранция за връщане на парите
Предложение за отстъпка при поръчка на едро
The Little Orme
Жикле / Художествен принт
Размер на репродукцията
-
Обща цена
-
Биография на художника
John Finnie (1829–1907): A Pioneer of Welsh Landscape Painting and Mezzotint Engraving
John Finnie was a Scottish landscape painter and engraver whose meticulous mezzotint prints and evocative oil paintings captured the beauty of Wales, particularly Snowdonia, establishing him as one of the foremost artists of his era. Born in Aberdeen in 1829, he possessed an innate talent for observation and artistic expression that would define his lifelong career. His formative years were spent honing skills in painting and japanning – crafts reflecting the industrial spirit of Victorian Scotland – before embarking on a path toward formal artistic training at Edinburgh and Newcastle. A pivotal moment arrived with his enrollment at William Bell Scott’s School of Design in Newcastle, where he immersed himself in the burgeoning realist movement and developed a mastery of etching techniques. This experience profoundly shaped Finnie's artistic sensibilities, fostering an unwavering dedication to capturing natural landscapes with unparalleled accuracy and emotional resonance. By 1853, he relocated to London, furthering his studies at Marlborough House and establishing himself as a teacher, cementing his role in nurturing the next generation of British artists. From 1855 until his retirement in 1896, Finnie served as Headmaster of Liverpool Mechanics Institute and School of Art – a position that cemented his influence on artistic education and fostered a vibrant creative environment within the city. During this period, he became an ardent supporter of the Royal Academy and actively participated in its exhibitions, showcasing his evolving style and securing recognition for his contributions to British art history. His involvement extended beyond painting; he was president of the Artists’ Club and the Liverpool Sketching Club, demonstrating a commitment to artistic discourse and collaboration. Finnie's artistic journey began with early etchings like “Head of Windermere” (1864), showcasing his initial exploration of mezzotint engraving – a technique he would champion throughout his career. He skillfully utilized this medium to produce stunningly detailed prints of Snowdonia and other Welsh landscapes, capturing the dramatic grandeur of the mountains and the subtle nuances of light and atmosphere. Notable works include “Chester with St John’s Church” (1865), "A Member of the Naval Reserve" (1862) and “Gathering Wild Flowers” (1865). These paintings exemplify Finnie's signature style: precise observation combined with expressive brushwork, resulting in images that convey both scientific accuracy and profound emotional depth. Finnie’s legacy resides not only in his artistic output but also in his role as a transformative figure within Liverpool’s art scene. He championed realism and meticulous detail, influencing countless aspiring artists and shaping the aesthetic landscape of Victorian Britain. His paintings are prominently displayed in the Walker Art Gallery in Liverpool and Portsmouth Museum, ensuring that his remarkable vision continues to inspire admiration and scholarly study. Furthermore, St John's College Cambridge holds a collection of Finnie’s artworks, showcasing his enduring contribution to British art heritage.John Finnie
1829 - 1907
Бързи факти
- Artistic Movement Or Style: Romantic/Realist
- Artists Or Movements Influenced By This Artist: ['Caravaggio']
- Artists Who Influenced This Artist: ['William Bell Scott']
- Date Of Birth: 1829
- Date Of Death: 1907
- Full Name: John Finnie
- Nationality: Scottish
- Notable Artworks:
- Chester with St John's Church
- A Member of the Naval Reserve
- Gathering Wild Flowers
- Place Of Birth: Aberdeen, Scotland

Стъклото е налично само в размери под 110 см